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Shedding New Light on Biltmore’s Halloween Room

All Things Biltmore • 10/10/19

Written By Leslie Klingner

Witches, bats, and black cats don’t usually come to mind when you think of Biltmore, but deep in the basement of America’s largest home, there’s a cavernous room with brick walls painted in brightly-colored murals depicting such creatures.

The paintings include characters from folklore, a platoon of wooden soldiers, and other imaginative imagery that eventually caused this area to be dubbed The Halloween Room.

Soldiers painted on the walls of Biltmore's Halloween Room
Soldiers depicted in Halloween Room mural

For many years, the colorful murals remained a bit of a mystery, with some thought that the room was the scene of a 1920s Halloween weekend house party during which guests of John and Cornelia Cecil were invited make their mark on the walls.

Subsequent research revealed, however, that the paintings were created in December 1925 to prepare the room for a New Year’s Eve celebration–but that still didn’t explain the slightly eerie tone of the murals.

New Discoveries

Theatrical program for La Chauve-Souris
Theatrical program for La Chauve-Souris

Leslie Klingner, Curator of Interpretation, recently discovered an obscure connection between the scenes on the walls and an avant-garde Russian cabaret and theatrical troupe called La Chauve-Souris, which translates to The Bat.

The troupe toured America in the 1920s, performing on Broadway in 1922 and again in 1925. The vaudevillian comedic acts were set off by abstract sets designed by two Russian artists, Sergei Sudeikin and Nicolai Remisoff. The show met with great success, triggering a rage for all things Russian in New York City and beyond.

The Cecils must have been fans of the cabaret as they and their friends created their own version of La Chauve-Souris on the basement walls of Biltmore House. Most of the murals were drawn directly from Remisoff and Sudeikin’s illustrations for the theatrical program. 

Staff looks at an archival copy of La Chauve-Souris theatrical program
Leslie Klinger looks at an archival copy of the La Chauve-Souris program

After three weeks of painting, the Cecils hosted a gypsy-themed ball on December 30, 1925, as part of their New Year’s celebration.

“This connection was really exciting to me because we didn’t expect it at all,” Leslie said. “It wasn’t until I read an autobiography of a local man who went to that party that I put it together.”

“The best party I have ever attended”

Halloween Room mural in Biltmore House
Painted scenes in the Halloween Room

The Charleston Daily Mail reported that 100 guests attended the Cecil’s New Year’s Eve festivities. One costumed attendee, local resident James G.K. McClure, recalled arriving in the basement of Biltmore with his wife Elizabeth, armed with a guitar and an old accordion, to find a room full of “all kinds of gypsy atmosphere such as cauldrons and pots and glowing fire … all around.” 

Enchanted by the unexpected theatrics, he wrote a detailed account of the holiday soiree to a friend, describing “a gypsy dance at Biltmore House which was the best party I have ever attended.”

Originally designed for storage, The Halloween Room currently showcases a video about the creation of Biltmore and the collaboration by estate founder George Vanderbilt, architect Richard Morris Hunt, and landscape architect Frederick Law Olmsted.

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Shelley Watkins
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Shelley Watkins

MR. Cecil himself, told me to take special notice of the black cat in the Halloween room as he drew it himself as a young boy. I am now almost 68 and I was a young woman when he met us at the front door and took our small entrance fee, I think$ 3.50 to walk through the home. I remember it all and the changes I’ve seen over the years and now my husband and I are Passholders. We hope to make a reservation to celebrate our 40th wedding anniversary this December at the Biltmore and are so proud… Read more »

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