A Perfect Arrangement

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For Your Home, From Our Gardens

The Biltmore Floral Team created a pair of stunning floral arrangements to brighten up our For Your Home  booth at a recent wedding show. The talented team members crafted the arrangements to feature greenery from Biltmore’s historic gardens as well as gorgeous flowers.

The results were so beautiful that we asked Biltmore Floral Design Manager Cathy Barnhardt to share her expert “how-to” tips and suggestions for bringing the outdoors indoors with a similar arrangement for your own home.

Bring the outdoors in

“First of all,” Cathy said, “these arrangements showcase a great mix of ‘florist flowers’ as well as greens cut straight from our gardens.”

To highlight the feeling and the fragrance of spring, Cathy and her team chose blue delphinium, deliciously-scented white stock, some lovely cream ‘Virginia’ roses, and a handful of tulips. The greenery was all gathered from the gardens at Biltmore.

“If you have access to a garden or wooded area, this is a great way to bring the outdoors into your arrangements and your home, and it makes it even more personal that you provided the greenery yourself rather than choosing it from a flower shop.”

“To really highlight the outdoor feeling,” said Cathy, “we used long tendrils of ivy, snips of rosemary from the herb garden, a few fern fronds, and even some pieces of red twig dogwood. This mix of textures helps us create an arrangement that is both elegant and richly textured, much like the feel of a cottage garden.”

Ready to try it at home?

“The most helpful trick in this kind of arrangement is to remember how things grow naturally in the garden,” Cathy explained. “Place your flowers in groups or clusters rather than scattering them throughout the arrangement. That will give it style, but it will still feel organic and natural.”

Behind the scenes

“One of the most fun ‘perks’ my team enjoys,” Cathy told us, “is having cutting privileges in the historic gardens and natural areas around Biltmore. Any time of year, we can find something interesting to include in our arrangements that comes directly from the estate and reflects both the current season and elements of the original landscape design.”

Darren's favorite thing

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For Darren Poupore, Chief Curator, trying to select just one thing as his favorite “is like picking your favorite child.”

His job involves researching and interpreting the history of Biltmore, including taking stock of the history of the home’s interiors, the collections, family history, and the history of the estate and land. He is also involved in planning and managing room restorations and development of new tours in Biltmore House.

That level of familiarity only makes it more difficult to identify one item as his personal favorite, but after much thought, he chose the architectural model of Biltmore House.

The model, located on the Fourth Floor in the appropriately-named Architectural Model Room, was commissioned by architect Richard Morris Hunt in 1889. Hunt wanted to show client George Vanderbilt how his home in the North Carolina mountains would appear—a structure inspired by French Renaissance châteaux in the Loire Valley that the two had previously visited.

The detailed model illustrates the steeply pitched roof, dramatic stair tower, and richly ornamented windows and doors that mark Biltmore’s distinctive design.

New York newspapers had speculated about what George Vanderbilt’s home might look like, so it’s not surprising the first public viewing of the model at Hunt’s offices was a media event. “The crowd feasted their eyes on its towers and turrets, its suggestion of magnificent distances and imposing proportions,” according to newspapers of the time.

For years, the model was displayed in Biltmore House’s Basement. In 2005, a large oak cabinet was discovered in storage that perfectly fit the model’s dimensions, indicating that Vanderbilt intended for it to be part of his furnishings. The model and its original base were reunited and moved to its present location, which you can see on the Behind-the-Scenes Rooftop Tour.

So is this an exact model of Biltmore House? For most of us, yes. But not for Darren.

“If you look closely, you can see subtle differences between it and the finished house,” he said. “I’ll leave it at that.”

A Beautiful Inspiration

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The Whitney Collection  

Blooming with fresh, stylized flowers and warm colors, the lovely Whitney Quilt Collection adds a charming feminine note to any bedroom. The playful floral designs are inspired by the beds in the Watson Room in Biltmore House—a guest bedroom that was often occupied by one of George Vanderbilt’s nieces, like the elegant Miss Gertrude Vanderbilt (Whitney) for whom this collection is named.

The Whitney Quilt Collection and other pieces are available from our partner Belk and our For Your Home Collection. See them here.

Gertrude’s Visit

George Vanderbilt opened Biltmore House to his family and friends for the first time on Christmas Eve in 1895. It was a merry house party by all accounts, and included his mother and many of his nieces and nephews—some of whom were close to George Vanderbilt in age.

Gertrude Vanderbilt was one of George Vanderbilt’s nieces, and she was 18 years old when she made that first Christmas visit to Biltmore in 1895. As a very fashionable young lady from New York, she was not too keen on spending the holidays at her uncle’s new home in North Carolina, far away from her friends and all the parties of the season.

Happily for Gertrude, the trip to Biltmore turned out to be much more interesting than she anticipated when George Vanderbilt’s close friend William Osgood Field arrived several days after Christmas. The dashing young bachelor captured Gertrude’s attention and kept her and the other young ladies entertained for several days.

An Inspiring Woman

Although another of George’s nieces eventually married the charming Willy Field, Gertrude married Harry Payne Whitney, a noted sportsman from a distinguished family, less than a year after her visit to Biltmore. During a trip to Europe in 1901, Gertrude rediscovered her passion for art, embarked on serious study, and became a sculptress as well as a patron of women in the arts. In 1930, the Whitney’s founded the Whitney Museum of Art in New York City, which remains one of the country’s finest institutions focused on new and contemporary artists.

To see our entire line of For Your Home bedding available at Belk, click here.

John's favorite things

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While Biltmore House is amazing in its scale and beauty, it’s also incredible to notice the amount of detail carried through all parts of the house. Today’s “favorite thing” centers on a small detail that reminds us how George Vanderbilt was so involved in the design of his home.

John Overbey has spent a good bit of time in Biltmore House as part of his security responsibilities. Now supervisor of the Lodge Gate and Admissions Gate, John has worked for more than a decade at Biltmore. Among the grand size and décor of the Banquet Hall, there are two inscriptions that interest him—and that many guests may never even notice!

He is most intrigued by the inscriptions carved into the limestone on the left and right sides of the Organ Loft in the Banquet Hall. 

“On the left is ‘Wagner,’ and on the right is ‘Gounod,’” John said. “These refer to Richard Wagner and Charles Gounod, two of Mr. Vanderbilt’s favorite composers.”Wagner, a German composer known for his operas, wrote the 19th century work Tannhauser. It was apparently one of Mr. Vanderbilt’s favorites, as a carved oak frieze in the Organ Loft features characters from the opera.

Gounod was a French composer famous for his operas Roméo et Juliette and Faust, one of the most frequently staged operas of all time. His 1869 work Marche Pontificale eventually became the official national anthem of Vatican City.

“To me, Biltmore House has a romantic, grand appeal that feels like a Wagner opera, especially in areas like the Banquet Hall and the view off the Loggia,” John said. “It’s obvious how much Mr. Vanderbilt loved music. It’s something we can relate to today, and I think it makes him more approachable.”

nscriptions carved into the limestone on the left and right sides of the Organ Loft in the Banquet Hall

Lori's favorite thing

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Family heirlooms are wonderful, even for a Vanderbilt. For Lori Garst, Curatorial Assistant in Museum Services, her favorite thing in Biltmore House originally came from George Vanderbilt’s father.

During her 20 years at Biltmore, Lori has handled and cataloged more than 75 percent of the items in the collection. While she’s discovered many wonderful things over the years, one item holds particular allure.

In the Third Floor Living Hall is a carved library table that George Vanderbilt inherited from his father, William H. Vanderbilt.Third Floor Living Hall is a carved library table that George Vanderbilt inherited from his father, William H. Vanderbilt “I love the richness of the table with its subtle but elaborate carvings, and the fact that it came from William Vanderbilt’s Fifth Avenue home,” she said.

She is equally impressed with its history; the table and several elaborately carved display cabinets in the room were made by Herter Brothers. In the late 1800s, the New York company was one of the country’s leading cabinetmaking and decorating firms. The table and cabinets originally graced the palatial Fifth Avenue mansion William Vanderbilt constructed that spanned the entire block between 51st and 52nd streets in New York City. 

In addition to his furnishings, George’s father passed on his love of art and his philanthropic interests to his youngest son. Before William Vanderbilt’s death in 1885, his collection of some 200 works by Old Masters was termed the finest private collection of paintings and sculpture in the world. He provided extensive funding to the YMCA, the Metropolitan Museum of Art, Vanderbilt University, and Columbia’s College of Physicians and Surgeons.

Check back next week for another inside look at our favorite things!

George Vanderbilt: Book Lover

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book from George Vanderbilt’s time that he readCurrently on display, now through May, in the exhibit case in the lobby of the Inn on Biltmore Estate is a collection of books from George Vanderbilt’s time and a look at his reading habits.

George collected many fine things, including a personal library of 22,784 books that he selected with care, and treasured throughout his life. From the age of 12 until his untimely death at 51, George was an ardent reader and appreciator of literature. We know so much about his reading habits today because he kept meticulous records of all the books he read in a series of journals called “Books I Have Read.” In addition, he kept an index in a separate journal, with an alphabetical listing of titles by author and the dates that he read them.

We can’t answer who George’s favorite author was, but his journals give us a few clues. George seems to have enjoyed Charles Dickens’ work. Included in the 30 listed titles by Dickens are two mentions of “The Pickwick Papers,” which George read at age 13, and again when he was 25. We also know that he must have been a fan of Sir Walter Scott, given the 273 books by Scott in his collection. George read many of these books two or three times.  For example, he read “Waverly,” a groundbreaking historical novel, in 1875, 1897 and again in 1910.

One feature in George’s record-keeping that we find particularly touching is that, tucked in among the list of authors and titles, are mentions of precious life events. In 1900, for example, he noted the birth of his daughter, Cornelia, within a list of French and English novels he had been reading.

George was also very interested in France. There are 4,326 French titles in his book collection, and the “Books I Have Read” journals show that he read many of them. Honoré de Balzac must have been another favorite author, because he noted having read more than 80 Balzac titles, the majority of which were in French. There are a total of 218 books by Balzac in George’s collection.

When George was a young man of 14, he read James Fenimore Cooper’s novel “The Last of the Mohicans.” Interestingly, much of the 1992 film version of that novel was shot on location here at Biltmore.

The year before his death, George read “The Life of Samuel Johnson” by James Boswell. Samuel Johnson was an English poet, essayist and literary critic, and many scholars have claimed that Boswell’s work is the greatest biography ever written in English. George’s interest in quality literature was a lifelong pursuit, and we are very thankful to have such a detailed guide to his reading life.

About the photos

Top: Portrait of George Vanderbilt by painter John Singer Sargent, 1890.

Inset: George’s “Books I Have Read” journal opened to the 1,817th entry: “Richard Carvel” by Winston Churchill. Right above it is George’s note about daughter Cornelia’s birth on Aug. 22, 1900.

Pat's favorite thing

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Today we share another “insider’s” favorite object that you may have never even noticed. Why not make time for a visit this winter to look at the details in America’s largest home, and check back for the next installment of our favorite things!

After 30 years caring for Biltmore House, there are few details that have escaped Pat Ray’s notice. Pat, Biltmore’s Housekeeping Manager, started in Museum Services before moving to Housekeeping many years ago. One of the major tasks for her department happens every winter: cleaning the magnificent woodwork in the house.

It’s painstaking work when you consider the rich paneling of the Billiard Room and Oak Sitting Room, fanciful carvings and moldings in Mrs. Vanderbilt’s Bedroom, and heavily carved walnut overmantel in the Library just for starters! But it gives Pat time to appreciate the details in every room—particularly one unusual item in the Salon.

“I’ve just always loved this one table in the Salon; it can be used as a table or as a decorative accent because the top tilts for display. It’s made of papier-mâché with an inlay of mother-of-pearl and it’s so beautiful,” she said.Table in the salon made of papier-mâché with an inlay of mother-of-pearl

According to our curators, this table is English and dates to the late 19th century. While papier-mâché had been around for more than a thousand years, the material was mass produced in the late 1800s. Papier-mâché pieces gained popularity when it was found that the lightweight material could easily be ebonized or “japanned” to resemble the lacquer finishes popular in Asian furniture and decorative accessories of the time.

While you may think of papier-mâché being a product made of layers of paper, the material used in this table and similar pieces was a mixture of wood pulp (mashed paper) and a thickener such as sand and glue; the mixture was then pressed into molds rather than carved.  

These pieces were often adorned with gilding and inlayed with mother-of-pearl, just as the Salon table is. We don’t know what the scene inlaid on the top of the table depicts, but it appears to be some type of ruins surrounded by a variety of different flowers, all created with mother-of-pearl.

Nancy's Favorite Things

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As you admire the architecture, art, and sculpture that makes Biltmore House so amazing, consider for a moment all the work that goes into restoring, conserving, and preserving this special place. We checked with one employee who’s deeply involved in maintaining the beauty of Biltmore’s collection for her favorite thing—please check back next week for another insider’s favorite!

Nancy Rosebrock, Chief Conservator, is trained in the conservation of furniture and gilded objects. She came to Biltmore 14 years ago and is the manager of the Conservation and Collections Management staff. bronze cain candlesticks silhouette

Her teams are integral parts of the ongoing restoration and preservation work that keeps Biltmore looking like it did when the Vanderbilts called it home. You’ve seen the results of their incredible work in every part of Biltmore House, from the Louis XV Room with its gilded mirror and sconces to the exhibition in the Second Floor Living Hall focusing on our preservation efforts.

With Nancy’s attention to detail, it’s not surprising that her favorite objects are a pair of bronze candelabra in the Oak Sitting Room that tell a story—if you stop to look at them with a careful eye. “They are a study of the precariousness of life,” she said. 

Created by sculptor Auguste Nicholas Cain, the bronze pieces skillfully portray animals; the base is formed from snails, complete with tiny bronze antennae. On one candelabrum, a mother bird is feeding her babies. On the other, a rat balances on a limb above a nest, about to take the baby birds for its next meal.

The candelabra are part of Biltmore’s collection of bronzes created by les Animaliers, a 19th-century French school of art named for the artists’ naturalistic portrayals of animals. George Vanderbilt acquired about 20 works from les Animaliers, including the striking Hippogriff in the Entrance Hall by Antoine-Louise Barye.

Laura's favorite things

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Sometimes it’s the smallest detail that makes an object stand out in your mind. That’s the case with this week’s favorite thing for a member of Biltmore’s Museum Services staff. We invite you to visit soon to admire the details in Biltmore House and discover your own personal favorites!two prints of Charles II hanging on the west wall in Mr. Vanderbilt’s Bedroom

Laura Cope Overbey, Collections Manager in Museum Services, joined Biltmore 14 years ago as the Associate Collections Manager and has been in her current position since 2008. Her job gives her a close look at items in the collection. Among the thousands of objects she has seen, two prints stand out for a special reason—even if most guests never even notice them.

“Mr. Vanderbilt collected more than 1,300 prints that are in our collection today,” Laura said. “My favorites are two prints of Charles II hanging on the west wall in Mr. Vanderbilt’s Bedroom.”

According to Laura, the prints appear to be identical and are by the same artists, 17th-century Dutch painter Pieter Nason and Dutch printmaker Cornelis van Dalen II. Both date from the early 1660s and depict Charles II in the same stance, outfit, and background.

two prints of Charles II hanging on the west wall in Mr. Vanderbilt’s BedroomYet, there is a slight difference between the two prints; one has the addition of three small objects in the bottom left corner—a crown, orb, and scepter. And those objects tell a fascinating story about the life of the English king.

“If you look carefully, you can see clues to the historical significance of the two prints,” Laura said. “At the beginning of his reign, Charles II was a king without a country. During his youth, he had witnessed the English Civil War, the end of the English monarchy, and the execution of his father, Charles I. Since his father’s death, Charles II was a king in exile.

“In 1660, the political tide changed and the English wanted to reinstate the monarchy. These prints illustrate this transition: the first shows a king without a country, and the second shows a king fully restored with the crown and country,” she said.

Left photo: Charles II without a country. Right photo: Charles II with his crown, orb, and scepter.

Rick's favorite thing

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As we continue our focus on the details that make Biltmore so amazing, we invite you to visit this winter to admire the combination of architecture, art, and sculpture that makes Biltmore House uniquely beautiful. Today, we hear from a long-time employee who has a different take on his favorite thing: the beauty of mechanical ingenuity. Check back next week for another insider’s favorite.

Rick Conard, Vice President of Attraction Operations Support, joined Biltmore more than 20 years ago as an electrician. Since then, he’s been involved in just about every project around the estate, and knows Biltmore House inside and out.

Soon after he started at Biltmore, one of his first tasks involved spending more than three weeks working around the service elevator in Biltmore House. Less prominent (and significantly less decorative) than the passenger elevator in the main entry, the service elevator is located by the stairs in the Bachelors’ Wing.

This elevator was designed to carry workers as well as equipment and luggage, and traveled 80 feet from the Sub-Basement to the Fourth Floor. While it could lift 2,000 pounds, it was not the speediest mode of transport, taking nearly a minute to go six floors. Of course, the alternative of manually hauling a ton of luggage up several flights of winding stairs wouldn’t be all that fast either!

Rick was very involved in bringing the service elevator back to good working order, and he was working on the elevator when he got a call from his wife that she was headed to the hospital to have their first child—which explains why this ranks as his personal favorite.

If you’re interested in seeing the service elevator plus some of the other innovative mechanical systems in Biltmore House, take the guided Behind-the-Scenes Butler’s Tour that spends time in areas of the house not included in the regular visit.

These days you may see Rick around the estate with Cedric, a St. Bernard named in honor of George Vanderbilt’s favorite dog. They are often in Antler Hill Village, so keep an eye out for them during your next visit.