Literary Biltmore

You only need to look at the Library at Biltmore House to understand how important books were to George Vanderbilt. Throughout much of his adult life, he read an average of 81 books per year, or one and a half books every week. A New York journalist who knew him wrote of Vanderbilt: “He was a bookworm, a student… I doubt not, he is one of the best read men in the country.” Given his literary leanings, it’s not surprising that he counted several prominent writers of the day among his friends.

Edith Wharton was born into New York society the same year as George Vanderbilt and moved in the same social circles, so it’s likely that the two knew each other most of their lives. Wharton rented the Vanderbilts’ apartment on the Left Bank in Paris from 1907 to 1910. She also visited Biltmore twice that we know of: her signature can be found in Biltmore’s guest book, dated November 1902 and December 1905. On December 26, 1905, she sent this correspondence from Biltmore to her friend Sara Norton:

Yesterday we had a big Xmas fete for the 350 people on the estate – a
tree 30 ft. high, Punch & Judy, conjuror, presents & “refreshments.”
It would have interested you, it was done so well & sympathetically,
each person’s wants being thought of, from mother to last baby.

      (From The Letters of Edith Wharton)

During this holiday visit, the author signed a copy of the recently published The House of Mirth: “To George Vanderbilt from Edith Wharton, Biltmore House, Christmas 1905.”

The novelist Henry James—author of Portrait of a Lady and Daisy Miller—was a friend of Edith Wharton and also an acquaintance of George Vanderbilt. He stayed at Biltmore in the winter of 1905.

One of George Vanderbilt’s closest friends was Paul Leicester Ford, an author who was well known in his time as a biographer of George Washington and Benjamin Franklin. Ford had an affluent upbringing in Brooklyn and it’s believed that he met Vanderbilt at New York’s Grolier Club—a famous association of bibliophiles where both men were members. They became close friends. Ford was a guest at Biltmore in December 1899 and came to the 1901 New Year’s Eve house party. 

In 1898, he spent several weeks at Biltmore while working on his novel, Janice Meredith: A Story of the American Revolution. 

When Janice Meredith was published the following year, it contained a dedication to George Vanderbilt:

…And so, as I have read the proofs of this book I have found more than once that the pages have faded out of sight and in their stead I have seen Mount Pisgah and the French Broad River, or the ramp and terrace of Biltmore House, just as I saw them when writing the words which served to recall them to me. With the visions, too, has come a recurrence to our long talks, our work amongst the books, our games of chess, our cups of tea, our walks, our rides, and our drives. It is therefore a pleasure to me that the book so naturally gravitates to you, and that I may make it a remembrance of the past weeks of companionship….


Janice Meredith sold over 200,000 copies and was adapted for the stage in 1901. In 1902, Ford tragically died in at the hand of his brother.

While George Vanderbilt was not himself a writer, his love of literature created a legacy that we can still admire today in the nearly 24,000-volume collection at Biltmore, part of which is on display at the Library.

Remembering the Forest Fair, 1908

Statesman! Lumberman! Engineer! Forester! Come! And be welcome!

Come as you are, and take us as we are!

Come! Rejoice with us!

And join us in giving thanks on Thanksgiving Day, 1908.

Dr. Carl Schenck’s Biltmore Forest Fair invitation, 1908

Biltmore forester Dr. Carl Schenck had reason to celebrate in 1908. After 13 years at Biltmore (including 10 years as director the Biltmore Forest School), he had helped to transform what was a barren landscape of overused terrain into America’s first managed forest, a model for the rest of the country. To increase public awareness of the revolutionary achievements on Biltmore’s 100,000-plus acres of forested land, he planned the three-day Biltmore Forest Fair over the Thanksgiving holiday, 1908. “This event will mark an epoch in American forestry,” proclaimed The American Lumberman.

An invitation to the Forest Fair was extended to 400 people, including President-elect William Howard Taft. “You may have heard something of the farms and of the forests found on the Biltmore Estate,” the invitation read. “Now we beg of you: Come and see them for yourself!” Although the president didn’t attend, about 100 people did, including educators, furniture manufacturers, and many timber industry executives from across the US.

Dr. Schenck overlooked no detail in the planning of the festival, including providing advice for attendees on what to wear: “Do not don your best! Select a rough, comfortable suit of
clothes and a pair of shoes in which you may walk a quarter of a mile without the sensation of “walking on a toothache.” In advance of arrival, each guest received a 55-page booklet full of details on how Schenck planted and maintained the forest, including the number of trees planted on various sections of the estate and how much each section cost.

The fair started on Thanksgiving Day, 1908 with a procession of 15 open carriages “decorated in the Biltmore Forest School colors of green and white,” that made its way from the swanky Battery Park Hotel in downtown Asheville to Biltmore Village. Once on the estate, attendees followed their “tireless leader up and down mountain trails” as he “brushed aside apparently impassible thickets.” What he said is lost to time as “the rapid movements of Dr. Schenck and the rustling of innumerable fallen leaves” made it hard to take exact notes. The group inspected tree plantings across the estate, then enjoyed Thanksgiving dinner at the Battery Park Inn during which Schenck led a toast to George Vanderbilt: “a nobly spirited American and as high-principled a man as I ever met.” One attendee reported that the dinner was “in no case indecorous,” but had been “so thorough in a hospitable sense that most of the participants were disinclined to rise at a reasonable early hour” the next day.

On the Friday following Thanksgiving, participants visited the Biltmore herbarium, plant nurseries, dairy, pig farm, and poultry farm, then enjoyed a possum hunt. A gala dinner was held on Friday evening and on Saturday, the group made their way to the lumber camps, enjoyed a fishing and shooting contest, and ended the day on Mt. Pisgah in time for sunset, then spent the night “under the stars” at Buck Spring Lodge. Throughout the Forest Fair, an attendee reported that the weather was “of that kind that which no memory can recall any nearer perfection and the scenery so beautiful that “none left the spot willingly.”

The Biltmore Forest School closed in 1913, but Dr. Schenck’s legacy in Western North Carolina can still be felt today by all those who enjoy the pristine beauty of Pisgah National Forest, the forest he helped to establish.

Images courtesy of The Forest History Society

A good life for wildlife

Biltmore welcomes more than a million guests each year—and those are just the ones who come through the gates!

In addition to our visitors and passholders, our 8,000-acre backyard is also home to a wide variety of wildlife and birds, including deer, rabbits, turkeys, and migratory waterfowl.

Corn growing on a hillGrounds Maintenance Supervisor Curt Horn and his crew are responsible for our Wildlife Management Program which helps Biltmore’s wild “guests” find food and shelter on the estate.

“We average about 300 acres of field crops each year,” said Curt, “and almost half of that is designated for wildlife food plots.”

In addition to the colorful sunflowers that bloom in the summer, Curt and his team plant corn, soybeans, wheat, legumes, and millet in the rich fields along the river. While the majority of these crops are harvested to support Biltmore’s herds of cattle, sheep, and other farm animals, there’s still more than enough to share with wildlife and birds.

Some areas of the estate feature smaller plantings of radishes, canola, soybeans, corn, and sorghum—a delightful feast for our four-legged and feathered friends to enjoy even into the winter, when other food sources may become more scarce. Meadow grasses and other plantings in cleared spaces provide welcome shelter for animals and nesting sites for a variety of birds.

Meadow grass and forest“We are continuing George Vanderbilt’s legacy of caring for Biltmore’s wildlife by providing food and habitats,” Curt said. “And it’s also an important aspect of keeping the estate healthy.”

As always, our guests’ safety is of paramount concern, and we remind you not to approach estate wildlife or birds. In addition, while dogs are welcomed on estate grounds as long as they are securely leashed, state law prohibits pets from entering fenced enclosures protecting farm animals. Visit our complete wildlife viewing policy here.

Biltmore In The News

Biltmore has the extreme fortune of receiving media attention from outlets that broadcast and publish all over the world. That coverage enables us to reach future guests – and former guests – with an invitation to come visit, and amplifies our ability to let people know of the experience that awaits them when they arrive on the property.

Going forward, we will share with you a monthly “Biltmore In The News” snapshot of recent news coverage. To get started, we’ve cobbled a list of our most recent media “hits,” with a comment or two about the story.

· Forbes (Sept. 27, 2015) – “Inside Biltmore: America's Grandest House, In Delightful Asheville, North Carolina.” This story provides a concise overview of touring Biltmore and the grounds, with tips on how to make the most of a day’s visit.

· Charlotte Parent Magazine (July 1) – “Explore the wonder of Biltmore House this summer with kids”

· Condé Nast Traveler.com (July 29) – “The 30 best small cities in America.” Asheville, N.C., the estate’s hometown, regularly receives coverage as a travel destination. Many Asheville stories include details about Biltmore.

· Elle Décor.com – “Do you remember these iconic American homes?” Biltmore finds itself in a variety of topic categories, including decorating.

· Fine Gardening Magazine (May 31) and American Rose Magazine (June 1) – Biltmore hosts the Biltmore International Rose Trials each spring. Announcements of the winning roses occur in many garden media outlets as well as general consumer media.

· HGTV Gardens.com – “Biltmore azaleas.” We have hosted crews from HGTV many times, and we appreciate their continued interest in our historic gardens. The Azalea Garden was the star of this feature, which is no surprise. Peak azalea bloom is magical.

· Style Me Pretty.com (March 25) – “Regal + Romantic Biltmore Estate Wedding.” Style Me Pretty is a blog dedicated to weddings. Biltmore weddings have received attention time and again from bridal magazines and blogs like this one.  

· Town & Country Magazine (July 1) – “The most luxurious wedding venues in the world.” Much like the Style Me Pretty placement, Biltmore captured the imagination of the editors at Town & Country.

· Travel Channel.com – Daily Escape feature: Inn on Biltmore Estate. We work frequently with Travel Channel, and are honored that they highlighted the Inn in their regular Daily Escape feature.

· USA Today.com (May 11) – “’Downton Abbey’ summers at the Biltmore.” USA Today’s reach is vast, and we appreciate their continued interest in Biltmore. Here they discussed our “Dressing Downton” exhibition, which brought us many guests.

Drawing A Blank — Refreshing Your Wall Decor

The phrase “drawing a blank” might have negative connotations if you can’t immediately think of a name or a topic, but it’s also a great place to start when you want to refresh your décor!

Biltmore prints framed and hanging on a wallDo you have a bare wall in your living room or guest room, or maybe a space that just needs a bit of lift in order to look its best? It’s easier than you think to create a great-looking focal point that harmonizes with the rest of your home. Here are some great tips from Lydia VanderVoort, Biltmore For Your Home Licensing Director and one of our design experts who not only appreciates fine art but also understands the value of a great frame in bringing it all together:

“Sometimes, it’s as simple as aligning the framing of a piece of artwork with the existing feel of your room,” said Lydia. “Choose a print with a coordinating mat and frame, or have a favorite piece custom-framed to reflect the color and texture of the room.”

According to Lydia, you might consider a print that picks up the flowing curves of a bed frame or other signature piece in the room. “Choose artwork that mimics the flow.” suggested Lydia. “It makes a dynamic statement that keeps the room feeling lively.”

Another interesting technique is the layering of artwork. According to Lydia, you might choose the same print in slightly different colors and hang them together. “This provides a united theme,” she said, “but gives that sense of motion and texture that keeps things interesting.”

“To make the print truly personal, consider framing a great shot from your last vacation,” Lydia said. “It will provide a fresh perspective for your wall, and it’s a great conversation-starter for your guests.”

Biltmore prints framed and hung on a wallExpecting guests or inviting family to stay with you during the holidays? That gives you a great reason to change out your artwork for a seasonal piece that sets a welcome mood.

“I think it would be great fun to select the J, O, and Y from our vintage alphabet prints,” said Lydia, “and custom frame them on the diagonal to spell JOY. You could then attach the frames to a backing so they could easily be hung together. It’s perfect for the holidays, or any time of year!”

For another holiday idea, Lydia suggests custom-framing a vintage Christmas card like the featured image for this blog post.

“You could also frame a few holly branches or even a holly cross-stitch pattern,” Lydia said. “Any simple holiday item that speaks to you can be framed and become a beautiful and unique addition to your décor—and a quality frame can help preserve your special memories for generations!”

Discover our Biltmore-inspired frame collection.

Behind Biltmore’s Hidden Doors

Designed both for aesthetics and hospitality, Biltmore’s hidden doors were designed to create a seamless appearance but provide access for staff providing service and convenience for guests.

Discover a few of the often overlooked doors throughout America’s Largest Home.

Concealed servant's entrance in the Breakfast Room
Concealed servant’s entrance in the Breakfast Room

When you’re in the Breakfast Room, your attention is bound to be drawn to the two Renoir portraits “Young Algerian Girl” and “Child with an Orange.” If you look just below “Child with an Orange,” you’ll notice the doorknob to the concealed door, designed to create a seamless appearance on the wall but allow servants to enter with hot meals.

Biltmore House Library Hidden Door
Doors in the Library lead to a passageway connected to the Second Floor Living Hall.

Have you ever wondered what’s behind the hidden doors on the top floor of the Library? Here’s your peek. The doors located on both sides of the overmantel lead to a passageway connected to the Second Floor Living Hall.

Hidden closet door in Mr. Vanderbilt's Bedroom in Biltmore House
Concealed closet door in Mr. Vanderbilt’s Bedroom

Every detail of the architecture at Biltmore was carefully considered. To avoid the break in symmetry that would be required by a door frame, closet doors were concealed in certain rooms, such as this one in Mr. Vanderbilt’s Bedroom.

Trap door in the floor of the Winter Garden
This hidden door in the floor of the Winter Garden in Biltmore House allowed plants to be brought back and forth from the Conservatory without disturbing guests.

Although early plans indicate that there was to be an elevator in the Winter Garden, one was never installed and instead, there’s a ladder. The door is covered in marble slabs and is rarely opened except to allow for ventilation in the employee break room below it in the summer.

This hidden door leads to the Smoking and Gun Rooms inside Biltmore House.

Be sure to look for these secret doors inside Biltmore House during your next visit, like this door designed for gentlemen to retire to the Smoking Room after a game of billiards.

An outdoor sculpture comes clean

An outdoor sculpture comes clean, with help from the expert conservators at Biltmore.

“From the iconic marble lions in front of Biltmore House to terra cotta figures, bronzes, and more, the estate features 37 pieces of outdoor sculpture and historic plaques,” said Kara Warren, Preventive Conservation Specialist.

Lion sculpture in front of Biltmore House
One of the two grand marble lion sculptures that guard the Front Door of Biltmore House

According to Kara, each piece of outdoor sculpture is carefully examined and photographed every six months to determine its “health” and what type of cleaning, stabilization, or repairs might be needed.

There are four sphinx sculptures atop stone pillars guarding the massive iron entry and exit gates through which guests pass to get their first glimpse of Biltmore House.

The sphinx appears in Egyptian and Greek mythology as a creature with a human head and torso–usually female–and the hindquarters of a lion. Egypt’s massive Great Sphinx of Giza sculpture is probably the best-known example in the world.

The following photos illustrate how important Biltmore’s process is and what a difference cleaning and preservation make:

An outdoor statue comes clean
This elegant sphinx guards the right side of the iron gates adjacent to Biltmore House

This sphinx is turned as if to watch the Approach Road while the sphinx on the opposite side of the gates looks toward Biltmore House. The sculpture was in need of a thorough cleansing to rid it of biological growth. Scaffolding was built around the sphinx so our conservators could clean it in place.

An outdoor sculpture comes clean
Conservators carefully cleaned half of the sphinx to show a remarkable difference

Biltmore’s preservation experts worked on half of the sculpture at a time to illustrate different stages of the cleaning process. Note how much detail is revealed when the dark biological growth was removed from the hindquarters of this sphinx.

One of four outdoor sphinx statues at Biltmore
The sphinx sculpture cleaned and restored to her full glory

After a thorough cleaning, the classic sphinx sculpture once again welcomes guests to Biltmore House in regal style. 

Learn more about our extensive process to document, clean, and preserve our outdoor sculpture collection.

A legacy of loving care

When George Vanderbilt moved into Biltmore House in October 1895, he wasn’t alone—a stately pair of lions were already there, flanking the entrance to his new home.

While the lions may appear to be made of terra cotta, closer inspection reveals the unique and beautiful color patterns of Italian rose marble (Rosso di Verona) ranging from beige to orange to red. Today’s visitors may notice some areas where the surface has been polished to a high sheen.

“For more than a century, these friendly beasts have greeted guests as they enter Biltmore House,” said Kara Warren, Preventive Conservation Specialist. “So that sheen is actually the result of millions of hands rubbing the marble away through the years.”

Kara oversees the care for the lions and 37 other outdoor statues and historic plaques through the implementation of the estate’s ongoing preventive conservation program. The job requires a combined knowledge of material science and artistic skill in order to properly analyze, treat, and restore the sculptures.

According to Kara, the longevity of any outdoor statue depends on the nature of its construction, environmental exposure, and the maintenance it receives. Records in our archives indicate restoration to the garden statuary began as early as 1934.The descriptions of repair work have become part of the history of each piece, documenting the care it received over the years.

Staff cleans an outdoor statue of PanTo help preserve our collection of outdoor statuary, each piece is examined, photographed, cleaned, and stabilized as needed every six months. Sometimes the statues simply need a gentle spray of water and an antimicrobial wash to reduce biological growth. Other times, patching or repair is required.

“Outdoor sculptures are vulnerable because they are exposed to so many types of deterioration,” said Kara. “Our preventive maintenance program is important because pollution, biological growth, and even repeated touching can damage these vulnerable objects. Cyclical maintenance allows us to gently clean, repair, and stabilize the original material before severe damage occurs.”

Most of Biltmore’s outdoor sculptures were purchased from France and Italy in the late 1800s, and some date to earlier times. The collection includes bronze, marble, limestone, granite, and terra cotta sculptures. As with all our efforts to preserve Biltmore, the loving care our statuary receives allows these sculptures to be enjoyed by today's guests, our Annual Passholders, and future generations.

Archival image: The marble lions out of their shipping crates and awaiting placement in front of Biltmore House, circa 1895


Modern image: Museum Services staff Genevieve Bieniosek (left) and Kara Warren (right) work together to clean an outdoor statue on the South Terrace

A Spring Dream Wedding at Biltmore

Heather Haukaas and Roman Harper
April 18, 2015
Photography by Parker J. Pfister (Above: South Terrace of Biltmore House)

The Couple

Rother: Heather Haukaas and Roman Harper are so close that their friends refer to them in a single name that combines both of their first names. The couple met in high school when Heather caused a splash as the new girl in town in Prattville, Alabama. Their love story spans 16 years as they went together to the University of Alabama, spent time apart, and reunited in New Orleans where Roman was a safety for the New Orleans Saints, and finally to Charlotte, where he now plays for the Carolina Panthers.

The couple knew they wanted a destination wedding and they wanted it to be fun for their guests with a touch of glamour. While at a bridal expo, Heather discovered Biltmore, visited, and fell in love with the beauty of the surroundings. With so many friends and family coming in for the wedding (especially from the East Coast), it was the ideal location, Heather says.

The Big Day 

Getting ready at the Market Gardener’s Cottage on Biltmore Estate

Heather and her bridesmaids stayed in The Cottage on Biltmore Estate, where they spent quality time together preparing for the big day. The private two-bedroom cottage offers a cozy sitting room, full kitchen, and beautiful views of the estate’s farmland. The bride wore Shin Bu of Los Angeles and the groom wore a suit by Fellow suits.

In the courtyard at Deerpark

Rain on your wedding day? It’s good luck! “We had every kind of weather,” says Heather, but the down pours held off during the touching ceremony, performed in front of 200 guests in the courtyard at Deerpark by “Pastor Rob” (Rob Wilton), the chaplain for the New Orleans Saints, a long-time friend of the couple. When it came time for the vows, Heather led the guests in a chant. “When I say I, you say do, I do, I do!”

The happy couple; a pose with their daughters Londyn and Sydney at Biltmore House

Party Time

The reception was held at Deerpark, with pink accents in the flowers and on the tables, each of which had a place marker in honor of special places in the couple’s life, such as the street where they now live and the street on which they got engaged.

Members of the bridal party did a football-style run out to the reception, with each member imitating the style of their favorite players (the bridesmaids were the clear run-out winners, Heather says). The couple followed them, with football jerseys over their formal wear. An evening of dancing and many tearful toasts followed.

We’re thrilled that Heather and Roman chose to start the next chapter of their life together at Biltmore and wish this beautiful couple the best of everything!

Contact us about having your own dream wedding at Biltmore. 

Biltmore’s Conservation Team: Current Projects

Biltmore’s conservation staff undertakes conservation and preservation activities including examination, technical analysis, documentation (written and photographic), conservation and preservation related research, and conservation treatment of Biltmore collection objects.

The photo above shows our team working to catalog and store the almost 4,000 pieces of china and glassware in the Butler’s Pantry in Biltmore House. Most plates are stored in stacks, but some are too fragile and would crack from the weight of the other plates. Biltmore’s conservation team developed a system for storing the plates and using archival foam blocks to prevent damage.

Here are a few more of their current projects…

Upholstery conservator Anne Battram is treating the 67 Banquet Hall chairs

Conservators Anne Battram, Nancy Rosebrock, and Genvieve Bieniosek are treating the 67 Banquet Hall chairs, one at a time. The seats are stuffed with the original Spanish moss, plant material, and unidentified animal hair, all of which will be returned to the seat before it’s covered in fabric that is an exact reproduction of the original. The project will take more than two years to complete.

ivory figurine is tucked in display case on the Second Floor

This ivory figurine is tucked in display case on the Second Floor that can sometimes go unnoticed by guests. While in the Objects Lab recently, our conservators were able to get some detailed images and take a peek inside.

switchplates from storage in the sub-basement of Biltmore House

On the desk of Objects Conservator Renee Jolly: These switchplates were pulled from storage in the sub-basement of Biltmore House. Renee is in the process of evaluating the original hardware throughout the house and researching the original materials and appearances.

Call buttons from obsolete switchplates throughout Biltmore House

Call buttons from obsolete switchplates throughout Biltmore House.