Biltmore Estate Cardinal’s Crest Wine Takes Flight!

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Biltmore Estate® Cardinal’s Crest wine takes flight with a breathtaking new label that will help you see this long-time guest favorite in a whole new light.

Cardinal’s Crest tasting notes

Glasses and a bottle of Biltmore Estate® Cardinal's Crest red wine
Biltmore Estate® Cardinal’s Crest Winemaker’s Blend is an easy-drinking red wine that pairs well with a wide variety of your favorite flavors.

Blackberry notes and smooth tannins make Cardinal’s Crest a soft, easy-drinking wine perfect for solo sipping and good-time gatherings.

Historic inspiration

“For many years, Cardinal’s Crest has enjoyed a loyal following with those who appreciate how approachable it is,” said Meghan Forest, Associate Curator. “What you may not realize, however, is that this wine’s story is rooted in one of George Vanderbilt’s most interesting possessions: a pair of 17th-century hangings embroidered with gold and silver threads.”

Print of Cardinal Richelieu
This likeness of Cardinal Richelieu, engraved by Robert Nanteuil, is one of many prints that George Vanderbilt collected and displayed in Biltmore House.

According to Meghan, the original hangings once belonged to Cardinal Richelieu (1585-1642), a French clergyman, nobleman, and statesman who served as Chief Minister for King Louis XIII.

“These ornate textiles are a fascinating part of Biltmore’s extensive collection, and they definitely illustrate George Vanderbilt’s deep interests in history, politics, religion, and the arts,” said Meghan.

One of two ornate embroidered 17th-century Cardinal Richelieu hangings that George Vanderbilt collected. Both original textiles are now in storage due to their age and fragility.
Detail of the 17th-century Cardinal Richelieu hangings in the Biltmore collection. The star symbol is a reference to the Order of the Holy Spirit, an order of chivalry awarded to leading French nobles to recognize their loyalty to the Crown. (You’ll see the same symbol in the engraved print of Richelieu by Robert Nanteuil previously referenced in the blog.)
An unidentified guest in Biltmore House standing in front of the Cardinal Richelieu hangings, ca. 1898.
The Richelieu family coat of arms includes a central silver ground with three crimson chevrons like you see in the hangings. The motto ‘Semper Idem’ translates to ‘Always the Same’ in Latin, which is also a good motto for a delicious wine like Cardinal’s Crest that is consistent from vintage to vintage!

“The hangings are the most beautiful dark red silk velvet with embroidery and threadwork in real gold and silver. They hung in Biltmore House in the past, and though we wish we could still display these exceptional pieces for our guests, textiles tend to become very fragile as they age, so we have now placed them in storage to conserve them and prevent further deterioration,” Meghan said.

Modern inspiration

“The name Cardinal’s Crest was selected to honor these extraordinary hangings in Biltmore’s collection, and to echo the rich, velvety red depths of the wine itself–it was a perfect pairing of past and present!” said Meghan.

It is difficult, however, to tell such a complex story on the back label of a wine bottle, and over time, Cardinal’s Crest became associated with a different type of cardinal: North Carolina’s state bird.

“It makes sense because male cardinals are a vivid red with a distinctive crest of feathers on their head, and because Biltmore is so deeply rooted in North Carolina history,” Meghan said.

Creating the new Cardinal’s Crest label

Biltmore Estate® Cardinal's Crest red wine bottle and glasses

In 2022, Biltmore’s wine team decided it was time to share the story of Cardinal’s Crest more broadly, so they turned to Lisa Vogel, Art Director, for a new label that would illustrate the appeal of this easy-drinking red blend.

“For years, Cardinal’s Crest has flown under the radar of many wine enthusiasts, but Biltmore’s winemakers have always handcrafted it with the same high-quality grapes that you’d expect from any of our Biltmore Estate® Limited Release wines,” said Lisa.

Flight of fancy

Wine label for Cardinal's Crest Winemaker's Blend
The new Cardinal’s Crest label features production techniques such as gold foil and holographic foil stamps that create iridescence and a sense of movement. If you look closely at the cardinal, you’ll see that it’s composed of elements from the original hangings, while the gold lines in the background reference the golden embroidery threads.

Lisa took inspiration from the historic Richelieu hangings and the modern take on North Carolina’s state bird, weaving both halves of the story together in a stunning label that immediately makes you want to know more about the wine in the bottle.

“I took some of the most compelling details from the original hangings and created a dynamic cardinal in flight,” Lisa said. “It was a bit of ‘upcycling,’ if you will–using existing elements from a piece in Biltmore’s collection to create a fresh look for a new generation of wine enthusiasts.”

Using a variety of production techniques to further enhance the finished design, Lisa including a gold hot foil stamp printed on the label to mimic the original gold threads.

“There is also an iridescence to the labels when you see them in person; this is due to the holographic foil stamp used in addition to the gold foil stamp. Along with a textural emboss and spot varnish, all of the production finishes together create a label that is as luxe as the original textile!” said Lisa.

Even though the original hangings must remain in storage, Lisa hopes her design for the Cardinal’s Crest label will give you a glimpse of their ornate beauty.

Savor Cardinal’s Crest now

Biltmore Estate Cardinal's Crest wine with a pitcher of sangria
Biltmore Estate® Cardinal’s Crest wine is perfect for sipping, savoring, and sangria!

This delightful red wine—inspired by a flight of fancy with the Cardinal Richelieu hangings in Biltmore’s collection—pairs our winemaker’s passion for her craft with the estate’s cardinal mission of preservation.

That’s why it’s designated a Winemaker’s Blend, to reflect Sharon Fenchak’s careful attention to sourcing and selecting outstanding fruit to handcraft our velvety smooth Cardinal’s Crest.

Purchase Biltmore Estate Cardinal’s Crest in estate shops or online, and for refreshing summer sipping, try our easy recipe for Cardinal’s Crest Red Sangria!

Painting Conservation For A Landmark Destination

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A painting conservation project for two original landscapes by Impressionist artist Claude Monet is just one of many preservation-related efforts that help make Biltmore Estate in Asheville, NC, such a landmark destination.

Creating an impression

Claude Monet's signature on an original oil painting
Along with his signature, Claude Monet’s paintings show the characteristic style of his brush strokes.

“From 1860–1905, a dynamic group of Paris-based artists led by Claude Monet challenged the norm and began painting in a much less formal manner than the Old Masters who came before them,” said Meghan Forest, Associate Curator.

Monet’s work followed the textures of his subjects; the length of his brush strokes mimicked flowers and foliage, rippling water, and boats and structures. It was his 1872 painting Impression, Sunrise that sparked the term “Impressionists” from an art critic who felt this new style had an unfinished look.

The trailblazing group of artists took the name as their own, arousing even more interest and curiosity about the new way of creating and viewing art.

George Vanderbilt collected Impressionist art

Two paintings of children by Renoir
(L-R) “Young Algerian Girl” and “Child with an Orange” by Pierre-Auguste Renoir. Both are on display in the Breakfast Room of Biltmore House.

True to his visionary approach, George Vanderbilt was an early adopter of the new Impressionist movement. His affinity for the style ultimately resulted in a collection of 16 Impressionist paintings by Monet, Renoir, Maufra, Manet, and Whistler.

Strada Romana a Bordighera
“Strada Romana a Bordighera,” an Italian landscape by Claude Monet, is installed in the Salon at Biltmore House.

“Mr. Vanderbilt purchased three paintings by Claude Monet, and two of them remain in the Biltmore collection,” said Meghan. “One is a landscape entitled Strada Romana à Bordighera. Monet captured this colorful Italian scene in 1884 and Vanderbilt purchased it from Durand-Ruel, a noted dealer of Impressionist art, in 1892.”

Belle-Île, le chenal de Port-Goulphar seascape painting by Claude Monet
“Belle-Île, le chenal de Port-Goulphar” by Claude Monet is part of the Biltmore collection and is now displayed in the Salon of Biltmore House.

In addition, Vanderbilt acquired a Monet seascape entitled Belle-Île, le chenal de Port-Goulphar, painted in 1886.

“When we examined the paintings for display in Biltmore House, we found that they were structurally stable, but there was a layer of varnish that was added in the early 1980s that had grayed and dulled over time and there were a few areas where paint had begun to flake off,” Meghan said.

An expert in painting conservation

Painting conservation specialist Ruth Cox
Painting conservator Ruth Cox in the Salon of Biltmore House with the two original Monets she conserved displayed behind her.

Biltmore worked with painting conservator Ruth Cox who has treated a number of works in our private collection.

Based in Durham, North Carolina, Ruth offers a wide range of professional services for the conservation of easel paintings in museum and private collections.

“Ruth worked in stages to carefully remove the synthetic varnish and add paint to the areas where there was paint loss so that the paintings could look as close as possible to how they would’ve looked when Monet completed them in the late 1800s,” said Meghan.

In addition, the materials Ruth used for painting conservation are readily distinguishable by scholars and reversible so that future conversation can be accomplished more easily.

“The total conservation process for each painting took about 4-6 months, so it was nearly a year before both were ready for display,” Meghan noted.

See the results for yourself

Two men handle a landscape painting by Claude Monet
Trip Hudgins and Greg Schmidt carefully lift Monet’s “Strada Romana a Bordighera” painting in its ornate frame.

Plan a visit to Biltmore so you can see the results of this painting conservation work for yourself. Both paintings are displayed in the Salon on the First Floor of Biltmore House. Take time to see Monet’s process up close, including his brushwork, atmospheric effects, and study of light.

Featured blog image: (L-R) Trip Hudgins, Engineering Operation Manager; Lori Garst, Curator; Nancy Rosebrock, Director of Conservation and Collections; and Greg Schmidt, Engineering Services, examine Belle-Île, le chenal de Port-Goulphar by Monet before hanging it in the Salon at Biltmore House.

Raise A Glass To Our Newest Masterpiece

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Raise a glass to our newest masterpiece–a delightful blend created exclusively for the 2023 release of our Masterpiece Collection White Wine.

Tasting notes

Two bottles of Masterpiece Collection White Wine for 2023 on a table
Sip something special this spring and summer with the 2023 release of our Masterpiece Collection White Wine.

“Crisp, smooth, and refreshing, this off-dry white wine was handcrafted to honor George Vanderbilt’s legacy as a passionate collector of extraordinary art and exceptional vintages,” said Shruthi Dhoopati, Assistant Winemaker. “It echoes the return of warm weather with citrus and orange blossom aromas, plus wonderful flavors of honeydew, lime, and peach.”

Inspired by a masterpiece of preservation

View of the Tyrolean Chimney Room in Biltmore House
The hand-painted ceramic tiles on the overmantel above the fireplace in the Tyrolean Chimney Room provided inspiration for our 2023 Masterpiece Collection White Wine labels.

For 2023, our Masterpiece Collection White Wine features a set of four labels inspired by hand-painted floral tiles on the overmantel of an 18th-century tile stove known as a kachelöfen that George Vanderbilt likely purchased in his European travels, possibly in Switzerland. 

Created in the 18th century, the kachelöfen in Biltmore’s Tyrolean Chimney Room is made of tin-glazed earthenware tiles hand-painted with exquisite floral designs.

Strada Romana a Bordighera
“Strada Romana a Bordighera,” an Italian landscape by Claude Monet, is installed in the Salon at Biltmore House.

While the tile was in relatively good condition for its age, Biltmore’s conservators spent hundreds of hours cleaning and in-painting damaged areas of the overmantel in conjunction with the Louis XV Suite restoration project.

Painting conservation specialist Ruth Cox
Painting conservator Ruth Cox in the Salon of Biltmore House with the two original Monets she conserved displayed behind her.

The painstaking work required a combination of conservation experience and artistic ability. The results show the vivid colors and delicate florals that inspired the room’s striking design.

Choosing the label

“We chose the bouquets on these floral tiles as the label for our new Masterpiece Collection White Wine because the blooms are so beautiful, and they capture the feel of warmer weather and the desire all of us feel to enjoy the outdoors during spring and summer,” said Lisa Vogel, Art Director.

In fact, all of the tiles were so unique that Lisa couldn’t choose just one for the 2023 Masterpiece Collection label; she selected four separate tiles and created a whole set!

Masterpiece Collection press sheet of individual labels
The press sheet for our Masterpiece Collection White Wine shows different versions of the labels.

“When you see the four labels together, you may notice slight variations in the background behind each bouquet,” Lisa said. “That’s because of the age of the original tiles and the fact that they were painted by hand–it gives them subtle shadings and textures that we worked to preserve in these lovely labels.”

Pairing this masterpiece with your favorite flavors

Masterpiece Collection White Wine bottles with a pitcher of sangria
Perfect with your favorite warm-weather fare, our Masterpiece Collection White Wine is also refreshing as the base of a refreshing white sangria!

According to Shruthi, our Masterpiece Collection White Wine pairs perfectly with the lighter fare we favor during warmer weather.

“Perfect for spring and summer sipping and entertaining, this wine pairs well with classic fare such as pasta Alfredo and lighter seafood dishes like crab, fried oysters, and salmon. Make a moment memorable by packing a bottle for your next picnic, or enjoy it with friends at brunch or lunch,” said Shruthi.

In addition, you can stir up a cool, refreshing pitcher of Refreshing White Sangria with our Masterpiece Collection White Wine. Enjoy with friends and freeze any leftovers for a fun take on grown-up popsicles or slushies.

Select this special masterpiece for spring!

Claude Monet's signature on an original oil painting
Along with his signature, Claude Monet’s paintings show the characteristic style of his brush strokes.

If you’re looking for a special gift for spring and summer occasions such as Easter, Mother’s Day, bridal luncheons, weddings, and college graduations, this wine’s one-of-a-kind labels make each bottle a charming gift for flower lovers and those who appreciate all things Biltmore.

Look for our 2023 Masterpiece Collection White Wine in estate shops and online while supplies last*.


*If you order online, your shipment will contain one or more of the label designs chosen at random.

George Vanderbilt: A Passion For Italy

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George Vanderbilt–traveler, collector, and patron of the arts–appreciated the finer things in life, but had a special passion for the culture and creativity of Italy. His trips there and other regions he visited across Europe helped shape his appreciation for art, architecture, and fine wine.

“Throughout his life, George Vanderbilt traveled the world, first with family and friends, and after he married, his wife Edith and their daughter Cornelia often accompanied him,” said Meghan Forest, Associate Curator.

George Vanderbilt’s first Italian visit

Archival image of the Colosseum, 1887. Rome, Italy
Archival image of the Colosseum, 1887. Rome, Italy.

Based on correspondence in our archives, Italy seems to have been a favored destination for George Vanderbilt. He first visited the country in 1880 when he was 18 years old, taking in notable sites such as Rome and Vatican City.

The visit included a stop in Milan where the church and Dominican convent of Sante Maria della Grazie was of particular interest as its refectory contains The Last Supper fresco painted by Italian Renaissance artist Leonardo da Vinci.

Further travels in Italy

The Last Supper fresco painting by Leonardo da Vinci
The Last Supper fresco painting by Leonardo da Vinci, c. 1495–1498.

In 1887, George Vanderbilt took an extended trip to Italy, taking in some of the well-known sites including Pisa Cathedral with its famously tilted bell tower, better known as the Leaning Tower of Pisa.

He also visited Venice with its winding canals and Florence, the city long considered the epicenter of Italian Renaissance art and culture. Florence offers some of the most iconic treasures of the era, including the Uffizi Museum and the Cathedral de Santa Maria dell Fiore, generally referred to as the Duomo because of its two free-standing domes.

Archival photo of three passengers and two rowers in a gondola in Venice, Italy
George Vanderbilt (seated, far right) with unidentified men riding a gondola in Venice, 1887

Seven years later, George Vanderbilt returned to Italy with members of his family including his niece Adele Sloan. They visited Taormina and the ruins of the Taormina Amphitheatre built by the Greeks and renovated 600 years later by the Romans. Such sites were popular destinations during the American Renaissance of the late 19th century as travelers sought to understand the ancient world.

Honeymooning in Italy

Villa Vignolo near Stresa, Italy, c. 1898.
Villa Vignolo on the shores of Lake Maggiore near Stresa, Italy, c. 1898.

“Another reason we believe George Vanderbilt had a passion for Italy is because he chose to take his new bride Edith there after they were wed in Paris in 1898. The Vanderbilts spent the first six weeks of their four-month honeymoon at Villa Vignolo on the shores of Lake Maggiore near Stresa, Italy,” Meghan said.

While there, the Vanderbilts took short trips to various museums and galleries, taking in sights such as the iconic Rialto Bridge over the Grand Canal in Venice. In Edith, George found a partner who shared his passion for history, literature, and the arts.

In a letter to artist James McNeill Whistler, George wrote of their time in Italy, “It was Mrs. Vanderbilt’s first visit… It has been an added pleasure of course to see her delight and interest… “ *

Italian Renaissance wellhead, c. 1500
Made of Rosso di Verona marble, this fountainhead was likely originally used to decorate and protect an active well in Venice during the Italian Renaissance, c. 1500. It has become known as the “Hunt Fountain” as it is depicted in the John Singer Sargent portrait of Biltmore House architect Richard Morris Hunt.

Explore Ciao! From Italy Sculptural Postcard Display

As a delightful complement to our new Italian Renaissance Alive exhibition, we’ve partnered with our friends at Applied Imagination to create a series of eight sculptural postcards that showcase George Vanderbilt’s Italian travels in a big way.

Located in Antler Hill Village from April 1, 2023 to February 19, 2024, Ciao! From Italy combines intricate botanical designs with authentic messages from the Vanderbilts in a large-scale format that’s sure to charm all ages. The experience is included with estate admission.

Featured blog image: George Vanderbilt (seated, far right) with unidentified men riding a gondola in Venice, 1887

*George Washington Vanderbilt to James McNeill Whistler. 10 Jul 1898. The Correspondence of James McNeill Whistler. Glasgow University Library, University of Glasgow: 05919.

Patron of the Arts: George Vanderbilt

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As a patron of the arts, George Vanderbilt remains a remarkable example of the difference one man can make in the field of fine art and education.

With his deep appreciation and understanding of arts and languages and his vision for a self-sustaining country estate, George Vanderbilt was part of the American Renaissance that flourished during the Gilded Age.

Detail of George Vanderbilt portrait by John Singer Sargent, painted in 1890.

A patron of the arts

George Vanderbilt did more than simply collect and appreciate art, however; he was also a passionate patron who befriended artists such as John Singer Sargent and James McNeill Whistler, commissioning their works for his home and corresponding with them far beyond the particulars of portraiture.

Literary writers including Edith Wharton and Henry James were welcomed at Biltmore, and George Vanderbilt’s close friend and author Paul Leicester Ford spent several weeks at the estate while working on his novel Janice Meredith: A Story of the American Revolution. 

(left) George Vanderbilt’s personal bookplate.

Library patron

In addition to his personal friendships with artists, George Vanderbilt was a great proponent of public access to the arts, using his philanthropic values to ensure that others could benefit from institutions such as free lending libraries.

While most libraries of that era required patrons to pay for the books they borrowed, Vanderbilt provided funding to build the Jackson Square Free Circulating Library of the New York Public Library System and filled it with books that he donated. This library was one of the first open to the general public.

Rhinocerous print by Albrecht Dürer in Biltmore’s collection.

Support for young artists

Another of George Vanderbilt’s most significant donations was to The American Fine Arts Society in support of young artists. In 1892, Vanderbilt donated $100,000 to pay for the property and construct the building that the Society would use for exhibiting members’ work.

Named the Vanderbilt Gallery in his honor, the inaugural exhibition was a show of prints by Rembrandt and Albrecht Dürer, plus prints based on the paintings of Sir Joshua Reynolds, all from George Vanderbilt’s personal collection.

While some of the Durer prints and those after the style of Reynolds remain in the Biltmore collection, the original Rembrandt prints were sold to J.P. Morgan. You can see a selection of detailed reproductions in the Oak Sitting Room of Biltmore House.

Formal photo portrait of young George Vanderbilt (detail)

Living the legacy

We continue George Vanderbilt’s passion for the arts today by hosting exhibitions such as Legends of Art & Innovation at Biltmore featuring four separate large-scale, multi-sensory events created and produced by Grande Experiences using the very latest in immersive technology.

Past exhibitions have illuminated the remarkable lives of artists such as Van Gogh, Monet, and Da Vinci, while the current Italian Renaissance Alive exhibition showcases a wide range of timeless masterpieces from that dramatic era in European history.

Each individual exhibition offers fascinating ties to Vanderbilt’s collection of treasures on display in Biltmore House, his magnificent family home, in Asheville, North Carolina.

Featured: Bronze bust of George Vanderbilt by Mary Grant

The Lasting Legacy of John Cecil

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The lasting legacy of John Cecil is founded on his contributions to Biltmore during his lifetime, which helped preserve the estate for future generations. Let’s take a look at how he became such an important part of Biltmore’s history.

John Cecil’s early life

Photographic portrait of John Cecil
The Honorable John Francis Amherst Cecil, 1924

John Francis Amherst Cecil grew up in the English countryside of Norfolk. He was the third son of Lord Cecil and the Baroness Amherst of Hackney. His father was a descendant of William Cecil, Lord Burghley, who was Lord High Treasurer to Queen Elizabeth 1.

As a young man, John studied history and international law at the New College of Oxford University before becoming a member of the British diplomatic corps. He served in Egypt, Spain, and Czechoslovakia before being posted to Washington where he rose to the position of First Secretary of the British Embassy.

John Cecil met Cornelia Vanderbilt in Washington, D.C., where she and her mother Edith Vanderbilt spent a great deal of time in the years following George Vanderbilt’s death. Ten years older than Cornelia, John was one of a group of eligible gentlemen known as the “British bachelors” in the capitol’s social circles.

A grand wedding

Cornelia and John Cecil engagement photo
The Honorable and Mrs. John Francis Amherst Cecil, 1924. This portrait, shot by noted London photographer Langfier, was taken when Cornelia was presented to Queen Mary of the United Kingdom following her wedding. Since John Cecil was a member of the nobility, the couple followed the tradition of formally presenting his bride to English society. Cornelia wore a dress made out of her modified wedding gown and veil.

Of all the romantic celebrations Biltmore Estate has witnessed, none have been quite as spectacular as the wedding of American heiress Cornelia Stuyvesant Vanderbilt to the Honorable John Francis Amherst Cecil on April 29, 1924.

Hundreds of invitations were extended to friends and family, and the guest list included many well-known public and diplomatic figures of the time.

Life at Biltmore

Cornelia Vanderbilt (front center) and John Cecil (back right) at party with friends in front of Biltmore House, 1925
(L-R back row) Leander McCormick-Goodhart, John Cecil; (front row) H. H. Sims, Amelia “Mitzi” Sims, Cornelia Vanderbilt, Rachel Vanderbilt, and Benjamin Bernard in front of Biltmore House, 1925

Shortly before his marriage to Cornelia Vanderbilt, Cecil resigned his diplomatic position, announcing that after the wedding he would make Biltmore his primary residence and would take an active role in managing the estate.

After their honeymoon, the couple lived at Biltmore, continuing the legacy of hospitality for which the estate was known, as well as managing the property and farming operations.

Cornelia and John Cecil (center) at the 1930 opening of Biltmore House
Cornelia and John Cecil (central figures) at the opening of Biltmore House to the public in 1930.

During the Great Depression, in a bid to boost the local economy and bring tourists to the region, the Cecils worked with the Asheville Area Chamber of Commerce to open Biltmore House to the public in 1930. 

Building a legacy

John Cecil driving in front of Biltmore House
John Cecil driving in front of Biltmore House, c. 1925

The Cecils divorced in 1934, with Cornelia taking the couple’s two young sons with her to Europe to be educated. John Cecil remained at Biltmore, enjoying the life of a country gentleman while taking an active role in the management of Biltmore House and becoming involved with several community organizations including the Biltmore Hospital and All Souls’ Church.

Together with Edith Vanderbilt and Judge Junius Adams, John Cecil provided leadership for The Biltmore Company, which was organized in 1932 to manage the estate. He returned to his native England during World War II as Minister of Information, but came back to Asheville and took up residence at Biltmore again when the conflict ended.

A tribute to John Cecil

John Cecil dressed as Santa Claus with a group of children dressed as Santa's elves, ca. 1950
The Hon. John F. A. Cecil (left) dressed as Santa Claus with Santa’s elves at a Christmas party at the Biltmore Forest Country Club, ca. 1950. Courtesy of Biltmore Forest Country Club and Sheila Fender, Asheville, N.C.

John Cecil developed enduring relationships with estate residents who remembered him as a kind, down-to-earth gentleman. At annual Christmas parties, he often portrayed Santa Claus, emerging from one of the vast fireplaces in the Banquet Hall with a giant bag of gifts over his shoulder, much to the delight and wonder of the children in attendance.

In his book Lady on the Hill, John Cecil’s younger son William A.V. Cecil wrote that his father “had a deep appreciation for the treasures in the house and entertained his guests by translating the Old Latin woven into the tapestries. He brought a sense of British propriety to the chateau’s new role as tourist attraction with an approach that was both Old World and Madison Avenue. For example, he insisted that the staff place fresh-cut flowers in the rooms opened to visitors to discount the appearance of a dusty museum. His philosophy became a standard throughout Biltmore’s public life.”

John Cecil’s lasting legacy

Evening reflection of Biltmore House in the Front Lawn fountain
John Cecil’s contributions to Biltmore have helped preserve the estate for future generations.

Today, we honor John Cecil’s contributions to the legacy of Biltmore with the John Francis Amherst Cecil Scholarship established in his honor. This scholarship is a tribute to his devotion to the preservation and well-being of Biltmore and its employees, and the scholarship helps assist the dependents of Biltmore employees with the rising costs of higher education.

Featured image: Candid photograph of John Cecil

Biltmore Conservatory Rose Gin

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Biltmore Conservatory Rose Gin is the delightful result of a collaboration between two family-led companies in Asheville, North Carolina.

With the addition of Biltmore Estate’s rose petals and red wine barrels, this outstanding small-batch gin distilled by Chemist Spirits delights with its soft pink hue and layers of distinctive flavor .

Biltmore Conservatory Rose Gin

Chemist Conservatory Rose Gin
Biltmore Conservatory Rose Gin crafted is a collaboration with Chemist Spirits in Asheville, NC

Mixed or muddled, handcrafted botanical gins are very much on trend, and none surpass the pure elegance of Biltmore Conservatory Rose Gin.

“This is the fourth time we’ve collaborated with Chemist Spirits to handcraft this limited-edition, small-batch Rose Gin,” said Geoff Campbell, Wine Marketing Manager. “It’s a remarkable way to evoke the classic refinement of Biltmore’s gardens in bloom.”

Barrels at Biltmore's Winery
Oak barrels in the Barrel Room at Biltmore Winery

The 84-proof base gin crafted by Chemist Spirits expresses soft juniper notes bursting with bright citrus. It is then matured for several months in red wine-soaked estate barrels for a rich infusion of warm fruit and toasted oak flavors.

Perfect petals

Pink roses blooming in Biltmore's Rose Garden
Biltmore’s Historic Rose Garden provides perfect pink petals for our collaboration with Chemist Gin

To preserve the peak freshness of this limited-edition small-batch gin, hand-plucked rose petals from Biltmore’s Historic Rose Garden are infused into the barreled, rested spirit just days before it is bottled and released.

The result is a palate-pleasing botanical gin with a subtle pink hue from the wine barrels and sweet nuances of pink and white rose, lemon cream, vanilla, ripe strawberry, and grapefruit peel that finishes with a smooth, velvety note of dry red wine.

Perfect blooms in Biltmore's historic Rose Garden
May to June – Biltmore’s historic Rose Garden takes center stage as multiple species of roses are in full bloom. Petals from our roses were selected for a spirited collaboration with Asheville’s Chemist Spirits that resulted in Biltmore Conservatory Rose Gin.

“The rose is symbolic of many powerful emotions, and Chemist Spirits’ Conservatory Rose Gin captures this essence in a bottle that makes for a perfect gift to be enjoyed with friends and family,” said Debbie Word, who founded Chemist Spirits along with her daughter Danielle Donaldson, an accomplished chemist who is also a young mother.

“Chemist Spirits is particularly proud to make this special release available in time for Mother’s Day, when roses are traditionally gifted to celebrate our admiration for and the grace of the women in our lives,” Debbie noted.

We invite you to enjoy Biltmore Conservatory Rose Gin in the ‘spirit’ in which it is intended–as a reminder to slow down and savor those lingering moments that capture the sweeping romance of Biltmore Estate and inspire us to pause and drink in the roses.

Create cocktail chemistry

Create instant cocktail chemistry with Biltmore Rose Gin
Enjoy a refreshing French Rose 75 Cocktail featuring Biltmore Estate Brut sparkling wine and Biltmore Conservatory Rose Gin

To honor this exclusive collaboration in which Chemist Spirits locally distilled gin is carefully aged in Biltmore wine barrels—along with a fragrant profusion of petals from estate roses—we’re shaking things up by pairing our wines with a splash of spirits to create instant cocktail chemistry:

Try an elegant French Rose 75 cocktail with Biltmore Estate® Brut Sparkling and Biltmore Conservatory Rose Gin—it’s perfect for any occasion.

Find Biltmore Conservatory Rose Gin and Biltmore wines

Create cocktail chemistry with Biltmore Conservatory Rose Gin
Create cocktail chemistry with Biltmore Conservatory Rose Gin and Biltmore wines

Enjoy this signature Rose Gin in cocktails at estate restaurants, and find our award-winning wines in estate shops and online.

To purchase Biltmore Conservatory Rose Gin by the bottle while supplies last, visit or contact Chemist Spirits in downtown Asheville.

World Premiere: Italian Renaissance Alive At Biltmore

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Experience the world premiere of Italian Renaissance Alive at Biltmore Estate in Asheville, NC!

The stunning new exhibition, created and produced by Grande Experiences, opens March 3, 2023, in our Amherst at Deerpark® exhibition space on the grounds of the estate.

“This is no ordinary art exhibition,” said Travis Tatham, Director of Destination Entertainment and Events. “If you’ve ever tiptoed through a silent gallery to view paintings from afar, prepare to be amazed by this experience!”

Guests experiencing Italian Renaissance Alive at Biltmore
Guests experiencing Italian Renaissance Alive at Biltmore

“From start to finish, you’ll interact with art in ways you never imagined, surrounded by a vibrant symphony of light, color, sound–even fragrance. It is truly an unforgettable event for all the senses,” Travis said.

What was the Renaissance?

Detail of The Entombment of Mary by Giotto
The Entombment of Mary by Giotto, ca. 1310

Renaissance means “rebirth,” and the era brought cultural, artistic, political and economic rebirth to Europe following the Middle Ages and the fall of the Roman Empire. A new vision of civilization was portrayed on canvas, in fresco, and sculpture, and the epicenter of it all was Italy.

Italian Renaissance Alive traverses the entire Renaissance time frame, from the 14th to 17th centuries. It celebrates the exceptional artistic and cultural influences of the period, immersing audiences in culture, architecture, sculpture, and literature of this iconic movement.

Italian Renaissance Alive

Detail of The Creation of Adam by Italian Renaissance painter Michelangelo
The Creation of Adam, a fresco painting by Michelangelo, which forms part of the Sistine Chapel’s ceiling, painted ca. 1508–1512.

“Since Biltmore is hosting the world premiere of Italian Renaissance Alive, our guests will be the very first to experience this brand-new exhibition,” said Travis.

According to Travis, visitors will be instantly transported by the history and splendor of this extraordinary period, surrounded in its beauty, and able to explore hundreds of masterpieces from some of the world’s most revered artists and sculptors in grand and glorious detail.

Detail of The School of Athens fresco painted by Raphael
The School of Athens by Raphael, ca. 1509–1511

Highlights include Michelangelo’s breath-taking Sistine Chapel, Leonardo da Vinci’s iconic Mona Lisa and The Last Supper, Botticelli’s Birth of Venus, and other glorious works by Raphael, Caravaggio, Titian, Veronese, and more, in an awe-inspiring, large-scale, immersive experience.

Dertail of The Last Judgment fresco painted by Italian Renaissance artist Michelangelo Buonarroti
The Last Judgment by Michelangelo, ca. 1536–1541. This enormous fresco painting covers the whole altar wall of the Sistine Chapel in Vatican City.

“Accompanied by a powerful Italian operatic score including works by Puccini and Verdi, combined with a compelling narrative, this multi-sensory experience will deliver audiences a captivating, educational and entertaining moment to remember,” said Travis.

George Vanderbilt and the American Renaissance

Archival photo of three passengers and two rowers in a gondola in Venice, Italy
George Vanderbilt (seated, far right) with unidentified men riding a gondola in Venice, 1887

Although he was born 200 years after the Italian Renaissance ended, George Vanderbilt was part of what is known as the American Renaissance–a cultural period from 1876 to 1917 in which the United States experienced a renewal of national self-confidence, embracing both modernism and new technologies along with classic art and architecture.

Vanderbilt traveled to Italy several times, even choosing to spend his honeymoon there, and collected a number of Renaissance-era and Renaissance-inspired treasures for his magnificent home.

Detail of View of the Ducal Palace in Venice by Italian Renaissance painter Giovanni Antonio Canal
View of the Ducal Palace in Venice by Canaletto, ca. 1755

“This new exhibition is a fitting tribute to George Vanderbilt’s lifelong passion for fine art,” Travis said. “It helps you see the connection between Biltmore and this exhibition while enjoying some of the world’s best known masterpieces in an entirely new way, immersed in the beauty and brilliance of a major artistic period in history as it comes to life all around you.”

Be among the first to enjoy Italian Renaissance Alive at Biltmore!

Several guests immersed in the Italian Renaissance Alive exhibition at Biltmore
Be among the first guests to experience the world premiere of Italian Renaissance Alive at Biltmore

Make plans now to experience Italian Renaissance Alive, the fourth and final exhibition in our remarkable Legends of Art & Innovation at Biltmore series.

Immerse yourself in the sights and sounds of Biltmore and extend your visit with a reservation at one of our hotels or private historic cottages with an Italian Renaissance Alive package that includes a special memento of your exhibition experience.

In addition, enhance your stay with a complimentary wine tasting at the Winery in Antler Hill Village, a wide range of outdoor activities, shopping, dining, and so much more!


Featured image: The Birth of Venus by Botticelli, ca. 1484–1486

Off The Beaten Path: Hidden Gems of Biltmore

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Discover the “hidden gems” of Biltmore Estate–special spots that may be off the beaten path, but are worth exploring during your next visit to this welcoming destination in Asheville, NC.

“Our guests tend to be familiar with Biltmore House and its historic gardens, but there are many hidden gems around the property that you might miss if you’re not looking for them,” said Bill Quade, Director of Horticulture.

The Vista and statue of Diana

The statue of Diana overlooking Biltmore House is a hidden gem in the landscape.
Temple of Diana overlooking Biltmore House

At the top of the long, sloping Vista overlooking Biltmore House, you’ll find a marble statue of Diana, Roman goddess of the hunt, under a wooden arbor. Accompanied by one of her dogs, she gazes out over the landscape.

“The statue is beautiful all by itself,” said Bill, “but when you combine it with a perfect view of Biltmore House framed by the Blue Ridge Mountains beyond it, it’s a spectacular place to have a picnic or watch the sunset.”

Three women enjoy a picnic with a view of Biltmore House
The sloping lawn below the statue of Diana offers picnickers a perfect view of Biltmore House!

Tip: The area behind the statue of Diana is a popular site for weddings and group events, so it may be tented, especially during summer and fall.

The Bass Pond is one of Biltmore’s hidden gems

Boat House at the Bass Pond is a hidden gem of Biltmore
The view of the Bass Pond from the Boat House is worth the walk!

The Bass Pond is located at the end of Biltmore’s formal gardens, and though it’s a bit of a walk, the end result is well worth it.

“Keep following the path through the Azalea Garden and you’ll come out at the Bass Pond,” Bill said. “There’s a rustic boathouse on the shore and a bridge over the waterfall at the far end. It’s a beautiful spot for seasonal color and birdwatching.”

Canadian geese on an island at the Bass Pond
The Bass Pond offers wonderful opportunities to view the wilder side of the estate!

Tip: The return trip to Biltmore House is uphill, so take your time and set your own pace. If you don’t have time to walk to the Bass Pond, you can drive to it and use one of the convenient pullouts along the way to park your car and admire this hidden gem designed by Frederick Law Olmsted, the estate’s landscape architect.

Explore the Conservatory

Two women in front of the Conservatory at Biltmore
The Conservatory in the Walled Garden is a hidden gem that’s worth exploring in every season.

Created as both an indoor garden filled with tropical treasures and a production greenhouse for nurturing plants, the Conservatory forms the back wall of the formal English-style Walled Garden.

“The design of Biltmore’s Conservatory was a collaboration between Biltmore’s architect Richard Morris Hunt and landscape architect Frederick Law Olmsted,” Bill said. “And we still maintain the original intent to showcase exotic specimens like orchids and palms, and we also grow some of the plants we use around the estate, like a portion of our Christmas poinsettias.”

Pink Ball Tree flowers
There are hidden gems within the Conservatory, like the fragrant flowers of this Pink Ball Tree (Dombeya wallichii)

Tip: There is always something blooming in the Conservatory, but orchids reach their peak during the cooler winter months.

Lagoon

View of the west side of Biltmore House from the Lagoon
The Lagoon offers a striking reflection of the west side of Biltmore House.

Just below the 250-acre Deer Park portion of the estate, Frederick Law Olmsted created the Lagoon as a peaceful, natural water feature that also serves to reflect the west facade of Biltmore House.

“The Lagoon is raised above the level of the French Broad River that flanks it, which helps keep the water at a more consistent level,” Bill noted. “It’s a great spot to relax and enjoy a picnic or watch for wildlife and waterfowl in every season. Many guests drive right by it on their way to Antler Hill Village and don’t realize they’ve missed another of Biltmore’s hidden gems.”

Hidden gems: sunflowers line the path to Antler Hill Village in late summer
In late summer, sunflowers line the path from Antler Hill Village to the Lagoon

Tip: If you’re looking for a flat, easy trail with lovely views, park at Antler Hill Village and bike or walk the paved path all the way to the Lagoon and back.

Learn more about hiking and biking on Biltmore Estate and download our Trail Map on our Activities page.

Become an Annual Passholder and discover more hidden gems!

Hidden gems: explore a world of outdoor sculpture at Biltmore, like this cherub in the Italian Garden.
Hidden gems: meet friendly farm animals at the Farmyard in Antler Hill Village.
Hidden gems: discover colorful koi in the Italian Garden pools
Hidden gems: discover beautiful views along our network of hiking and biking trails.
Hidden gems: a winged dragon carved into the base of a stone fountain near the Front Door of Biltmore House.
Hidden gems: the booths inside Stable Café are the original horse stalls from the estate’s stable complex!
Hidden gems: three large bronze turtle fountains at the base of the Rampe Douce were designed to handle the overflow from the estate’s reservoir system.

While we invite all our guests to enjoy finding some of these often-overlooked areas during your next visit, you may want to consider the benefits of purchasing a Biltmore Annual Pass. As a Passholder, you’ll receive exclusive benefits such as FREE unlimited visits for the next 12 months to discover your own hidden gems in every season!

Featured image: this bench near the Bass Pond is even more beautiful when the azaleas are in bloom.

Create A Biltmore-Inspired Spring Centerpiece

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Create a Biltmore-inspired spring centerpiece with easy ideas from our Floral team and the glorious arrangements they design for Biltmore House during our annual Biltmore Blooms celebration!

Spring is a favorite season at Biltmore

Spring centerpiece in Mrs. Vanderbilt's Bedroom at Biltmore
See stunning spring arrangements like this in Biltmore House during Biltmore Blooms

“I think spring is a favorite season for many of us at Biltmore,” said Lizzie Borchers, Floral Manager. “We love to celebrate the season by creating spring centerpieces and arrangements that harmonize with the décor in Biltmore House, and we also love to highlight special features with our designs.”

Spring arrangement in the Library at Biltmore House
Lovely blooms, including early spring branches, add interest to any spring centerpiece

This year during Biltmore Blooms, Lizzie and her team will be delighting guests with lush floral arrangements that showcase some of the priceless portraits and fantastic furnishings in America’s Largest Home®.

Create your own spring centerpiece

Blue and white spring blooms
Create a stunning centerpiece that’s perfect for spring!

Ready to create your own spring centerpiece inspired by Biltmore?

With some helpful suggestions from our Floral team, you can create a stunning design that evokes the fresh feeling of spring with a classic blue-and-white theme.

“Although we’re used to making arrangements that suit the grand scale of Biltmore House, you can use our techniques to achieve a spring centerpiece that works for your space,” said Lizzie. “Just choose a smaller container as your starting point!”

In addition to the blue-and-white blooms recommended below, try adding pretty pops of color with unexpected touches like peacock feathers or a decorative egg-filled bird’s nest as a special nod to spring.

Suggested Materials
Neutral-colored container
Floral oasis foam
Dutch iris
Caspia (white and lavender varieties)
Cream-colored stock
Pittosporum (potted version used in this arrangement)
White roses
White hydrangea
Peacock feathers (optional)
Decorative bird nest with eggs (optional)

Begin by cutting a piece of floral oasis foam to fit snugly inside your container. Soak it well, then begin adding the larger flowers first. Step back from time to time to see the overall effect. Once you’re satisfied with the placement of the larger elements, begin filling in with smaller flowers and greenery.

Tips from Biltmore’s Floral Team:

  • Try letting some floral elements hang over the sides of the container to create movement and interest.
  • Create an equally pretty spring centerpiece by using small potted plants (or permanent botanicals) rather than freshly cut flowers.
    • Choose green and flowering plants of different heights for texture and interest, and add pieces of Styrofoam to lift some pots higher than others.

Plan your spring visit today!

Family activities for spring at Biltmore
Explore our glorious gardens and grounds during Biltmore Blooms this spring

Make plans now to celebrate spring during Biltmore Blooms, April 1–May 25, 2023. While visiting Biltmore House, be sure to look for the spring centerpieces and arrangements our Floral team designed especially for the season–they may inspire your own creations.

In addition to the wonders of Biltmore Blooms, we invite you to enjoy Italian Renaissance Alive, our new exhibition hosted in Amherst at Deerpark on the grounds of the estate (opens March 3, 2023) and Ciao! From Italy Sculptural Postcard Display in Antler Hill Village beginning April 1.