Biltmore Wines for Warm Weather Sipping

Our award-winning Biltmore wines are perfect for warm weather sipping whether you’re packing a picnic, entertaining friends and family outdoors, or simply relaxing on your porch or patio this summer.

Keep it crisp and refreshing

Couple sipping wine on rockers at Biltmore.
Biltmore wines are perfect for warm weather sipping!

Biltmore Estate winemaker Sharon Fenchak recommends focusing on lighter, dryer, more acidic wines during the warmest months of the year.

According to Sharon, these wines refresh your palate in the same way lemonade does when the weather heats up and you feel more thirst.

“Sweeter wines tend to leave you thirsty, while wines with higher acidity such as our own crisp Biltmore Estate® Sauvignon Blanc can actually quench your thirst on a warm spring or summer day,” Sharon said.

White wines for warm weather sipping

Couple sipping wine on Patio at Biltmore.
Enjoy warm weather sipping with Biltmore white wines by the glass or bottle.

“Another great choice is Biltmore Estate® Limited Release Fumé Blanc. It features notes of tropical fruit notes with hints of oak, vanilla, and spice,” said Sharon, “and it pairs beautifully with salads, chicken, and grilled fish–the kinds of food you tend to serve in warmer weather.

Sharon also recommends Biltmore Estate® Pinot Grigio with its spicy citrus finish, and our off-dry, approachable Biltmore Estate® Albariño as especially nice options for sipping outdoors on spring and summer evenings.

Prefer a cool, elegant classic white wine for summer sipping? Biltmore Estate® Chardonnay offers crisp fruit flavor and hints of oak to complement everything from grilled vegetables to chicken and seafood.

Pick the perfect rosé for warm weather

Outdoor firepit gathering with wine.
Enjoy summer sipping and entertaining outdoors with your favorite Biltmore wines.

Rosé drinkers will appreciate our Biltmore Estate® Dry Rosé, a surprisingly dry wine with delicate layers of berry flavors. It’s perfect with chicken, pork, salmon, and sausage–serve it along with all those smoky grilled favorites at your next backyard barbecue–or enjoy it as an ingredient in a refreshing cocktail.

Warm-weather sippers for red wine lovers

Biltmore Cardinal's Crest makes a sensational sangria
Add some sparkle to warm weather sipping with our Cardinal’s Crest Sangria!

Sharon recommends mellow, versatile reds for the warm weather sipping; one of the best is Biltmore Estate® Cardinal’s Crest—a smooth, easy-to-drink blend.

“Enjoy it by the glass, or mix up a pitcher of fruity sangria to sip in the shade,” Sharon said. “Your friends will thank you!” 

Biltmore bubbles are festive and fun!

Woman sipping sparkling wine by the pool at The Inn on Biltmore Estate
Enjoy our sparkling wine poolside during warm weather, just like this guest at The Inn on Biltmore Estate.

Like something bubbly? Sparkling wines like our Biltmore Estate® Brut, handcrafted in the traditional méthode champenoise style, are perfect for warm weather sipping on their own and as the base of mimosas or other cocktails.

Cool down with the 20-minute rule

Couple cheers their wine glasses while overlooking mountains at Biltmore
Cheers are on the horizon!

“Whatever wine you prefer, make sure you chill it first, even if it’s a red wine,” said Sharon. She suggests that you cool reds for about 20 minutes before you serve them. For white wines, remove from the refrigerator 20 minutes prior to serving so their aromas and flavors can be released.

“The most important rule of wine? Drink what you like, regardless of the time of year!” Sharon said.

Enjoy sipping Biltmore wines all summer long

Two women walking out of Biltmore Winery
Put Biltmore wines on your “bucket list” for summer sipping!

Find your favorite Biltmore wines at Biltmore Estate shops, restaurants, and our Winery—or closer to home with our Retail Locator. You can also order by phone at 800-968-0558, or purchase our wines online through Vivino.

In addition, summer is a great time to explore our Vanderbilt Wine Club®, with seasonal shipments delivered directly to your door, plus invitations to members-only events and more.

In The Spotlight: Biltmore’s Vineyard

Believe it or not, Biltmore’s first vines were planted right next to America’s Largest Home around 1971. What started as a testing ground for hybrid varietals has flourished into a 50-acre vineyard on the West Side of the estate growing varietals such as Chardonnay, Petit Manseng, Cabernet Franc, Cabernet Sauvignon, and Merlot.

Follow along as Vineyard Manager, Phil Oglesby shares a glimpse at our estate vineyards throughout the year.

Bud Break at Biltmore Vineyards
During the bud break stage of the vineyard lifecycle, the vines are extremely sensitive at this time and young shoots must be protected.

Spring bud break: New growth begins

“The first major event of spring in any vineyard is bud break,” said Phil Oglesby, Vineyard Manager, “and Biltmore’s vineyard on the west side of the estate is no different. Even though we’re already working with the vines, that first hint of a bud breaking open gives us a sense of urgency that the growing season is underway.”

Once bud break occurs, typically around late March, the vineyard crew becomes even more vigilant because Western North Carolina is potentially under a frost warning until mid-May!

“Protecting the tender, developing green shoots is a priority. We have several strategies we can deploy during a spring freeze to help mitigate damage,” Phil said. “There are wind turbines in the field to keep the air moving so the frost doesn’t settle on the fragile buds, and we can spray the vines with water so they’re encased in ice, which protects them from freezing temperatures, but grapes are still a field crop that is affected by the weather.”

Flowering on Vines at Biltmore Vineyard
The flower bud (inflorescence) contains hundreds of flowers, but not all will turn into berries. In order to thrive, warmth and sunlight are crucial.

Biltmore’s vineyard blooms

As spring’s warmer weather returns, our Biltmore Estate vineyard sees substantial leaf growth in the young shoots fueled by the carbohydrates stored during the dormant winter months. Soon, the vines will bloom with tiny self-pollinating flowers, destined to become berries.

Nature is the best protector during these critical times. We focus on creating an optimal habitat through sustainable practices.

Green wine grape clusters on a vine
Biltmore’s vineyards are flush with bright green grape clusters during the summertime.

Fruiting in time for NC Wine Month

Each May serves as a time for celebration for Biltmore Wines! Not only is it the anniversary month for the opening of our Winery in 1985, but it’s also North Carolina Wine Month.

Meanwhile, the danger of frost in the vineyard has passed, the days are getting longer and warmer, and fruit clusters have begun to form under the leaves. Known as “berries,” these hard green fruits don’t look much like mature grapes, but they continue to ripen.

The summer months set the stage for the fall harvest. As the berries develop, also known as fruit set, our growers get their first look at the amount of crop the vineyard will yield and the amount of wine we will produce.

veraison process at Biltmore Vineyard
The swelling of the grapes with water increases the sugar and tannin levels while reducing the acid levels, all the while accumulating color and flavors.

Veraison signals the countdown to harvest

In the beginning, all berries are green, but as they ripen, they transform into beautiful hues of red, purple, and golden through a process called veraison. Phil said, “By mid-July you should notice some color coming into the grapes—light gold for the Chardonnay and speckles of purple for the Cabernets.”

This noticeable change in color marks a tipping point in the growth process where the plant begins focusing energy on ripening and sweetening the fruit. This change also signals to the teams that the countdown to harvest is underway!

Harvesting at Biltmore Vineyard
Biltmore’s grapes are harvested by hand every year!

Gearing up for harvest season

In every wine-growing region, harvest preparation is one of the busiest times of the year for vineyards and wineries.

Phil and his crew work to prepare the equipment, including hand clippers and flat containers for carrying grape clusters without damaging the fruit.

“Executive Winemaker Sharon Fenchak frequently visits the vineyard, especially as the fruit develops on the vine,” said Phil Oglesby, Vineyard Manager. “We work together to try predicting harvest yields and we keep a close watch for potential problems that can be minimized with our control. The vineyard team has a shared goal of providing the Winery with the best possible fruit we can produce.”

The crafting of fine wines relies on cooperation and good communication between the teams. A close look at Biltmore Wines—especially during harvest—reveals the benefits of such a relationship.

Harvesting at Biltmore Vineyard
The ripeness of grapes and weather conditions determine the start of harvest. Sweetness, alcohol content, and acidity are all affected by time.

Harvesting our finest fruit

Once harvest begins, the crew will work from sunrise to late afternoon, carefully gathering the ripe fruit that will become the heart of our Biltmore Wines in the years to come.

Chardonnay is one of the early-ripening grapes on Biltmore’s West Side Vineyard. With Mother Nature’s cooperation, Philip and his team will typically begin harvesting this varietal in late August. ⁠

All grapes are hand-picked, with harvests averaging 130 tons annually, and transported to our winery and production facility located in Antler Hill Village where the winemaking process begins.

Winter at Biltmore Vineyard
Snow protects the vines against icy winter temperatures and aids their hibernation.

Caring for the vines during wintertime

Despite what you might think, the vineyard work continues during the winter months! Though the weather may have turned, the dormant vines still need care. Our teams remain hard at work, pruning and protecting the vines to keep them healthy and strong.

While the vines rest, our winemakers continue to craft the recent harvest into wines worthy of a sip. Barrels are filled to the bung hole to compensate for natural evaporation (or for a taste test!), ensuring the quality of the wine inside.

And then, like clockwork each year, winter gives way to early spring and the cycle begins again…

Drone view of Biltmore Vineyard during harvest season
Our viticulture program honors the Vanderbilt heritage to create new opportunities for the family’s estate in harmony with Biltmore’s mission of preservation.

Sourcing the finest fruit for our wines

You may have heard through the grapevine… In addition to our Biltmore Estate vineyard, we also work closely with partner growers in California and Washington who help supply fruit for our portfolio of wines, most of which are handcrafted at the estate.

“Our partners are an important part of our wine program at Biltmore’s Winery,” says Executive Winemaker, Sharon Fenchak. “We spend a lot of time with growers from around the Monterey, Sonoma, Napa, and Mendocino wine regions.”

Sharon explains that the importance of these long-standing relationships with all our partner growers ensures that the quality of all our wines is as consistent as possible from vintage to vintage.

three bottles of Chardonnay are on a table
For a true grape-to-glass experience, savor our Biltmore® Reserve Chardonnay North Carolina varietals, each featuring estate-grown grapes.

Savor the fruits of our labor

Join us at the Winery and Wine Bar on Biltmore Estate to discover new and favorite vintages of our award-winning wines and be sure to look for our varietals featuring estate-grown grapes, like our Biltmore® Reserve Chardonnay North Carolina wines! Our wines are also available in estate shops, at retailers near you, online, and through our Vanderbilt Wine Club.

No matter where you’re enjoying your Biltmore Wines, we invite you to raise a glass in honor of our grape growers, vineyards, and winemakers across the nation!

Discover Chihuly at Biltmore: A Peek Inside the Exhibition

Chihuly at Biltmore is a new exhibition featuring 33 different artworks, including pedestal works, Drawings, and large-scale installations of Chandeliers, Towers, Mille Fiori, and Neon by world-renowned artist Dale Chihuly.

Get ready to be transported to another world as you move through the breathtaking galleries of Amherst with a peek inside this must-see exhibition.

Glass sculptures of icicle towers and chandeliers by Dale Chihuly.
Dale Chihuly, Icicle Chandeliers and Towers, Biltmore, Asheville, North Carolina, installed 2024 © 2015 Chihuly Studio. All rights reserved.

Explore artwork throughout seven galleries

“This is the first time Biltmore has hosted a Chihuly exhibition since 2018 when his work was displayed primarily in the gardens,” said Travis Tatham, Director of Entertainment and Event Programming.

By hosting the exhibition in Amherst at Deerpark®, you will have a chance to explore Chihuly’s work in a gallery setting. The location enabled our team to select works of art that are different from the last exhibit and highlight additional aspects of Chihuly’s remarkable career.

It took three years of collaboration and planning to create a custom-designed space for this large-scale exhibition to be displayed throughout seven galleries.

Installation from Chihuly at Biltmore, March 25, 2024 – January 5, 2025 at Amherst, Dale Chihuly, Tabac Baskets, 2008 with Western trade blankets, Soft Cylinders (detail), 2008-14, and Peach Cylinders with Indian Blanket Drawings, 1995-2016, Biltmore, Asheville, North Carolina, installed 2024, © 1995 Chihuly Studio. All rights reserved.
Neon shapes and glass reeds on logs.
Dale Chihuly, Sapphire Neon and Neodymium Reeds on Logs (detail), 2023, Biltmore, Asheville, North Carolina, installed 2024 © 2023 Chihuly Studio. All rights reserved.

Learn about the artist, Dale Chihuly

“With Chihuly at Biltmore, you’ll experience a curated exhibition that showcases how inspiration, design, and technique come together in breathtaking objects and installations,” said Travis.

As part of the exhibition, a comprehensive timeline offers details into Chihuly’s development of innovative techniques and inspired exhibitions throughout his career.

“There is a beautiful variety of art on display made up of various colors, shapes, and compositions,” Travis said. “This is an ideal setting for you to not only view the installations, but learn about Dale Chihuly’s life, work, and his powerful influence on art, as well as Biltmore’s own connection to glass art.”

Installations around the estate

In addition to the awe-inspiring installations in Amherst, you have the opportunity to marvel at two large-scale installations presented on estate grounds: A Winter White and Glacier Blue Tower on the East Terrace in front of Biltmore House and a freestanding Torchlight Chandelier at the Entry Green in Antler Hill Village.

While in the Village, be sure to admire Chihuly’s Iris Gold and Garnet Chandelier in the Winery. Installed in 2023, it was created especially for Biltmore and is part of the estate’s permanent collection.

Amherst at Deerpark venue on Biltmore Estate
Installation from Chihuly at Biltmore, March 25, 2024 through January 5, 2025 at Amherst at Deerpark. Chihuly at Biltmore exhibition, Asheville, North Carolina, 2024, © 2024 Chihuly Studio. All rights reserved.

You don’t want to miss Chihuly at Biltmore

While Dale Chihuly’s work is represented in museums and collections throughout the world, viewing it here at Biltmore Estate in Asheville, NC, brings past and present full circle.

“The estate has always been a destination for art and culture, from the glass art and other remarkable objects the Vanderbilts collected–including paintings by Claude Monet, John Singer Sargent, and James Whistler–to the beautiful gardens and grounds designed by Frederick Law Olmsted, landscape architect, and our award-winning wines handcrafted at Biltmore’s Winery,” Travis noted. “That’s why Biltmore is the perfect place to experience this extraordinary exhibition!”

Just as George Vanderbilt loved sharing world-class artwork with his guests over a century ago, we look forward to sharing Chihuly at Biltmore with you!

Featured image: A family discovers the iconic Persian Ceiling in the exhibition. Dale Chihuly, Persian Ceiling, 2012, 25 x 15′, Biltmore, Asheville, North Carolina, installed 2024 © 2012 Chihuly Studio. All rights reserved.

Celebrate with Sensational Sangria Recipes

Celebrate the warmer months with these sensational sangria recipes featuring your favorite Biltmore wines! Whether you’re a fan of reds, whites, or rosés, there’s a perfect option in the following recipes to help you create fun and fruity sangrias for solo sipping and friendly gatherings all season long.

Purchase our award-winning wines in estate shops, online, or find a Biltmore wine retailer near you.


White Wine Sangria

Bottle of Biltmore Estate Sauvignon Blanc and glasses of sangria with fruit garnish.
Biltmore Estate Sauvignon Blanc is the star of this refreshing white sangria dreamed up by Marley Goldin / @marleysmenu following a complimentary wine tasting at Biltmore Winery. (Photo courtesy of @marleysmenu.)

Sip on this delightful Sauvignon Blanc-based sangria recipe, created for Biltmore by Marley Goldin of @marleysmenu.

Ingredients:

  • 2 lemons, washed and sliced in wheels
  • 2 limes, washed and sliced in wheels
  • ½ cup granulated sugar
  • ¼ cup triple sec
  • 1 bottle of Biltmore Estate® Sauvignon Blanc (or your favorite Biltmore white wine)
  • 1 ½ cups strawberries, washed, tops removed, halved
  • 2 cups club soda
  • Ice

Instructions:

  • Into a large pitcher, add the lemon and lime slices and granulated sugar. Muddle for 30 seconds until the sugar combines with the citrus juices.
  • Add the triple sec, then stir to combine.
  • Add the Biltmore Estate® Sauvignon Blanc and sliced strawberries to the pitcher and stir again.
  • Just before serving, add ice and club soda. Serves 8.
  • Tip: This recipe can be made up to 24 ahead of time! The longer the fruit sits in the liquid, the more its flavor infuses. Hold off on adding the club soda and ice until just before serving.

Masterpiece Sangria

Four bottles of Biltmore Masterpiece Collection wine with orchid labels
Biltmore Masterpiece Collection White and Rosé Wines

Although traditional sangria recipes tend to feature red wines, this version with our Biltmore Masterpiece Collection White or Rosé Wines is a cool, refreshing treat for warm weather. Enjoy with friends and, should you have any leftover (we doubt you will!), freeze it for a fun take on grown-up popsicles or slushies.

Ingredients:

  • 1 bottle Biltmore® Masterpiece Collection White Wine or Rosé Wine
  • 4 ounces simple syrup
  • 4 ounces brandy
  • 2 ounces of freshly squeezed orange juice
  • 2 ounces of freshly squeezed lime juice
  • 2 ounces of freshly squeezed lemon juice
  • 2 limes, sliced in wheels
  • 1 lemon, sliced in wheels then halved
  • 1 Fuji apple, cubed
  • 1 Anjou pear, cubed
  • 1 mango, cubed
  • Seeds from ½ pomegranate (optional)

Instructions:

  • Combine all ingredients in a large pitcher and stir until well mixed, adding pomegranate seeds at the end for presentation as they tend to fall to the bottom after stirring.
  • Serve over ice. If sangria sits overnight, add simple syrup to taste as additional juices will come forward the next day. 
  • Serves 4-6.

Cardinal’s Crest Red Sangria

Biltmore Estate Cardinal's Crest wine with a pitcher of sangria
Biltmore Estate® Cardinal’s Crest wine is perfect for sipping, savoring, and sangria!

Take time for yourself with a glass of Cardinal’s Crest Red Sangria—the perfect sparkling treat for a leisurely Sunday morning brunch or a long afternoon on the porch.

Ingredients:

Instructions:

  • Add the first 6 ingredients to a small pitcher or shaker; mix until combined.
  • Pour over ice in a wine glass and top with 1 ounce sparkling wine and garnish with lime and orange wedges.
  • Serves 1, but can be easily multiplied for sharing.

Exotic Orchids Bloom on This Wine Label

Discover how the exotic orchids that “bloom” on the labels of our latest Biltmore Masterpiece Collection Wines are entwined with our history.

Orchids at Biltmore

Orchids in bloom inside Biltmore's Conservatory
Glorious blooms in the Orchid Room inside the Conservatory at Biltmore.

Each release in our Masterpiece Collection is specially created to honor George Vanderbilt’s legacy as a collector of extraordinary treasures and exceptional vintages.

“We chose orchids for the labels of our latest Biltmore Masterpiece Collection Wines because George Vanderbilt enjoyed them,” said Sharon Fenchak, Executive Winemaker. “I love orchids, too, and appreciate sharing that connection with Mr. Vanderbilt.”

Local artist creates the labels

Artist Bryan Koontz of Weaverville, NC, spent time in the Orchid Room in the Conservatory, studying the beautiful blooms–some of which are the same varieties that landscape architect Frederick Law Olmsted originally ordered for Biltmore.

Series of nine colored pencil sketches of orchids.
Bryan Koontz created this series of sketches, eventually narrowing the field down to four specific blooms.

After sketching many different orchids, the field was narrowed to four different varieties. Bryan then painted original watercolors of each bloom to create a series of four labels that capture each of the different orchids with all their glorious details.

Watercolor painting of an orchid in progress
Bryan created original watercolor paintings featuring four different orchids for the Biltmore Masterpiece Collection White and Rosé Wines.

Wine tasting notes and pairing suggestions

Four bottles of Biltmore Masterpiece Collection White and Rosé Wines with glasses and fruit.
Savor our Biltmore Masterpiece Collection White and Rosé Wines separately, or collect the entire “bouquet” with four beautiful orchid labels!

For this Masterpiece Collection release, Sharon handcrafted two different wines: a crisp, smooth, and refreshing white blend and a fragrant, fresh, and delicious rosé.

  • Masterpiece Collection White Wine is light-to-medium-bodied and features a soft floral aroma with hints of spice and citrus followed by flavors of white peach and clementine. With nicely balanced acidity and sweetness, it pairs perfectly with quiche, pasta Alfredo, Italian wedding soup, and delicate spring vegetables.
  • Masterpiece Collection Rosé Wine is light-to-medium-bodied and opens with delicate vanilla and floral aromas that give way to juicy flavors of strawberry and rock candy, plus bright acidity. Sip this well-balanced wine as an aperitif before serving with charcuterie, shellfish, olives, crudités, or a classic bagna cauda dipping sauce for fresh vegetables.

Both Masterpiece Collection wines are perfect for brunch, light luncheons, and spring celebrations. Enjoy them separately or collect a beautiful “bouquet” featuring all four orchid varieties!

Discover all of our wines, including the Masterpiece Collection

Bottles of Biltmore Masterpiece Collection White and Rose Wines
Enjoy our Biltmore Masterpiece Collection White and Rosé Wines at your next brunch or luncheon!

Find all of our wines, including Biltmore Masterpiece Collection White and Rosé Wines, in estate shops, online, or through your local retailer. These limited release wines are available while supplies last.

Glorious Glass at Biltmore

With Chihuly at Biltmore—an exhibition featuring an all-new curation of artist Dale Chihuly’s work— now on display, we wanted to share some other types of glorious glass at the estate.

From decorative art glass to functional glassware and more, here are some interesting details about different pieces in Biltmore’s collection:

Intriguing green glass

Uranium glass under normal light and glowing under UV light
Known as uranium glass, this set has a green tint under normal lighting conditions, but becomes a bright glowing green when shown under ultraviolet light.

“While cleaning and photographing the china and crystal in the Butler’s Pantry, we came across an interesting set of glassware,” said Genevieve Bieniosek, Furniture Conservator. “We don’t have records that show when it was acquired, but it turned out to be uranium glass.”

Under regular lighting, uranium glass is a pale, transparent green or greenish-yellow, but when exposed to ultraviolet energy, the pieces fluoresce bright green.  

“Manufacturers added uranium oxide to glass to produce a range of colors from pale greenish-yellow to bright green,” Genevieve said. “It has been used as a glass colorant since at least the 1830s, although its use was discontinued for a 15-year period beginning with WWII when uranium became more regulated.”   

The LaFarge stained glass windows

Stained glass windows by John La Farge
Hospitalitas/Prosperitas (Hospitality/Prosperity), part of the Fruits of Prosperity series of stained glass windows created by John LaFarge, are now displayed in Biltmore’s Winery.

From 1880–1882, George Vanderbilt’s father, William H. Vanderbilt, built a grand house known as the Triple Palace on New York’s newly fashionable Fifth Avenue. Mr. Vanderbilt commissioned artist and interior designer John La Farge to create three stained glass windows for the central stairwell of his new home.

The Fruits of Commerce, Hospitalitas/Prosperitas, and The Golden Apples of Hesperides feature different themes and are considered to be among La Farge’s finest work. The windows showcase his experimental techniques, which influenced the work of another famous stained-glass artist: Louis Comfort Tiffany.

George Vanderbilt inherited the home after his parents’ deaths and the La Farge windows were eventually moved to Biltmore and placed in storage. The three-panel window entitled Hospitalis/Prosperitas is now displayed at Biltmore Winery.

An unusual vase

Glass vase by Louis Comfort Tiffany
Glass vase by Louis Comfort Tiffany

The Claude Room, one of the elegant Louis XV Suite of guest bedrooms in Biltmore House, features another unusual piece of glass—a vase created by Louis Comfort Tiffany in 1890. The hand-blown vase features layers of glass in different colors, with a gold metallic surface and woven sterling silver overlay.

Though the style is markedly different from Tiffany’s iconic stained glass lamps, it demonstrates his mastery of glassmaking techniques. 

The Glassblower

The Glassblower, a bronze sculpture by Constantin Meunier
Le Souffleur de Verre (The Glassblower), Constantin Meunier, 1889

In 1913, George and Edith Vanderbilt purchased eight bronze works from an exhibition of Constantin Meunier’s work, including Le Souffleur de Verre (The Glassblower). While this sculpture is not made of glass, it faithfully captures the physical details of a glassblower at work, creating an interesting connection with the actual glass pieces.

Iris Gold and Garnet Chandelier

Dale Chihuly, Iris Gold and Garnet Chandelier, 2022, 9-1/2 x 6 x 6′, Biltmore Winery, Asheville, North Carolina, installed 2023 © 2022 Chihuly Studio. All rights reserved.
Dale Chihuly, Iris Gold and Garnet Chandelier, 2022, 9-1/2 x 6 x 6′, Biltmore Winery, Asheville, North Carolina, installed 2023 © 2022 Chihuly Studio. All rights reserved.

Following the successful Chihuly at Biltmore exhibition in 2018 that featured Dale Chihuly’s work in our historic gardens, Biltmore commissioned a custom Chandelier by the artist. With colors inspired by the hues of our handcrafted wines, Iris Gold and Garnet Chandelier was installed at the Winery in 2023 as part of Biltmore’s private collection.

“During his lifetime, George Vanderbilt collected a variety of fine art, including works by both Louis Comfort Tiffany and John La Farge. In their time, they helped revolutionize glass and glass art, much in the same way that Dale Chihuly has done in the last several decades. Chihuly’s transforming of traditional forms of glass and his large intricate public art installations has elevated glass art to a much higher form today, said Darren Poupore, Biltmore’s Chief Curator.

Discover more glorious glass at Biltmore!

Plan your visit to Biltmore to enjoy the wonders of Chihuly at Biltmore, now on display. Hosted in the galleries of Amherst at Deerpark®, this all-new experience includes pedestal works, Drawings, and large-scale installations of Chandeliers, Towers, Mille Fiori, and Neon.

Presenting the Artist: Dale Chihuly

Renowned for pushing the limits of glass as a medium, Dale Chihuly has presented groundbreaking artworks all around the world.

With Chihuly at Biltmore now on display, we invite you to learn more about the artist and his lasting influences on contemporary art.

James Mongrain, Dale Chihuly, and Andrea Lesnett, Rotolo in process, The Hotshop, The Boathouse, Seattle, 2013. ©Chihuly Studio. All rights reserved.
James Mongrain, Dale Chihuly, and Andrea Lesnett, Rotolo in process, The Hotshop, The Boathouse, Seattle, 2013. ©Chihuly Studio. All rights reserved.

Chihuly the innovator

Born in Tacoma, Washington, Dale Chihuly embarked on his journey into the world of glass during his studies of interior design. His fascination with the medium led him to a Fulbright Scholarship that saw him travel to the renowned Venini glass factory in Venice, where he immersed himself in traditional techniques and team glassblowing.

His innovative teaching methods and artistic vision left an undeniable mark on the field, pushing boundaries and emphasizing collaborative glassblowing techniques. Chihuly’s ideas have pushed the limits of glass as an artistic medium, with his work included in more than 200 museum collections worldwide, earning him numerous awards, including two National Endowment for the Arts fellowships and 13 honorary doctorates.

Dale Chihuly Paintbrushes, 2016 Royal Botanic Gardens, Kew, London, installed 2019 © Chihuly Studio. All rights reserved.
Dale Chihuly Basket Forest, 2001 Garfield Park Conservatory, Chicago © Chihuly Studio. All rights reserved.
Dale Chihuly Cobalt Reeds and Fiori, 2012; Glasshouse Sculpture, 2012; and Pacific Sun, 2011 Chihuly Garden and Glass, installed 2012 © Chihuly Studio. All rights reserved.

Exhibitions around the world

Chihuly’s love for travel began with his first trip to Italy at the age of 21, where he pursued the study of art in Florence. He returned to Italy in 1996 for perhaps his most iconic project, Chihuly Over Venice, a massive undertaking that started with glassblowing sessions in Finland, Ireland, and Mexico.

At this time, his work has been featured in 26 countries and Chihuly continues to present ambitious exhibitions at museums and botanical gardens across the globe.

Dale Chihuly, Ethereal White Persian Pond, 2018, Gardens by the Bay, Singapore, installed 2021 © 2018 Chihuly Studio. All rights reserved.
Dale Chihuly, Ethereal White Persian Pond, 2018, Gardens by the Bay, Singapore, installed 2021 © 2018 Chihuly Studio. All rights reserved.

Art on a grand scale

Chihuly’s work boasts more than a dozen acclaimed series, each a testament to his mastery of form and color. Among these are Cylinders, Baskets, Seaforms, Macchia, Persians, Venetians, Niijima Floats, Chandeliers, and Fiori—many of which are incorporated in the current exhibition at Biltmore!

Chihuly’s lifelong fascination with nature and glasshouses grew into a series of exhibitions within botanical settings, including London’s Kew Gardens, Chicago’s Garfield Park Conservatory and Singapore’s Gardens by the Bay. In 2012, his long-term exhibition, Chihuly Garden and Glass, opened at Seattle Center.

In 2018, Biltmore welcomed Chihuly at Biltmore, an exhibition showcasing the artist’s breathtaking large-scale glass sculptures in the century-old gardens of America’s Largest Home®. This unique visual experience marked the first art exhibition in Biltmore’s historic gardens and the first garden exhibition of artist Dale Chihuly’s works in North Carolina.

Dale Chihuly, Mille Fiori (detail), 2023, 8 1/2 x 34 1/2 x 15′, Biltmore, Asheville, North Carolina, installed 2024 © 2023 Chihuly Studio. All rights reserved.
Dale Chihuly, Sapphire Neon and Neodymium Reeds on Logs (detail), 2023, Biltmore, Asheville, North Carolina, installed 2024 © 2023 Chihuly Studio. All rights reserved.
Dale Chihuly, Ikebana Doppio Drawing Suite #9, 2001, 7 x 30′, Biltmore, Asheville, North Carolina, installed 2024 © 2001 Chihuly Studio. All rights reserved.

An all-new Chihuly at Biltmore

The success of Chihuly’s 2018 outdoor exhibition at Biltmore paved the way for an all-new Chihuly at Biltmore exhibition, now on view inside the galleries of Amherst at Deerpark®.

Featuring 33 curated artworks, including pedestal works, Drawings, Chandeliers, Towers, Mille Fiori, Neon, and two large-scale installations on estate grounds, this exhibition offers you the opportunity to immerse yourself in the captivating world of Chihuly’s iconic artworks.

Dale Chihuly, Iris Gold and Garnet Chandelier, 2022, 9-1/2 x 6 x 6′, Biltmore Winery, Asheville, North Carolina, installed 2023 © 2022 Chihuly Studio. All rights reserved.
Dale Chihuly, Iris Gold and Garnet Chandelier, 2022, 9-1/2 x 6 x 6′, Biltmore Winery, Asheville, North Carolina, installed 2023 © 2022 Chihuly Studio. All rights reserved.

Experience awe-inspiring artwork at Biltmore

Ready to immerse yourself in a world of wonder? Plan your visit and reserve your special admission-inclusive overnight package at one of our distinctive hotels for this must-see exhibition.

Featured Image

Dale Chihuly with Laguna Torcello II, Biltmore, Asheville, North Carolina, 2018 ©
2018 Chihuly Studio. All rights reserved.

Sylvester Owens: Biltmore’s “Azalea King”

A significant and often overlooked employee in Biltmore’s past is Sylvester Owens: chauffeur, “Azalea Hunter,” and head gardener trained by Biltmore’s nursery manager and later estate superintendent Chauncey Beadle. It is because of Owens’ passion and expertise that Beadle’s vision for the Azalea Garden was completed, creating the stunning landscape that we know and enjoy today.

Learn about this important figure in Biltmore’s history and his lasting contributions to our renowned garden landscapes.

Sylvester Owens. Photo courtesy of Eugenia (Gena) McCleary.
Sylvester Owens. Photo courtesy of Eugenia (Gena) McCleary.

Sylvester Owens at Biltmore

Owens was born in Rutherford County, NC, in 1897. He received little formal education during his youth and began helping on his family farm at a young age. By his early 20s, he had been married and widowed with two young children, at which time he moved to Asheville to live with his uncle, Jim Owens.

He began his employment at Biltmore as a chauffeur and companion to Chauncey Beadle in 1920. His brother Frank was also employed on the estate, performing maintenance and supplying firewood to Biltmore House.

Sylvester Owens tagging an azalea at Biltmore, photographed by Elliot Lyman Fisher for Ebony magazine, August 1951.
Sylvester Owens tagging an azalea at Biltmore, photographed by Elliot Lyman Fisher for Ebony magazine, August 1951.

The Azalea Hunters

Under Beadle’s mentorship, Sylvester Owens progressed to become an assistant gardener and one of the so-called “Azalea Hunters,” traveling around the Southeast with Beadle and several others collecting unique specimens of azalea plants.

According to a 1997 oral history conducted with Owens’ daughter Mabel Owens Hoskins and widow Franklyn Owens, he grew to have a genuine friendship with Chauncey Beadle. When traveling together to gather azaleas, Beadle would not stay or eat at any place that would not also accommodate Owens due to his race.

Excerpt from a newspaper supplement produced by Biltmore featuring Sylvester Owens, April 14, 1968.
Excerpt from a newspaper supplement produced by Biltmore featuring Sylvester Owens, April 14, 1968.

When Chauncey Beadle died in 1950, Judge Junius Adams, president of The Biltmore Company, asked Sylvester Owens to take over Beadle’s work. Judge Adams stated upon his appointment that “His interest in the garden is sincere. He knows more about the plants, their origins, and their characteristics than anyone around and he is thoroughly familiar with Mr. Beadle’s plan.” Owens’ daughter Mabel later said that:

“I believe that he was able to handle Mr. Beadle’s death better because he was able to complete something that they had started together. Otherwise, he probably would have not felt as good about the ending of their relationship because they were very close. As I said, he was not only his chauffeur, but he was his companion too and they were more like friends…the respect that the Beadles had for my father and his family was encouraging, and the kind of thing that makes for a better person.”

Sylvester Owens photographed by Elliot Lyman Fisher for Ebony magazine, August 1951.
Sylvester Owens photographed by Elliot Lyman Fisher for Ebony magazine, August 1951.

Azalea King

Owens was recognized for his work in several newspaper articles as well as in Ebony magazine in 1951 with an article titled “Azalea King.” According to the article, Owens was considered “one of the greatest authorities on azalea culture today.”

An article in The Charlotte Observer from July 1950 quotes Owens’ response to his appointment to carry on Beadle’s work: “I plan to make this spot the most beautiful garden in the world…Like Mr. Beadle, I love the plants—all of them—and I can picture the whole valley in bloom when the work is completed. Mr. Beadle was the finest, kindest man I ever knew. I was surprised and happy to be the one to carry on.”

Sylvester Owens and William Cecil with a truck in front of Biltmore House
Sylvester Owens with William A.V. Cecil in front of Biltmore House, photographed by Toni Frissell in May 1964. In the collection of the Library of Congress.

Sylvester Owens’ Legacy

Today, the Azalea Garden spans around 15 acres, but Owens’ purview extended beyond its current boundaries. He eventually oversaw many of the landscaping crews on the estate. He would travel with them to exhibit their work in Charlotte, and in 1961 they won the President’s Award from the Southeastern Rhododendron Show, which was a great point of pride for Owens, according to his family.

Sylvester Owens retired in 1964 after almost 44 years of service to the estate and after completing Beadle’s plans for the gardens at Biltmore. Owens lived in the Shiloh community until his death in 1989, and some of his descendants remain in the area. He is buried at the Shiloh AME Zion Church Cemetery, and his legacy lives on today through the beauty of Biltmore’s gardens.

Azaleas in bloom at Biltmore
The Azalea Garden offers a spectacular variety of colors each spring.

The Lasting Beauty of Biltmore’s Azalea Garden

Beautiful any time of year, the Azalea Garden at Biltmore puts on a spectacular show each spring and is a testament to the lasting impact of this important figure in Biltmore’s history. From the hearty flame azalea native to the Blue Ridge Mountains to some of the most rare varieties in the world, thousands of vivid blooms provide a kaleidoscope of color for you to enjoy when you visit Biltmore Estate.


Special thanks to Explore Asheville and the Black Cultural Heritage Trail for collaborating with Biltmore to share these stories throughout historically Black neighborhoods in Asheville.

Preservation Takes Root in Biltmore’s Italian Garden

At Biltmore Estate in Asheville, NC, historic preservation projects come in many forms, encompassing far more than just the exterior of Biltmore House and the priceless collections of art and furnishings that fill America’s Largest Home®.

The grand gardens and grounds, designed by landscape architect Frederick Law Olmsted, are preserved as carefully as any other aspect of George Vanderbilt’s 8,000-acre estate.

A new preservation project takes root

“In November 2023, we began removing the Hemlock hedge that bordered the Italian Garden for more than 50 years, replacing it with an American Holly hedge that is true to Olmsted’s vision for the area,” said Bill Quade, Director of Horticulture.

View of the holly hedge in front of the Conservatory at Biltmore that is part of our preservation project
The American Holly hedge at the top of the steps between the Rose Garden and the Conservatory yielded 350 cuttings for the Italian Garden preservation project.

This preservation project started in 2018 ago with cuttings taken from an original American Holly hedge located between the Historic Rose Garden and Butterfly Garden in front of the Conservatory. The cuttings—a mix of 350 male and female plants—were grown in containers at a regional nursery until they reached an appropriate age and size for transplanting.

Taking preservation to new heights

View of the Italian Garden near Biltmore House
Added during the 1960s, the high Hemlock hedge blocked the view from the Italian Garden into the areas below it.

“The hedge has dropped from a height of approximately 10 feet down to about 4.5 feet that we’ll maintain as the holly continues to mature,” Bill said. “That creates quite a drastic visual change for the area, allowing a much more open view down into Shrub Garden toward the Conservatory.”

Archival Biltmore photo of a pond in a garden with planters beside it
This archival photo taken August 23, 1895, shows the urns placed at regular intervals along the newly planted American Holly hedge that bordered the Italian Garden until it was removed in the 1960s.

In addition, replicas of the 16 large urns that are visible in early photos of the Italian Garden have been reproduced by the same company that re-created the urns in front of Biltmore House. Filled with leafy evergreen plantings, the urns have been added at intervals throughout the hedge.

Installation and completion

Green holly leaves and red berries
As the hedge grows in and matures, the mix of male and female American Holly plantings should provide evergreen leaves throughout the year along with bright seasonal berries.

“We don’t know why the American Holly hedge surrounding the Italian Garden was removed in the 1960s,” said Bill, “but with this preservation project, we’ll be using modern knowledge and techniques to adapt the original plan slightly to help the new hedge thrive and give the evergreen plantings in the urns the ability to survive year-round.”

“I believe this might be the most dramatic landscape preservation project since the replacement of the tulip poplars in front of Biltmore House in 2005,” Bill added.

View of the Italian Garden hemlock hedge and mountains at Biltmore
The Italian Garden Hemlock hedge as it appeared before being replaced with the American Holly hedge from Olmsted’s original design intent for Biltmore’s landscape plan.

A first-look for Biltmore Annual Passholders

This information was originally shared with Biltmore’s Annual Passholders in the Fall/Holiday 2023 issue of Ambassador, our exclusive Passholder magazine. If you’re interested in getting insider access and exclusive benefits—like unlimited daytime visits for a full year!—check out our Passholder page.

Biltmore’s History of Giving Back During the Holidays

Christmas has always been a special time at Biltmore, from George Vanderbilt’s opening of Biltmore House on Christmas Eve 1895 to the Christmas at Biltmore celebrations of today. The holidays at Biltmore have also been a time of intentionally giving back to the community.

Although George and Edith Vanderbilt made philanthropic contributions year-round, Christmas provided an opportunity to connect with the residents of Asheville and Western North Carolina to share in the spirit of the season.

Learn more about this tradition of giving back during the holidays.

Giving back through healthcare

Archival photograph of George Vanderbilt and his cousins traveling in Europe in the late 1800s
George Vanderbilt (standing, right) traveling in Spain with his cousin Clarence Barker (seated, left), niece Maria Louisa Schieffelin (seated, right), and her husband William Jay Schieffelin (standing, left), 1891. The Vanderbilts created Clarence Barker Memorial Hospital in Asheville, NC, in honor of Barker who passed away at Biltmore in 1896.

A particular priority for the Vanderbilts was making high-quality medical care more accessible to the community. George, Edith, and Cornelia Vanderbilt financially supported area hospitals including the Clarence Barker Memorial Hospital (later the Biltmore Hospital), which they founded in Biltmore Village to provide care to residents of the estate and the area.

During the holidays, however, the Vanderbilts contributed a little extra to extend cheer to the staff and patients. Beginning as early as 1903, Edith Vanderbilt ensured patients in the wards of the Clarence Barker Memorial Hospital, Mission Hospital, and General Hospital No. 19 at Oteen had a festive supply of estate-grown holly, mistletoe, wreaths, and Christmas trees. One House Mother at General Hospital No. 19 assured Edith that her annual donations “provide Christmas Cheer for the patients in this hospital.”[1]

Faith and philanthropy

All Souls Church in Biltmore Village, ca. 1906
Archival photograph of All Souls Church in Biltmore Village, ca. 1906.

Christmas also provided an opportunity for the Vanderbilts to grow closer to their faith community at All Souls’ Church in Biltmore Village. From the earliest days of All Souls’, George Vanderbilt not only attended services but found ways to include members of the church in his Christmas celebrations.

In 1896, for example, George Vanderbilt hosted members of the choir and administration of All Souls’ at a Christmas Day tea held at Biltmore House. The Asheville Citizen-Times remarked George “entertained his guests in a manner that made the evening a memorable one. After tea, the guests were shown over Biltmore House and made to feel thoroughly at home.”[2] George and Edith hosted the choir each year they were at Biltmore for Christmas until 1913.

Giving back through employee Christmas parties

Archival invitation to the 1909 Biltmore Estate employee Christmas party
Invitation to the 1909 Biltmore employee Christmas party.

A new tradition began in 1897 when All Souls’ Church was selected as the location for Biltmore’s employee Christmas party. Festive décor included a large star made of holly and pine hanging from the center of the chancel arch along with live pine trees growing in boxes in each corner of the building.

A 25-foot spruce replaced the choir stalls, “beautifully dressed with gleaming ornaments and lights and gifts, and from its topmost branch was suspended a large figure of an angel which seemed to waft a benediction upon the assembly and the ceremonies of the night.”[3] While the décor was not quite so elaborate in subsequent years, the 1902 decorations included a star made up of 200 incandescent lightbulbs in what must have been a dazzling display accompanying Christmas services.[4]

Western Union telegraph message from Edith Vanderbilt Gerry to everyone at Biltmore Estate for Christmas 19XX
Western Union “Holiday Greetings” telegram message from Edith Vanderbilt Gerry to everyone at Biltmore Estate.

Even after George Vanderbilt’s passing and Edith’s eventual marriage to Senator Peter Gerry of Rhode Island in 1925, she continued the tradition of giving back by coordinating Christmas donations from afar while her daughter Cornelia and husband John Cecil actively supported local hospitals.

Making Christmas bright for children

Archival photograph of a decorated Christmas tree at the Biltmore Parish Day School in 1897
Archival photograph of Christmas decorations at the Biltmore Parish Day School, ca. 1899.

Also bringing cheer to the children of Biltmore Village was the Biltmore Parish Day School, run by All Souls’ Church in the Parish School building beginning in 1898. With their focus on creating memorable Christmases for their employees, it is no surprise that George and Edith also supported the Parish Day School’s holiday celebrations.

The All Souls’ Yearbook for 1899 reveals separate parties were held for older and younger children, both involving Christmas trees, gifts, and refreshments. An 1899 All Souls’ Yearbook notes the importance of this party: “As it was the only Christmas some had, we endeavored to make it as bright as possible… some of them had never seen a lighted tree before, it was a genuine delight to them.”[5]

George and Edith established the operating fund with which the school funded its yearly Christmas celebrations, as well as provided scholarships to students who could not cover the $10 annual tuition.

A Vanderbilt tradition of giving back

Two girls looking up at Christmas lights
Starting on the very first Christmas morning in 1895, the annual Biltmore Employee Christmas party has been a special annual tradition for employees and their families that continues today.

The Vanderbilts firmly believed in giving back as their responsibility to the communities in which they lived, a belief that became especially clear during the holidays. At Christmastime, the Vanderbilts gave in personal ways, ensuring that those without access to Vanderbilt resources still experienced a happy Christmas.

The philanthropic efforts of the Vanderbilt family were not only directed toward their neighbors and children within the community but also extended beyond the boundaries of Biltmore Estate. Their involvement created a foundation that has guided the philanthropic efforts of their descendants throughout generations, both during the holidays and beyond.


[1] Letter held in the Biltmore House Archives, 1919.

[2] Asheville Citizen-Times, December 26, 1896; p. 1.

[3] Asheville Citizen-Times, December 27, 1897; p. 2.

[4] Asheville Citizen-Times, December 26, 1902; p. 5.

[5] All Souls’ Church Yearbook, 1899.