Celebrating a Gilded Age Christmas

Each year, our floral department selects a theme inspired by the Vanderbilt era, and they interpret it throughout the entire estate, from Biltmore House to Antler Hill Village & Winery, plus The Inn on Biltmore Estate, our new Village Hotel on Biltmore Estate, and all our shops restaurants. For 2015, the theme reflects all the style and splendor associated with ‘A Gilded Age Christmas.’

But what does “Gilded Age” really mean? We turned to Laura Overbey, Collections Manager, for a helpful definition.

“Gilded Age refers to the time period in which the Vanderbilts and their peers lived,” said Laura. “It is a unique time in American history that included the construction of grand and elegantly decorated estates filled with high society and glittering parties.”

Chandelier detailTo reflect the shimmering splendor of a Gilded Age Christmas inside Biltmore House, Floral concentrated on highlighting the stunning interior details like mantels, carvings, and light fixtures complemented by dozens of beautifully decorated trees, miles of fresh greenery and wreaths, and ornaments.

“We’ve created an elegant holiday statement that reflects the luxury of that time,” said Cathy Barnhardt, Floral Displays Manager. “The emphasis is on rich layers of color accented with metallic touches of gold, silver, and platinum.”

The Banquet Hall is always a guest favorite during Christmas. This year, the traditional 40’ fresh-cut Fraser fir is decorated with Edison-style white lights, tinsel, brightly-wrapped gift boxes, vintage toys tied on with bows, and enormous, colorful ornaments in keeping with the size of the tree. Also included in the charming display is a bright red, child-sized one-horse sleigh that dates from the turn of the century.

Decorations and wrapped packages on the Christmas treeThe tree and the packages are reminiscent of the first Biltmore Christmas when the children of estate workers gathered in the hall to receive presents chosen especially for them. In December 1895 the Asheville Citizen noted that “A beautiful Christmas tree that stood in the Banquet Hall causing the loveliest anticipation of the little folks was then stripped of its heavy trimming of gifts. Each guest was remembered.”

In the Salon, a stately tree decorated with feminine details that suggest ladies hats, feathers, and jeweled pieces was inspired by Edith Vanderbilt’s use of the space as a sitting room where she entertained her friends with afternoon tea.

A quartet of trees in the Tapestry Gallery feature dozens of cherubs peeping out from the branches in honor of the Nativity, the centerpiece of the longest room in Biltmore House. The Tapestry Gallery trees and those in the Third Floor Living Hall also feature globe-shaped German wax ornaments decorated with floral patterns.

“These are my favorite ornaments, and ones I used to decorate during my first Christmas here nearly 40 years ago,” said Cathy. “They are very traditional and so fitting for this year’s Gilded Age theme.”

Sparkling Christmas ornamentsThere’s nothing quite as special celebrating the holidays at Biltmore, and since George Vanderbilt chose to open his home to his friends and family at Christmas 1895, it’s only fitting that we continue that tradition today. We hope you’ll join us for both our Christmas at Biltmore daytime celebration and our magical Candlelight Christmas Evenings.

Wreathed in wonder

Christmas at Biltmore is a season wreathed in wonder when we honor George and Edith Vanderbilt’s legacy of warm welcome and holiday hospitality at Biltmore House. From dozens of beautifully decorated trees and miles of fresh garland to thousands of sparkling ornaments, it’s difficult to imagine a more beautiful display throughout America’s largest home.

Wreaths add a delightfully decorative touch to the décor at Biltmore, highlighting doors and other architectural features. Whether you want to greet your guests with a front door focal point or add a bit of Christmas cheer to an interior space, our Floral team offers some simple techniques for styling your own wreaths.

  Materials

  • Silk evergreen wreath
  • 3 Belk decorative bird ornaments (we love the clips on these—they’re attach easily to wreaths, trees or even packages!)
  • Selection of smaller Belk metallic ornaments in different shapes and sizes
  • Several yards each of 2 types of ribbon (we chose sheer and metallic varieties)

   

How-to

Secure the ends of the ribbons near the bottom of the wreath. Begin weaving and tucking the ribbons into the wreath together, but allow plenty of movement so that each ribbon is visible. The sheer ribbon, in particular, should be very loose so that it “floats” over the more solid ribbon in some places. After weaving the ribbons around the wreath, tie a bow near the bottom.

Place a decorative bird near or even inside the bow. Add a second bird near the top of the wreath, and the final bird about halfway down the other side. This provides a “triangle of interest” that keeps the wreath from looking too symmetrical. Scatter smaller ornaments singly and in groups of 3 around the wreath, balancing each grouping in relation to the birds and the bow. Step back from your work occasionally to ensure no area of the wreath looks too heavy or unbalanced.

No time to do it yourself this season? Simply choose a ready-made wreath from our For Your Home Collection at Belk and hang up your holiday décor in moments!

Tips

• For a more formal look, tie a separate bow using yards of two ribbons and wire it in place near the bottom of the wreath (you’ll need approximately 3 yards of each ribbon to make a full bow)
• To make a wreath more personal, include a few of your favorite vintage ornaments
• Tuck flowers and other natural elements into your wreath for additional layers of rich texture

Biltmore For Your Home ornaments and wreaths available at Belk and Belk.com seasonally.

Discover more products inspired by Biltmore.

New life for an old house

What was once an old farmhouse on Biltmore’s West Side is now the newly-restored club house for the Biltmore Sporting Clays Club. This remarkable transformation continues to be a contributing building to our national historic landmark designation.

Jones House before restorationBiltmore’s Engineering Services team worked hand in hand with architects, the State Historic Preservation Office, and various contractors to adapt the Jones House into the Sporting Clays Clubhouse, while preserving portions or features of the building which conveyed its historical, cultural, and architectural value. The project was completed last December and received the 2015 Griffin Award from The Preservation Society of Asheville and Buncombe County in the Adaptive Re-Use category.

“I thought I knew a lot about restorations until I got involved,” said Brent Merrell, Director, Engineering Services. “It was a great learning experience and it was exciting to watch it evolve.”

Retail space in the Sporting Clays clubhouseToday, the home of the Sporting Clays Club houses a lounge area, retail section, bar, bathrooms, and an upstairs classroom.

The club house was traditionally known as the Jones House, named for the farming family that lived there from 1965–1983. It is one of two homes remaining on the estate from the pre-Vanderbilt era.

“The house was built somewhere between 1879 and 1889, probably by Merritt Roberts, a farmer who sold the land to George Vanderbilt’s agent in 1901,” said Bill Alexander, Landscape and Forest Historian.

The 1,700 square-foot house was designed as a one-story home with a gable roof. Two extensions were added later. Staying true to the heritage of the house proved to be a large task as the structure had deteriorated during the years it sat vacant—the front left corner of the house was 9 inches higher than the back right corner!

“We tried to keep as much of the original material as possible, so we removed exterior siding, walls, and the whole floor, and we put them all back down,” said Brent.

Jones House restoredDetails like the original windows were also preserved rather than replaced. A nine-pane window upstairs at the front of the house wasn’t centered originally, so the workers removed the wall that held the window pane and the same window was replaced just as it was, offset to the left.

“We did an excellent job of restoring this historic structure. I’m happy we did that,” said Bill.

Literary Biltmore

You only need to look at the Library at Biltmore House to understand how important books were to George Vanderbilt. Throughout much of his adult life, he read an average of 81 books per year, or one and a half books every week. A New York journalist who knew him wrote of Vanderbilt: “He was a bookworm, a student… I doubt not, he is one of the best read men in the country.” Given his literary leanings, it’s not surprising that he counted several prominent writers of the day among his friends.

Edith Wharton was born into New York society the same year as George Vanderbilt and moved in the same social circles, so it’s likely that the two knew each other most of their lives. Wharton rented the Vanderbilts’ apartment on the Left Bank in Paris from 1907 to 1910. She also visited Biltmore twice that we know of: her signature can be found in Biltmore’s guest book, dated November 1902 and December 1905. On December 26, 1905, she sent this correspondence from Biltmore to her friend Sara Norton:

Yesterday we had a big Xmas fete for the 350 people on the estate – a
tree 30 ft. high, Punch & Judy, conjuror, presents & “refreshments.”
It would have interested you, it was done so well & sympathetically,
each person’s wants being thought of, from mother to last baby.

      (From The Letters of Edith Wharton)

During this holiday visit, the author signed a copy of the recently published The House of Mirth: “To George Vanderbilt from Edith Wharton, Biltmore House, Christmas 1905.”

The novelist Henry James—author of Portrait of a Lady and Daisy Miller—was a friend of Edith Wharton and also an acquaintance of George Vanderbilt. He stayed at Biltmore in the winter of 1905.

One of George Vanderbilt’s closest friends was Paul Leicester Ford, an author who was well known in his time as a biographer of George Washington and Benjamin Franklin. Ford had an affluent upbringing in Brooklyn and it’s believed that he met Vanderbilt at New York’s Grolier Club—a famous association of bibliophiles where both men were members. They became close friends. Ford was a guest at Biltmore in December 1899 and came to the 1901 New Year’s Eve house party. 

In 1898, he spent several weeks at Biltmore while working on his novel, Janice Meredith: A Story of the American Revolution. 

When Janice Meredith was published the following year, it contained a dedication to George Vanderbilt:

…And so, as I have read the proofs of this book I have found more than once that the pages have faded out of sight and in their stead I have seen Mount Pisgah and the French Broad River, or the ramp and terrace of Biltmore House, just as I saw them when writing the words which served to recall them to me. With the visions, too, has come a recurrence to our long talks, our work amongst the books, our games of chess, our cups of tea, our walks, our rides, and our drives. It is therefore a pleasure to me that the book so naturally gravitates to you, and that I may make it a remembrance of the past weeks of companionship….


Janice Meredith sold over 200,000 copies and was adapted for the stage in 1901. In 1902, Ford tragically died in at the hand of his brother.

While George Vanderbilt was not himself a writer, his love of literature created a legacy that we can still admire today in the nearly 24,000-volume collection at Biltmore, part of which is on display at the Library.

Remembering the Forest Fair, 1908

Statesman! Lumberman! Engineer! Forester! Come! And be welcome!

Come as you are, and take us as we are!

Come! Rejoice with us!

And join us in giving thanks on Thanksgiving Day, 1908.

Dr. Carl Schenck’s Biltmore Forest Fair invitation, 1908

Biltmore forester Dr. Carl Schenck had reason to celebrate in 1908. After 13 years at Biltmore (including 10 years as director the Biltmore Forest School), he had helped to transform what was a barren landscape of overused terrain into America’s first managed forest, a model for the rest of the country. To increase public awareness of the revolutionary achievements on Biltmore’s 100,000-plus acres of forested land, he planned the three-day Biltmore Forest Fair over the Thanksgiving holiday, 1908. “This event will mark an epoch in American forestry,” proclaimed The American Lumberman.

An invitation to the Forest Fair was extended to 400 people, including President-elect William Howard Taft. “You may have heard something of the farms and of the forests found on the Biltmore Estate,” the invitation read. “Now we beg of you: Come and see them for yourself!” Although the president didn’t attend, about 100 people did, including educators, furniture manufacturers, and many timber industry executives from across the US.

Dr. Schenck overlooked no detail in the planning of the festival, including providing advice for attendees on what to wear: “Do not don your best! Select a rough, comfortable suit of
clothes and a pair of shoes in which you may walk a quarter of a mile without the sensation of “walking on a toothache.” In advance of arrival, each guest received a 55-page booklet full of details on how Schenck planted and maintained the forest, including the number of trees planted on various sections of the estate and how much each section cost.

The fair started on Thanksgiving Day, 1908 with a procession of 15 open carriages “decorated in the Biltmore Forest School colors of green and white,” that made its way from the swanky Battery Park Hotel in downtown Asheville to Biltmore Village. Once on the estate, attendees followed their “tireless leader up and down mountain trails” as he “brushed aside apparently impassible thickets.” What he said is lost to time as “the rapid movements of Dr. Schenck and the rustling of innumerable fallen leaves” made it hard to take exact notes. The group inspected tree plantings across the estate, then enjoyed Thanksgiving dinner at the Battery Park Inn during which Schenck led a toast to George Vanderbilt: “a nobly spirited American and as high-principled a man as I ever met.” One attendee reported that the dinner was “in no case indecorous,” but had been “so thorough in a hospitable sense that most of the participants were disinclined to rise at a reasonable early hour” the next day.

On the Friday following Thanksgiving, participants visited the Biltmore herbarium, plant nurseries, dairy, pig farm, and poultry farm, then enjoyed a possum hunt. A gala dinner was held on Friday evening and on Saturday, the group made their way to the lumber camps, enjoyed a fishing and shooting contest, and ended the day on Mt. Pisgah in time for sunset, then spent the night “under the stars” at Buck Spring Lodge. Throughout the Forest Fair, an attendee reported that the weather was “of that kind that which no memory can recall any nearer perfection and the scenery so beautiful that “none left the spot willingly.”

The Biltmore Forest School closed in 1913, but Dr. Schenck’s legacy in Western North Carolina can still be felt today by all those who enjoy the pristine beauty of Pisgah National Forest, the forest he helped to establish.

Images courtesy of The Forest History Society

A good life for wildlife

Biltmore welcomes more than a million guests each year—and those are just the ones who come through the gates!

In addition to our visitors and passholders, our 8,000-acre backyard is also home to a wide variety of wildlife and birds, including deer, rabbits, turkeys, and migratory waterfowl.

Corn growing on a hillGrounds Maintenance Supervisor Curt Horn and his crew are responsible for our Wildlife Management Program which helps Biltmore’s wild “guests” find food and shelter on the estate.

“We average about 300 acres of field crops each year,” said Curt, “and almost half of that is designated for wildlife food plots.”

In addition to the colorful sunflowers that bloom in the summer, Curt and his team plant corn, soybeans, wheat, legumes, and millet in the rich fields along the river. While the majority of these crops are harvested to support Biltmore’s herds of cattle, sheep, and other farm animals, there’s still more than enough to share with wildlife and birds.

Some areas of the estate feature smaller plantings of radishes, canola, soybeans, corn, and sorghum—a delightful feast for our four-legged and feathered friends to enjoy even into the winter, when other food sources may become more scarce. Meadow grasses and other plantings in cleared spaces provide welcome shelter for animals and nesting sites for a variety of birds.

Meadow grass and forest“We are continuing George Vanderbilt’s legacy of caring for Biltmore’s wildlife by providing food and habitats,” Curt said. “And it’s also an important aspect of keeping the estate healthy.”

As always, our guests’ safety is of paramount concern, and we remind you not to approach estate wildlife or birds. In addition, while dogs are welcomed on estate grounds as long as they are securely leashed, state law prohibits pets from entering fenced enclosures protecting farm animals. Visit our complete wildlife viewing policy here.

Biltmore In The News

Biltmore has the extreme fortune of receiving media attention from outlets that broadcast and publish all over the world. That coverage enables us to reach future guests – and former guests – with an invitation to come visit, and amplifies our ability to let people know of the experience that awaits them when they arrive on the property.

Going forward, we will share with you a monthly “Biltmore In The News” snapshot of recent news coverage. To get started, we’ve cobbled a list of our most recent media “hits,” with a comment or two about the story.

· Forbes (Sept. 27, 2015) – “Inside Biltmore: America's Grandest House, In Delightful Asheville, North Carolina.” This story provides a concise overview of touring Biltmore and the grounds, with tips on how to make the most of a day’s visit.

· Charlotte Parent Magazine (July 1) – “Explore the wonder of Biltmore House this summer with kids”

· Condé Nast Traveler.com (July 29) – “The 30 best small cities in America.” Asheville, N.C., the estate’s hometown, regularly receives coverage as a travel destination. Many Asheville stories include details about Biltmore.

· Elle Décor.com – “Do you remember these iconic American homes?” Biltmore finds itself in a variety of topic categories, including decorating.

· Fine Gardening Magazine (May 31) and American Rose Magazine (June 1) – Biltmore hosts the Biltmore International Rose Trials each spring. Announcements of the winning roses occur in many garden media outlets as well as general consumer media.

· HGTV Gardens.com – “Biltmore azaleas.” We have hosted crews from HGTV many times, and we appreciate their continued interest in our historic gardens. The Azalea Garden was the star of this feature, which is no surprise. Peak azalea bloom is magical.

· Style Me Pretty.com (March 25) – “Regal + Romantic Biltmore Estate Wedding.” Style Me Pretty is a blog dedicated to weddings. Biltmore weddings have received attention time and again from bridal magazines and blogs like this one.  

· Town & Country Magazine (July 1) – “The most luxurious wedding venues in the world.” Much like the Style Me Pretty placement, Biltmore captured the imagination of the editors at Town & Country.

· Travel Channel.com – Daily Escape feature: Inn on Biltmore Estate. We work frequently with Travel Channel, and are honored that they highlighted the Inn in their regular Daily Escape feature.

· USA Today.com (May 11) – “’Downton Abbey’ summers at the Biltmore.” USA Today’s reach is vast, and we appreciate their continued interest in Biltmore. Here they discussed our “Dressing Downton” exhibition, which brought us many guests.

Drawing A Blank — Refreshing Your Wall Decor

The phrase “drawing a blank” might have negative connotations if you can’t immediately think of a name or a topic, but it’s also a great place to start when you want to refresh your décor!

Biltmore prints framed and hanging on a wallDo you have a bare wall in your living room or guest room, or maybe a space that just needs a bit of lift in order to look its best? It’s easier than you think to create a great-looking focal point that harmonizes with the rest of your home. Here are some great tips from Lydia VanderVoort, Biltmore For Your Home Licensing Director and one of our design experts who not only appreciates fine art but also understands the value of a great frame in bringing it all together:

“Sometimes, it’s as simple as aligning the framing of a piece of artwork with the existing feel of your room,” said Lydia. “Choose a print with a coordinating mat and frame, or have a favorite piece custom-framed to reflect the color and texture of the room.”

According to Lydia, you might consider a print that picks up the flowing curves of a bed frame or other signature piece in the room. “Choose artwork that mimics the flow.” suggested Lydia. “It makes a dynamic statement that keeps the room feeling lively.”

Another interesting technique is the layering of artwork. According to Lydia, you might choose the same print in slightly different colors and hang them together. “This provides a united theme,” she said, “but gives that sense of motion and texture that keeps things interesting.”

“To make the print truly personal, consider framing a great shot from your last vacation,” Lydia said. “It will provide a fresh perspective for your wall, and it’s a great conversation-starter for your guests.”

Biltmore prints framed and hung on a wallExpecting guests or inviting family to stay with you during the holidays? That gives you a great reason to change out your artwork for a seasonal piece that sets a welcome mood.

“I think it would be great fun to select the J, O, and Y from our vintage alphabet prints,” said Lydia, “and custom frame them on the diagonal to spell JOY. You could then attach the frames to a backing so they could easily be hung together. It’s perfect for the holidays, or any time of year!”

For another holiday idea, Lydia suggests custom-framing a vintage Christmas card like the featured image for this blog post.

“You could also frame a few holly branches or even a holly cross-stitch pattern,” Lydia said. “Any simple holiday item that speaks to you can be framed and become a beautiful and unique addition to your décor—and a quality frame can help preserve your special memories for generations!”

Discover our Biltmore-inspired frame collection.

An outdoor sculpture comes clean

An outdoor sculpture comes clean, with help from the expert conservators at Biltmore.

“From the iconic marble lions in front of Biltmore House to terra cotta figures, bronzes, and more, the estate features 37 pieces of outdoor sculpture and historic plaques,” said Kara Warren, Preventive Conservation Specialist.

Lion sculpture in front of Biltmore House
One of the two grand marble lion sculptures that guard the Front Door of Biltmore House

According to Kara, each piece of outdoor sculpture is carefully examined and photographed every six months to determine its “health” and what type of cleaning, stabilization, or repairs might be needed.

There are four sphinx sculptures atop stone pillars guarding the massive iron entry and exit gates through which guests pass to get their first glimpse of Biltmore House.

The sphinx appears in Egyptian and Greek mythology as a creature with a human head and torso–usually female–and the hindquarters of a lion. Egypt’s massive Great Sphinx of Giza sculpture is probably the best-known example in the world.

The following photos illustrate how important Biltmore’s process is and what a difference cleaning and preservation make:

An outdoor statue comes clean
This elegant sphinx guards the right side of the iron gates adjacent to Biltmore House

This sphinx is turned as if to watch the Approach Road while the sphinx on the opposite side of the gates looks toward Biltmore House. The sculpture was in need of a thorough cleansing to rid it of biological growth. Scaffolding was built around the sphinx so our conservators could clean it in place.

An outdoor sculpture comes clean
Conservators carefully cleaned half of the sphinx to show a remarkable difference

Biltmore’s preservation experts worked on half of the sculpture at a time to illustrate different stages of the cleaning process. Note how much detail is revealed when the dark biological growth was removed from the hindquarters of this sphinx.

One of four outdoor sphinx statues at Biltmore
The sphinx sculpture cleaned and restored to her full glory

After a thorough cleaning, the classic sphinx sculpture once again welcomes guests to Biltmore House in regal style. 

Learn more about our extensive process to document, clean, and preserve our outdoor sculpture collection.

Behind Biltmore’s Hidden Doors

Designed both for aesthetics and hospitality, Biltmore’s hidden doors were designed to create a seamless appearance but provide access for staff providing service and convenience for guests.

Discover a few of the often overlooked doors throughout America’s Largest Home.

Concealed servant's entrance in the Breakfast Room
Concealed servant’s entrance in the Breakfast Room

When you’re in the Breakfast Room, your attention is bound to be drawn to the two Renoir portraits “Young Algerian Girl” and “Child with an Orange.” If you look just below “Child with an Orange,” you’ll notice the doorknob to the concealed door, designed to create a seamless appearance on the wall but allow servants to enter with hot meals.

Biltmore House Library Hidden Door
Doors in the Library lead to a passageway connected to the Second Floor Living Hall.

Have you ever wondered what’s behind the hidden doors on the top floor of the Library? Here’s your peek. The doors located on both sides of the overmantel lead to a passageway connected to the Second Floor Living Hall.

Hidden closet door in Mr. Vanderbilt's Bedroom in Biltmore House
Concealed closet door in Mr. Vanderbilt’s Bedroom

Every detail of the architecture at Biltmore was carefully considered. To avoid the break in symmetry that would be required by a door frame, closet doors were concealed in certain rooms, such as this one in Mr. Vanderbilt’s Bedroom.

Trap door in the floor of the Winter Garden
This hidden door in the floor of the Winter Garden in Biltmore House allowed plants to be brought back and forth from the Conservatory without disturbing guests.

Although early plans indicate that there was to be an elevator in the Winter Garden, one was never installed and instead, there’s a ladder. The door is covered in marble slabs and is rarely opened except to allow for ventilation in the employee break room below it in the summer.

This hidden door leads to the Smoking and Gun Rooms inside Biltmore House.

Be sure to look for these secret doors inside Biltmore House during your next visit, like this door designed for gentlemen to retire to the Smoking Room after a game of billiards.