Bridges are a functional and necessary part of getting around Biltmore, and most of us simply drive or walk right over them without really noticing many details. But enormous thought and care went into the planning and construction of these bridges, which are more than a century old.

The bridges were designed as a collaborative effort between Biltmore’s architect Richard Morris Hunt and landscape architect Frederick Law Olmsted. Brick bridges were typically constructed by the Hunt firm, while the stone bridges were created under Olmsted’s direction.
The first bridges were wooden structures built in the early 1890s prior to the completion of Biltmore House. Although many of the bridges are in areas not now open to guests, there are several that are used and admired every day.
Standing the test of time
You’ll see an enduring example of Olmsted’s stone bridge design about halfway up the Approach Road to Biltmore House. It was created as a horse-ford bridge with a pull-off so that carriages could stop and allow the horses to drink without blocking the road. This bridge once had a semi-circular balcony with a stone bench built into it so that guests could enjoy the scenery and the pond while waiting for the ride to resume.
The iconic brick bridge over the Bass Pond is one of the most beautiful spots on the estate. Its sweeping curve and high archway reflected in the water below made a stunning backdrop a scene in the film Last of the Mohicans—one of many feature films shot at Biltmore–as two central characters rode across it in a horse-drawn carriage.

“We know that the Hunt firm designed the Bass Pond bridge, and that it includes brick made at Biltmore Brick and Tileworks,” said Bill Alexander, Landscape and Forest Historian. “Archival records show that it cost $9,570 to complete.”
Another lovely bridge that is often overlooked includes a tunnel allowing pedestrians to cross from the Shrub Garden to the Spring Garden. As you walk or drive between the iron gates in front of Biltmore House, follow the road to the right toward the Conservatory. You’ll cross this bridge just before entering the Walled Garden.
“Olmsted used the same technique in Central Park so that people walking didn’t have to worry about vehicles,” said Bill. “Although it was Olmsted’s idea and plan, Hunt designed and built it. Reading between the lines, we think that Hunt, Olmsted, and Vanderbilt probably planned those important details together.”
Featured photo: Bass Pond Bridge
Righ photo: (L-R, standing) Edward Burnett, Richard Morris Hunt, George Vanderbilt; (L-R, seated) Frederick Law Olmsted, Richard Howland Hunt
Left photo: brick details of Bass Pond Bridge
In addition, guests visiting The Biltmore Legacy will have an opportunity to view the first-ever display of the Lee family veil worn by Mary Lee Ryan for her marriage to George Vanderbilt’s grandson, William A.V. Cecil, and also by her first cousin Jacqueline Lee Bouvier for her marriage to future U.S. President John F. Kennedy.
“For Christmas decorations outside Biltmore House,” said Cathy Barnhardt, Floral Displays Manager, “we need a tree that's tall enough to show up in front of America's largest home!”
As for lighting the massive Front Lawn tree each year, our engineering team spends several nights creating the glowing display.
The glow of 300 luminaries lining the front lawn and Rampe Douce help set a yuletide tone for our guests as they prepare to enter Biltmore House for
When it comes to “behind-the-scenes” activities, guests seem to be endlessly fascinated with how we do what we do at Biltmore. According to Vince Helton, Director of Facility Services, while the larger team lights the luminaries, one staff member enters Biltmore House to set up chairs, music stands, and lights for musicians, turn on all fireplaces on first and second floors, polish the brass threshold at the Front Door, and turn on the lights for the large outdoor Christmas tree. “Once the evening activities end around 11 p.m.,” said Vince, “the team starts picking up the luminaries so that everything is ready for our daytime guests.”
“I’ve helped Floral over the years with things like fluffing trees,” Tracy said, “but this is the first time I have a personal stake in it, and I can say ‘I did that.’”
The photograph gave her the historic tie with Biltmore and the Vanderbilts that she needed to feature ice skates. “Her effort makes the décor in the Music Room that much more special and meaningful,” said Tracy.
To reflect the shimmering splendor of a Gilded Age Christmas inside Biltmore House, Floral concentrated on highlighting the stunning interior details like mantels, carvings, and light fixtures complemented by dozens of beautifully decorated trees, miles of fresh greenery and wreaths, and ornaments.
The tree and the packages are reminiscent of the first Biltmore Christmas when the children of estate workers gathered in the hall to receive presents chosen especially for them. In December 1895 the Asheville Citizen noted that “A beautiful Christmas tree that stood in the Banquet Hall causing the loveliest anticipation of the little folks was then stripped of its heavy trimming of gifts. Each guest was remembered.”
There’s nothing quite as special celebrating the holidays at Biltmore, and since George Vanderbilt chose to open his home to his friends and family at Christmas 1895, it’s only fitting that we continue that tradition today. We hope you’ll join us for both our