In June 1898, George W. Vanderbilt and Edith Stuyvesant Dresser held their wedding in Paris on June 1 and June 2. Why two ceremonies? The first was a civil service and the second was a religious ceremony, in accordance with French law dating from the French Revolution.

Popular opinion had assumed the wedding would be a grand affair, possibly at George Vanderbilt’s home church of Grace Episcopal Church in New York City. Despite the speculation, the couple decided to be wed in Paris with as little fanfare as possible—as possible for a Vanderbilt, that is.

George and Edith were first married in a 15-minute civil ceremony at 3 p.m. on June 1, 1898 by the mayor of Paris at the Town Hall of the Eighth District in the Rue Anjou. According to one newspaper article, the couple had to comply with all the requirements of French law; the civil ceremony was complete with family witnesses, baptism certificates, the marriage certificate for George’s parents, and proof of American citizenship. The couple signed a contract of marriage.

One newspaper described Edith’s dress at the civil ceremony; unfortunately, no photos are known to exist: “The dress worn by the bride to-day was a creation of Laferrière (a noted Parisian fashion designer). It was of café-au-lait crepon, over a lining of yellow silk. The skirt was cut out in a deep Vandyke edged with a fringe of white silk, which fell to the hem. Underneath the fringe, one caught occasional glimpses of yellow lining. The bodice had a rounded collar of mauve taffeta covered with guipure (a type of lace). The bride wore a white straw hat trimmed with pink roses.”

At the end of the civil ceremony, George and Edith left the hall separately, as it would have been scandalous for them to be seen together before the church ceremony the following day.

The religious ceremony was held at the American Church of the Holy Trinity in Paris at noon on June 2, attended by family and close friends. Before the ceremony began, George had to present their civil contract to the clergymen and sign the wedding register. An eyewitness account from the Philadelphia Record reports:

―It was a union of quiet contentment…There probably never was so unostentatious a Vanderbilt wedding since the family made its millions. It is true that the church was full of costumes and the company was very fine, but there was an altogether marked quietness of tone and an absence of display.

​Although there are no wedding photographs available, newspapers described the bride’s attire. Edith—a striking figure at six feet tall—wore an understated Empire-style gown in creamy white satin of French design, with a court train trimmed in the same lace worn by her grandmother nearly a century before. According to the Philadelphia Record, her veil was decorated with lace worn by her mother. Regarding the family lace, the New York Journal declared: “It is an admirable thing to have lace, and it is also an admirable thing to have ancestors, but when one can have both lace and ancestors it is most admirable.”

After the ceremony, the wedding party, family and friends attended a breakfast at Edith’s apartment on Rue Vernet. Natalie Brown, Edith’s sister, provided two bottles of special champagne which their maternal grandfather had set aside at Edith’s birth, to be served on her wedding day. From there, the newlyweds left for Geneva by train to embark on a four-month European honeymoon.

Biltmore has had the privilege to welcome many notable people through this grand Entrance Hall, but the presence of a president has always been a rare honor.  In recognition of Presidents’ Day, we are remembering those special guests.

President George Washington could not have visited Biltmore in person, but we were honored to serve as a temporary home for his well-known portrait.  The painting was stored here by the National Gallery of Art during World War II.  The unfinished Music Room on the first floor of Biltmore House was refitted with a steel door, bars on the windows, and other protective measures outlined by the gallery staff. On January 8, 1942, 62 paintings (including the portrait of George Washington) and 17 sculptures arrived in Asheville under heavy guard.

The iconic portrait was painted by Gilbert Stuart, an 18th century America’s master portrait artist. In his five-decade career, he produced well over 1100 pictures. Of these portraits, nearly one-tenth are images of George Washington, to whom he was introduced by their mutual friend Chief Justice John Jay. It is interesting to note that each of Stuart’s portraits of Washington, about 100 in all, is based on one of three life portraits of the president.  Happy Birthday Mr. President.

President William McKinley, Jr. visited Biltmore Estate on June 14, 1897.  George Vanderbilt was in Europe at the time and Estate Superintendent Charles McNamee was in London, so Butler Walter Harvey gave President McKinley and his entourage a tour of Biltmore House.

President Theodore Roosevelt visited Biltmore Estate on September 9, 1902.  President Roosevelt met Dr. Carl Schenck, the German forester Mr. Vanderbilt had hired to oversee the Biltmore forestry operation.  He also took a drive across the estate, toured the gardens, and toured the Main Dairy Barn where our Winery is now located.

President Jimmy Carter attended a fundraising dinner on September 22, 1978 at the Deerpark pavilion on Biltmore Estate and spoke to a crowd of approximately 300 guests.

Presidential candidate Ronald Reagan visited Biltmore in early May 1980 as part of a multi-city visit to North Carolina.  Rick King, former vice president of Biltmore House, gave Reagan and his wife Nancy a tour of the home.  Reagan went on to win the presidential election in November 1980.

President and Mrs. Barack Obama visited on April 24, 2010 while on a trip to Asheville and were greeted by the Cecil family for a tour of Biltmore House.

Please enjoy this archived content.

Currently on display, now through May, in the exhibit case in the lobby of the Inn on Biltmore Estate is a collection of books from George Vanderbilt, his time, and a look at his reading habits.

George collected many fine things, including a personal library of 22,784 books that he selected with care, and treasured throughout his life. From the age of 12 until his untimely death at 51, George was an ardent reader and appreciator of literature. We know so much about his reading habits today because he kept meticulous records of all the books he read in a series of journals called “Books I Have Read.” In addition, he kept an index in a separate journal, with an alphabetical listing of titles by author and the dates that he read them.

We can’t answer who George’s favorite author was, but his journals give us a few clues. George seems to have enjoyed Charles Dickens’ work. Included in the 30 listed titles by Dickens are two mentions of “The Pickwick Papers,” which George read at age 13, and again when he was 25. We also know that he must have been a fan of Sir Walter Scott, given the 273 books by Scott in his collection. George read many of these books two or three times.  For example, he read “Waverly,” a groundbreaking historical novel, in 1875, 1897 and again in 1910.

One feature in George’s record-keeping that we find particularly touching is that, tucked in among the list of authors and titles, are mentions of precious life events. In 1900, for example, he noted the birth of his daughter, Cornelia, within a list of French and English novels he had been reading.

George was also very interested in France. There are 4,326 French titles in his book collection, and the “Books I Have Read” journals show that he read many of them. Honoré de Balzac must have been another favorite author, because he noted having read more than 80 Balzac titles, the majority of which were in French. There are a total of 218 books by Balzac in George’s collection.

When George was a young man of 14, he read James Fenimore Cooper’s novel “The Last of the Mohicans.” Interestingly, much of the 1992 film version of that novel was shot on location here at Biltmore.

The year before his death, George read “The Life of Samuel Johnson” by James Boswell. Samuel Johnson was an English poet, essayist and literary critic, and many scholars have claimed that Boswell’s work is the greatest biography ever written in English. George’s interest in quality literature was a lifelong pursuit, and we are very thankful to have such a detailed guide to his reading life.

About the photos

Top: Portrait of George Vanderbilt by painter John Singer Sargent, 1890.

Inset: George’s “Books I Have Read” journal opened to the 1,817^th entry: “Richard Carvel” by Winston Churchill. Right above it is George’s note about daughter Cornelia’s birth on Aug. 22, 1900.

Today, January 17, is the 140th anniversary of Edith Vanderbilt’s birthday. In celebration of her life and legacy, we thought it would be fun to share some little-known stories about her.

 One of my favorites is a very glamorous Edith dressed as a peacock for a party in the early 1920s, as seen in the main photo above. A lover of costume or ‘fancy dress’ parties her whole life, Edith entertained often at Biltmore and clearly had a flair for the dramatic. In preparation for a party planned for August 1922, she contacted the legendary Ziegfeld Follies in New York to inquire about renting a ‘White Peacock’ costume made famous by a showgirl known as Dolores. It appears that Edith had little luck in obtaining the outfit and resorted to having her own peacock costume made a year later. It’s not completely clear at what event Edith chose to strut her stuff, but we suspect the celebration was held in honor of her daughter Cornelia’s 23rd birthday.

Biltmore’s costume collection includes seed pearl jewelry and glass bead hair ornaments which were worn at other fancy dress parties during the 1920s, and a dazzling metallic mermaid costume that will go on display in the exhibition, “The Vanderbilts at Home and Abroad” this spring in Antler Hill Village.

Edith’s love of drama began at an early age. As a child, she and her sisters frequently played charades and imaginative games of “house.” Edith and her youngest sister, Pauline, also loved witnessing the theatrical transformation of Newport’s grand interiors that were typical for Gilded Age entertaining. In a memoir, Pauline recalled helping with preparations for lavish dinner parties and then taking delight in spying on the guests!

”…In August … we children would be kept busy wiring flowers for enormous centerpieces, for those were the days when tables were overloaded and great satin ribbons lay on the table cloths; extending from one solid bed of flowers to another. The blossoms of pink hollyhocks were fastened on toothpicks and pierced into moss-filled flat baskets joined by huge bow knots of pink satin ribbons which wound their way amid silver tankards and baskets of hothouse fruits. Edith and I used to climb out on the tin roof over the dining room and peer down through the sky-light at the guests, scuttling back to bed when the roof creaked and we feared detection. Of course the voices below drowned any noise we might have made, but we didn’t realize that…”

In her teens and early 20s, Edith lived in Paris and was a member of an amateur group that frequently hosted “theater parties.” If the peacock photograph is any indication, Edith’s penchant for drama was most pronounced during the Roaring Twenties, a time when many women felt a heightened sense of independence and freedom to express themselves creatively.

Edith hosted a number of masquerade balls at Biltmore House, as well as tableaux vivants, a popular form of entertainment in the late 19th and early 20th centuries. French for “living pictures,” tableaux vivants were elaborate productions in which costumed participants would pose in the guise of mythological or literary figures, famous paintings or individuals from history. These amusing spectacles were enhanced by live music, props and dramatic lighting.

No matter the occasion, it seems that Edith always took pleasure in finding ways to enhance the everyday. Her spirit lingers on, inspiring so much of what we do at Biltmore.

Thank you, Edith – and Happy Birthday!

It’s a special day at Biltmore: the 150^th anniversary of George Vanderbilt’s birth! His parents, William Henry and Maria Louisa Vanderbilt, welcomed him into the world at their family home near New Dorp on Staten Island, NY on November  14, 1862. Named in honor of a paternal uncle, little George was the youngest of a large, lively brood. Every so often we run across objects in the collection that shed some light on how the Vanderbilt family celebrated special occasions together.  It’s always touching to me (particularly after 150 years!) to come across tokens of these traditions. Maria Louisa was a devoted and loving mother to each of her eight children and she and George maintained a particularly close relationship throughout their lives. Today seems like a fitting occasion to share two of the birthday gifts that Maria Louisa bestowed upon her youngest son.

Tucked among Biltmore’s 23,000 books are three treasured volumes that George received from his mother for his ninth birthday. Inscribed “George from Mama Nov. 14th 1871”, the books are part of a popular series of novels written by the Reverend Elijah Kellogg, Jr. With titles like Boy Farmers of Elm Island and The Ark of Elm Island, one might guess that George had a taste for adventure, but the stories are also instructive. Throughout the series, the main characters are faced with all sorts of ethical dilemmas challenging their resolve to be upstanding young men, all while navigating the treacherous waters of the West Indies.  Maria Louisa Vanderbilt’s carefully-selected gift gives us a hint of George’s boyhood interests, as well as how deeply she valued and encouraged her children’s moral and intellectual growth.

Filed away in George’s personal papers, we found an unsigned and undated poem. The three pages are bound with a ribbon and composed in perfect penmanship. Upon reading it, it becomes apparent that the poem is from his mother and was written on the occasion of his 21^st birthday. She reflects back upon his birth, celebrates his coming of age, and shares her hopes for his future.

Crowned in an aureole of light, I see grand dreams and visions bright

…there is no scope to youth’s vast boundless wealth of hope, and boundless opportunity for good…”

Through her carefully-crafted prose, Maria Louisa bids her son to heed the call of work, to put right what he finds wrong , and:

To give a kindly word of cheer

To those who heavy burdens bear

Such work will bless, when nobly done.

And such work comes to every one.

He helps the age in which he lives,

Who does his best – and his best gives

To carry sunshine everywhere…

A later stanza relates every mother’s dream of having her child’s greatest aspirations fulfilled.

If in thy heart deep-hidden some cherished wish there be,

One that may bless thy future – that wish is mine for thee.

And with this wish in parting, there comes to light the way

The season’s ripe perfection crowning this festal day.

I can only imagine the pride that Maria Louisa would feel in knowing that her son did indeed improve the age in which he lived, and was able to bring his “grand dreams and bright visions” to fruition as she had hoped. She would undoubtedly be elated to learn that George’s life’s work resulted in the creation of a bounteous estate, a peaceful oasis, and an enlightened community that are all still going strong 150 years later. Happy birthday, George!