10 Fast Facts About Biltmore

Get to know George Vanderbilt’s magnificent 8,000-acre Biltmore Estate in Asheville, North Carolina, with this list of Biltmore facts.

Nestled in the picturesque Blue Ridge Mountains of Asheville, North Carolina, Biltmore House is the largest privately owned home in the United States and was the Gilded Age vision of George Washington Vanderbilt.

Portrait of George Washington Vanderbilt
Photograph of George Vanderbilt, a scholar, collector, and patron of the arts who came of age during America’s Gilded Age

10 Fast Facts About Biltmore Estate

  1. George Vanderbilt was born in 1862 in Staten Island, New York. He was the grandson of famed industrialist Cornelius “Commodore” Vanderbilt, who established the Vanderbilt family’s immense wealth during the mid-1800s through shipping and railroad monopolies.

  2. After visiting Asheville in 1888 with his mother, George Vanderbilt began the process of building his country home. Construction began in 1889 and Biltmore House was first opened to friends and family on Christmas Eve, 1895.

  3. Biltmore House was designed by architect Richard Morris Hunt and is America’s Largest Home® spanning 175,000 square feet, which is more than four acres of floor space. The 250-room French Renaissance chateau includes 35 bedrooms, 43 bathrooms, and 65 fireplaces.

  4. Adjacent to Biltmore House are 75 acres of formal and informal gardens designed by renowned American landscape architect, Frederick Law Olmsted.

  5. George Vanderbilt married Edith Stuyvesant Dresser in Paris in 1898. Their only child, Cornelia Vanderbilt, was born in the Louis XV Room of Biltmore House in 1900. George passed away unexpectedly following an appendectomy in 1914, leaving the responsibility of managing and preserving of Biltmore Estate to his widow and young daughter.

  6. Biltmore was a pioneer in sustainable land use practices in 1895 and has long operated its farm and field-to-table program. Biltmore is also credited as the Birthplace of American Forestry. Today, Biltmore continues to honor George Vanderbilt’s legacy of preserving the land and protecting the environment through many ecological, recycling, and alternative energy programs.

  7. While the current acreage of Biltmore Estate is approximately 8,000 acres, the acreage during George Vanderbilt’s lifetime was approximately 125,000 acres and included property later sold to the federal government to create Pisgah National Forest, one of the first national forests east of the Mississippi.

  8. With 8,000 acres of Blue Ridge Mountain estate to discover. today’s guests enjoy Biltmore’s scenic backyard with outdoor activities like biking, carriage rides, hiking, horseback riding, and more. The private estate grounds feature over 22 miles of trails to explore.

  9. George Vanderbilt’s grandson, William A.V. Cecil, began planting grapevines in the early 1970s, paving the way for the establishment of Biltmore’s Winery in 1985. Today, our winery is an integral part of a Biltmore visit and is America’s most visited winery. Biltmore’s award-winning wines are available for purchase at estate shops, on biltmoreshop.com, and in select retailers nationwide.

  10. On exhibit inside Biltmore House is the Vanderbilt family’s original collection, art, furniture, and more. With an emphasis on preservation, it’s no surprise Biltmore prides itself on having an in-house conservation department.
View of Antler Hill Village with The Inn on Biltmore Estate on the hillside
View of Antler Hill Village with The Inn on Biltmore Estate on the hillside

A mission of preservation

Today, Biltmore is still family-owned and operated under George Vanderbilt’s mission of preservation through self-sufficiency – a philosophy embraced before the first stone was ever placed.

Over the years, Biltmore has grown to include Antler Hill Village & Winery, which includes Antler Hill Farm; overnight accommodations, including The Inn on Biltmore Estate–our Forbes Four-Star property, Village Hotel on Biltmore Estate, and our historic Cottages on Biltmore Estate; Equestrian Center; numerous restaurants; event and meeting venues; and a licensed products division.

Ready to learn more?

Since 1895, Biltmore has welcomed guests from all over the world to experience the splendor of George Vanderbilt’s visionary estate.

No matter the season, an 8,000-acre oasis awaits you. From historic gardens and grounds to outdoor adventure, behind-the-scenes tours, new exhibitions and events, distinctive retaurants, shopping, and an award-winning winery, there is something for everyone at Biltmore Estate in Asheville, NC.

Learn more about Biltmore by planning your visit.

A Japanese Connection in the Italian Garden Pools

Chihuly at Biltmore was on display from May 17 to October 7, 2018.
Please enjoy this archived content.

Chihuly at Biltmore—the first art exhibition in Biltmore’s historic gardens and the first garden exhibition of Dale Chihuly’s works in North Carolina—showcases large-scale glass sculptures throughout the Italian Garden and grounds of America’s Largest Home®.

Niijima Floats by artist Dale Chihuly as part of Chihuly at Biltmore
Niijima Floats by artist Dale Chihuly as part of Chihuly at Biltmore

One of the must-see displays of this exciting exhibition in is the Italian Garden, where five different installations are set throughout its three pools, including Niijima Floats, named for the island of Niijima in Tokyo Bay, Japan.

Koi swimming in the Italian Garden pools
Koi swimming in the Italian Garden pools during Chihuly at Biltmore

Coincidentally, this unique installation exists alongside another Japanese connection: the colorful koi that populate the pools. While we don’t know exactly when the koi were introduced to the pools, we do know that George Vanderbilt had a fascination with their nation of origin: Japan.

Invitation to Emperor of Japan's birthday celebration, 1892
Invitation to Emperor of Japan’s birthday celebration, 1892

In fact, in 1892, George Vanderbilt and his cousin, Clarence Barker, toured countless temples and other cultural sites during their trip to Japan—a trip which begin with an invitation to attend the Emperor’s birthday celebration.

Pagoda at Horinji-Nara. Photo purchased by George Vanderbilt, 1892
Pagoda at Horinji-Nara. Photo purchased by George Vanderbilt, 1892

Around the turn of the century, many Americans thought Japan and its culture were exotic and rooted in tradition, offering a blend of spirituality and aesthetic beauty. To George Vanderbilt, deeply interested in history, the arts, and collecting, the allure must have been irresistible.

Samurai armor from Japan’s Edo period (1615-1868); purchased by George Vanderbilt, 1892
Samurai armor from Japan’s Edo period (1615-1868); purchased by George Vanderbilt for display at Biltmore, 1892

Of course, antiques shops and art dealers were part of the itinerary as George Vanderbilt eventually shipped 32 cases of art and decorative objects back to America. Among his purchases were:

  • Satsuma ceramics, including a koro or ceremonial incense burner, for $85—a significant sum more than 125 years ago
  • Two suits of samurai armor along with spears and swords
  • Netsuke—miniature sculptures originally used as kimono toggles
  • Bronze sculptures
  • Lacquer boxes and sculptures
  • Varied screens and fans
  • Bamboo curtains
  • 1,000 festive paper lanterns

Visit now through October 7 to experience Chihuly at BiltmoreAfter strolling through the exhibition, we invite you to discover The Biltmore Legacy in Antler Hill Village to view the Samurai armor and other treasures George Vanderbilt collected during his travels as part of our The Vanderbilts at Home and Abroad.

Limestone in the Limelight

Chihuly At Biltmore Was On Display From May 17 To October 7, 2018.
Please Enjoy This Archived Content.
 

Now through October 7, Biltmore’s Gardens are transformed by the dramatic artworks that compose Chihuly at Biltmore. Installations can be found in the Winter Garden of Biltmore House as well as the Italian Garden, the Walled Garden, and beyond.

But one of the installations—Sky Blue and Cobalt Fiori—is set on the East Terrace of Biltmore House. Let’s take a look at this piece’s perfect backdrop: the magnificent limestone façade of America’s Largest Home®.

Sky Blue and Cobalt Fiori by artist Dale Chihuly

Sky Blue and Cobalt Fiori by artist Dale Chihuly on the East Terrace

Hallowell Quarry

In selecting the materials used to construct Biltmore House, George Vanderbilt and architect Richard Morris Hunt wanted nothing less than the best available.

While the underlying walls are of the house are brick, the overlay is limestone from the Hallowell Quarry in Indiana. At the time, Hallowell, which also sourced the stone used to construct Chicago’s City Hall in 1885, was the richest quarry in the country.

Workers and steam engine during Biltmore House construction, 1892

Workers and steam engine during Biltmore House construction, 1892

Limestone en Route

From February 1891 to February 1892, approximately 287 train cars left Indiana carrying the limestone that would become the façade of Biltmore House.

Once the train cars arrived at the Biltmore Village depot, the stone was transported to the construction site by a narrow-gauge railroad track that was built specifically for that purpose.

The first shipment arrived at the house on March 16, 1891.

Stonemasons' shed during Biltmore House construction, 1892

Stonemasons’ shed during Biltmore House construction, 1892

Cut, Carved & Crandalled

The limestone blocks were stored in sheds to protect them from the weather until it was time for them to be cut and carved. To achieve the texture seen on the house today, the blocks were tooled by hand through a process called “crandalling.”

Skilled stonemasons cut shallow grooves into the surface of the stone, resulting in a fine, pebble-like surface. The process results in an elegant-looking limestone that reflects light in a more dramatic manner.

Crandalling detail

Crandalling detail surrounding a brass ring on the house exterior

The crandalled limestone blocks were then lifted into place using wooden derricks powered by hand-drive, geared winches. The first block of stone was put in place in the west garden wall on June 8, 1891.

Adding It All Up

Although there’s no exact final count, estimates indicate that when the construction was complete, around 60,000 cubic feet of limestone—weighing about 5,000 tons—had been used in the project.

The surface as it’s seen today reflects the beautiful effects of aging in the elements for more than 120 years.

Feature image: The Front Door of Biltmore House surrounded by limestone detail

Richard Sharp Smith: A Western North Carolina Legacy

Biltmore House architect Richard Morris Hunt collaborated with Richard Sharp Smith to create America’s Largest Home® as well as other buildings on the estate and in the surrounding area.

Among others, Smith remained in the Asheville area and contributed their talents to many homes and buildings around the region. Let’s take a look at Smith’s work in the Asheville and Western North Carolina.

After receiving architectural training in England, Richard Sharp Smith came to America in 1882, joining Richard Morris Hunt’s New York office in 1886. A pivotal point in his career came when he was assigned as Biltmore’s supervising architect, responsible for overseeing construction onsite. Following Hunt’s death in August 1895, Smith became Vanderbilt’s lead architect.

All Souls’ Church, designed by Richard Morris Hunt with construction overseen by Richard Sharp Smith, ca. late 1895–early 1896
All Souls’ Church, designed by Richard Morris Hunt with construction overseen by Richard Sharp Smith, ca. late 1895–early 1896

Once this major project was completed, Richard Sharp Smith started his own firm in Asheville, raising a family and becoming one of the area’s most popular architects until his death in 1924. At the time of his passing, the Asheville Citizen said:

“After long years of residence in Asheville, Smith has done more than any other person to beautify the city. He came to Asheville just at a time when he was needed, and was really a pioneer architect in the community…

Smith worked in styles ranging from Arts and Crafts to Tudor to Colonial Revival. And not surprisingly, many of these homes and buildings are reminiscent of Biltmore House and other structures on the estate.

Biltmore Village Post Office, designed by Richard Sharp Smith, ca. 1903
Biltmore Village Post Office, designed by Richard Sharp Smith, ca. 1903

“Two beautiful examples of Richard Sharp Smith’s residential style—the Annie West House at 189 Chestnut Street in Chestnut Hill and the Charles Jordan House at 296 Montford Avenue—include pebbledash stucco, archways, and rooflines, much like his buildings in Biltmore Village,” said Leslie Klingner, Biltmore’s Curator of Interpretation.

In downtown Asheville, Smith was the architect for the E.W. Grove Office at 324 Charlotte Street, the Elks Home—also known as Hotel Asheville—at 55 Haywood Street, and the Young Men’s Institute on Eagle Street. Saint Mary’s Episcopal Church on Charlotte Street, Grace Episcopal on Merrimon Avenue, and All Souls’ Church in Biltmore Village are also his creations.

Young Men’s Institute in downtown Asheville, designed by Richard Sharp Smith, ca. 1893
Young Men’s Institute in downtown Asheville, designed by Richard Sharp Smith, ca. 1893

Smith’s work is evident throughout Western North Carolina, including homes in Flat Rock and courthouses for Henderson, Jackson, and Madison counties.

“Many of the buildings that define Asheville today were designed by Richard Sharp Smith,” said Leslie. “It’s enjoyable to see these structures and worth taking the time to notice the arches, tile work, pebbledash, and architectural features that relate to Biltmore House.”

Lending A Hand For A New Arm

At one point, Alex Irvine looked like he was popping the question to one of Biltmore’s oldest residents. Earlier this week, Alex, a ceramic artist based in Asheville, didn’t have matrimony in mind. Rather, his down-on-one-knee position at the side of Flora, a 120-year-old statue on the South Terrace of Biltmore House, was more like a healing gesture. 

Asheville artist with sculptural limb at Biltmore

Asheville Artist Alex Irvine shows the ceramic arm he created

The missing limb

Alex has been working with Kara Warren, Preventive Conservation Specialist in the Museum Services department, to re-create an arm that Flora lost decades ago. The original is no longer in Biltmore’s possession. Originally repaired in 2003 using a non-ceramic material, the resulting fix was challenging to maintain and eventually weathered. 

For the new repair, Alex re-created the arm in his home studio using a fired ceramic material which is expected to stand the test of time.

In addition to the missing arm, he has recreated a few missing fingers and a garland that the sculpture held in her hands. 

Asheville artist with statue of Flora at Biltmore

Irvine works with the statue of Flora on the South Terrace of Biltmore House

Who is Flora?

Flora is the Roman goddess of spring who signifies blooming flowers and renewal. The ceramic sculpture is copied after the French artist Antoine Coyzevox’s sculpture Flore (“Flora”). It was offered in a catalog dating back to 1886, along with three other sculptures installed on the South Terrace around 1900. 

In addition to the re-creation and attachment of the missing elements, an internal structure was fabricated to support the arm and garland. Stabilization of the overall surface of the sculpture will also take place.

Asheville artist working on statue of Flora at Biltmore

Irvine installing the new arm on the statue of Flora

Preservation for future generations

This is a great example of the work we do to preserve the estate for generations to come. An added plus in this case is the chance to collaborate with the local arts community.

“We’re excited to have the opportunity to work with a talented local artist for this treatment,” Kara saud. “Alex brings a great deal of knowledge about ceramic work with him.”

Work on the statue will conclude soon.

See for yourself

To see the newly-repaired statue of Flora and all her companions on the South Terrace, plan your Biltmore visit today.

Restoring Our Roots, One Tree at a Time

When George Vanderbilt first visited Asheville, North Carolina, in 1888 and began envisioning his private estate, the wooded slopes of the surrounding Blue Ridge Mountains included vast numbers of American chestnut trees.

The edible nut of the chestnut tree in its spiny burr covering

Seeds from one of Biltmore’s hybrid chestnuts encased in a spiny, protective “burr”

History of the American chestnut tree

Known as an all-purpose tree, American chestnuts grew quickly to great size. The wood was strong and resistant to rotting, making it a prized material for foundations, fencing, and railroad ties while the edible nut was an important source of food for cattle, hogs, and wildlife.

Around the turn of the 20th century, a blight (Cryphonectria parasitica) struck the American chestnut tree, effectively destroying the species as a source of food and lumber. The blight doesn’t kill the tree’s underground root system, but once an American chestnut sprouts from an existing stump, it succumbs to blight before it matures into a tree.

​​Scaly, thickened bark on this branch shows evidence of chestnut blight

Restoring our roots

In 1997, Biltmore partnered with the American Chestnut Foundation (AFC) to provide a test site for hybrid chestnuts as part of the AFC’s work to restore this heritage tree. The AFC collected pollen and seeds from the estate and crossed the genetic material with blight-resistant Chinese chestnut trees. The seedlings were planted on a sunny slope near Deerpark Restaurant.

“In a way, we’re restoring our roots,” said Jason Mull, Landscaping Supervisor for many of the outlying historic areas of the estate, including the Approach Road and the chestnut plantings. “This project has a natural tie to the importance Vanderbilt and Olmsted placed on landscaping and managed forestry.

Jason Mull points out one of three original hybrid chestnut trees at Biltmore

Jason Mull indicates one of the original hybrid chestnut trees planted at Biltmore in 1997

The project continues

Jason has been involved with the chestnut project since the beginning and has now cared for several generations of trees. The test site includes a mix of American-Chinese hybrids plus full Chinese chestnuts that act as a control group.

“There are only three hybrid chestnuts left from the original planting,” Jason said. “They’ve grown pretty well in the last 20 years. They do show effects from the blight, but it hasn’t killed them.”

According to Jason, some of the more recent plantings carry a much higher percentage of American chestnut DNA than the originals because the hybrids have served their purpose in helping increase resistance to the blight.

Students from a local charter school help plant new hybrid chestnuts at Biltmore in 2013

Planting a legacy

“We’re continuing to work with the AFC to establish another planting site on the estate—preferably in the kind of wooded area that chestnuts tend to prefer,” Jason said. “If our trees continue to do well over time, that’s a wonderful legacy to leave for future generations.”

Featured blog image: Jason Mull and a student from a local charter school plant a hybrid chestnut tree near Deerpark Restaurant in 2013

A Sneak Peek at “The Vanderbilts at Home and Abroad”

Please enjoy this archived content from 2018

Premiering March 15 at The Biltmore Legacy, The Vanderbilts at Home and Abroad details George Vanderbilt’s youth and boyhood travels, his courtship and marriage to Edith Stuyvesant Dresser, and the birth of their daughter, Cornelia Vanderbilt.

In addition to family life, stories about their travels and lives on the estate are chronicled, and a variety of rare objects and personal photos from the Biltmore House collection are showcased. In honor of this upcoming exhibit, here’s a sneak peek at some of the items that will be on display:

Louis Vuitton travel trunk, 1900

1. Louis Vuitton travel trunk

Edith Vanderbilt’s elegant Louis Vuitton travel trunk, ca. 1900, has her initials E.S.V. engraved on the top. This fashionable piece served as her luggage for many of the Vanderbilt’s frequent trips to Europe.

Edith Vanderbilt's No. 4 Panoram Kodak camera Model B, ca. 1900-1903

2. Edith Vanderbilt’s Personal Cameras

Edith was an avid photographer who chronicled the lives of her family while living at Biltmore and traveling the world. Two of her personal cameras will be on display: her No. 4 Panoram Kodak camera Model B, ca. 1900-1903 (pictured); and her No. 3 Folding Pocket Kodak camera Model G, ca. 1912.

Samurai warrior armor from Japan’s Edo period (1615-1868)

3. Samurai Armor

This suit of Samurai warrior armor dates to Japan’s Edo period (1615-1868). Made of iron, lacquer, leather, textiles, and silk, the armor caught the eye of George Vanderbilt during his travels in the Far East.

Japanese daggers from the Meiji period (1868-1912)

4. Japanese Daggers

Also souvenirs from George Vanderbilt’s travels in the Far East, these ornate daggers were prized by Western collectors and are exquisite examples of traditional lacquer and metalwork. They are made of steel, lacquer, gold, bronze, and silk from the Meiji period (1868-1912).

Cartier hat pin, 1924

5. Cartier Hat Pin

In addition to the antique books, tableware, and decorative objects that Cornelia Vanderbilt Cecil and Honorable John F. A. Cecil received for their 1924 wedding, they also received jewelry, including this Cartier hat pin, made of carved jadeite, sapphire, diamond, and platinum.

Join us for The Vanderbilts at Home and Abroad—included in your estate admission—to view these items and other exceptional pieces while learning more about the fascinating family that called Biltmore “home.”

George Vanderbilt: A Modern Art Collector

From a young age, George Vanderbilt inherited his father’s passion for admiring and collecting art. While George was inspired by the earlier artists his father admired, he also supported more modern, progressive artists who embraced contemporary themes and new technologies.

Let’s take a look at a few of the pieces in the Biltmore House collection that speak to George Vanderbilt’s love of ground-breaking artists and their work.

1. Ignacio Zuloaga’s “Rosita”
Rosita

On display in the Louis XV Hallway

​Painter Ignacio Zuloaga drew from folklife and long-founded elements of Spanish painting—for instance, Rosita is lounging on a divan draped with a mantón de manila, an integral part of the costume worn by flamenco dancers. However, Zuloaga was also influenced by the philosophy and art of the French symbolists to explore different modes of expressing character and energy and encouraging personal interpretation. In this, the character and energy of Rosita is distinct; she is confident: a model at ease with being an object of beauty.

2. Pierre-Auguste Renoir’s “Young Algerian Woman” and “Young Boy with an Orange”
Young Algerian Woman

On display in the Breakfast Room

Renoir painted alongside fellow artists Monet and others to create a wholly new style concerned with capturing light, movement, and other optical effects. This Impressionistic approach to handling light, as well as Renoir’s unique style of composition, his use of underlying foundations and free brushwork, and his informal, intimate subject matter were all ground-breaking developments—represented in both Young Algerian Woman (above) and Young Boy with an Orange (feature image).

Fun fact: The Renoir paintings in the Biltmore House collection were likely among the first of his works in America!

3. Maxime Maufra’s “Vue du Port” (“View of the Harbor in Sunset”)
Vue du Port

On display in the Breakfast Room

Frenchman Maxmie Maufra travelled to England as a young man and devoted time to study the Romantic landscapes of Constable and Turner. While their dramatic skies and turbulent seas were impactful, his work clearly shows the influence of the Impressionist and Post-Impressionist schools in his handling of light and color.

4. Constantin Emile Meunier’s “Anvers” (“Antwerp”)
Anvers

Not currently on display

Inspired by his travels and exposure to the industrial region of Belgium, Meunier made an important contribution to the development of modern art by elevating the image of the industrial worker, dock worker, and miner to an icon of modernity. While he certainly wasn’t the first to explore the theme of workers and industry, his portrayal of labor and laborers in forthright, heroic fashion was an altogether new approach.

Fabulous Fashion Find Yields Titanic Results

With our new exhibition Glamour on Board: Fashion from Titanic the Movie, we are celebrating not only the 20th anniversary of the iconic film that won 11 Oscars®, including Best Picture and Best Costume Design, but also the elegant wardrobes favored by transatlantic travelers in the early 1900s. On display in Biltmore House February 9–May 13, 2018, this exhibition is the first large-scale display of the original Titanic costumes and will showcase the exquisite detail meticulously recreated for these award-winning fashions. Just as portrayed in the movie, long days at sea fostered friendships and romances, including George Vanderbilt’s courtship of Edith Stuyvesant Dresser.


Planning the exhibition

In planning the exhibition, members of our Museum Services team wanted to ensure that guests understood the historical significance of Edwardian fashion as it pertained to Biltmore and the Vanderbilt family.

Leslie Klingner, Curator of Interpretation, conducted specific research related to the costume designers who created the glamorous gowns and dashing suits worn by the principal actors–as well as the extraordinary number of extras–in Titanic. Leslie learned that many of the costumes were original fashions from the era purchased for use in the film; others were created using original elements to make them look and feel as close as possible to authentic clothing of the era.

“While researching, I came across information indicating that the memorable striped ‘arrival suit’ worn by Kate Winslet’s character Rose as she boards Titanic for the first time was a direct reproduction from the January 1912 issue of Les Modes magazine,” said Leslie. “Knowing that Les Modes was a popular fashion magazine of the period, I wondered if we could find another institution that held that particular issue in order to reproduce the original fashion plate for comparison with the costume.”

January 1912 Les Modes fashion magazine features a costume later used in the film Titanic
A fabulously fashionable discovery

Leslie asked Lauren Henry, Associate Curator, for assistance with the search, and that’s when Lauren made a fabulous fashion find: Edith Vanderbilt not only read Les Modes, she kept a number of issues that are still in our archives–including the January 1912 edition!

“The magazines themselves are gorgeous,” Leslie said. “The covers are printed using a very refined technique called pochoir. This specialized process used a stencil-based method of printing that produced crisp lines and brilliant colors and was often used to illustrate fashion magazines like Les Modes,” explained Leslie. “The issues in our archives have metallic gold highlights on the covers and are in remarkable condition. Many look just as lovely as they would have when they were new!”

Fashion spread featuring five dresses in the April 1911 issue of Les Modes
Titanic
connections

We’ve always known that Edith Vanderbilt was considered a trendsetter when it came to fashion, but with the discovery of this treasure trove of magazines, we now know one of the ways she kept up with the latest Parisian styles on a monthly basis. In fact, she may have looked at the very dress in 1912 that would be used to express the height of haute couture more than a century later in the film Titanic. In another twist of fate, George and Edith Vanderbilt would make plans to travel aboard the ill-fated ship just a few months later, and though their personal arrangements were changed before Titanic sailed, a member of their household staff was lost in the tragedy.

Discover The Vanderbilts at Home and Abroad

Opening in March 2018, The Vanderbilts at Home and Abroad exhibit, located in The Biltmore Legacy in Antler Hill Village, will further showcase the lives of the Vanderbilts as well as treasures collected during their world travels.

Featured image: (L-R) April 1912 and February 1913 covers of Les Modes magazines from Biltmore’s archives

First image: Leslie Klinger displays the large striped hat that accompanies the ‘arrival suit’ worn by Kate Winslet’s character Rose in Titanic

Second image: January 1912 Les Modes photograph featuring original design which inspired the ‘arrival dress’ used in the film Titanic (magazine from Biltmore archives)

Third image: April 1911 Les Modes fashion spread featuring five original gowns from the time period in which Titanic is set (magazine from Biltmore archives)

Olmsted’s Groundbreaking Work: Gardens and Glass

Chihuly At Biltmore Was On Display From May 17 To October 7, 2018.
Please Enjoy This Archived Content.

Long known as the father of American landscape architecture, Frederick Law Olmsted reached the pinnacle of his professional career with his landscape design for Biltmore–George Vanderbilt’s magnificent private estate.

Portrait of Olmsted by John Singer SargentA vision for the future

In addition to developing the extensive plans for Biltmore, Olmsted was a true visionary–looking ahead more than a century to understand how his designs would mature to create a stunning setting for America’s Largest Home® that future generations would continue to preserve.

From gardens filled with glorious blooms to carefully managed forest lands, Olmsted’s genius is recognized around the world and his contributions to the art and science of landscaping continue to be celebrated.

First in Forestry plaque with Gifford PinchotThe success of Olmsted’s protégées is also directly attributable to his mentorship, from Biltmore’s first forest manager Gifford Pinchot’s who went on to serve as the first chief of the U.S. Department of Agriculture Forest Service to Chauncey Beadle, Biltmore’s estate supervisor who managed and nurtured Olmsted’s designs for more than 50 years.

Masterpieces in gardens and glass
From May 17–October 7, 2018, Biltmore will host Chihuly at Biltmore, the first-ever art exhibition in our historic gardens. This exhibition features the works of globally-renowned artist Dale Chihuly set in the living backdrop of gardens that remain true to Frederick Law Olmsted’s design intent.

Just as Olmsted is known as a leader in the development of landscape architecture, Chihuly is leader in the development of glass as a fine art and he is celebrated for amazing architectural installations combining brilliant colors and striking forms that have entranced viewers worldwide. Chihuly at Biltmore features awe-inspiring artworks in both Biltmore House & Gardens and Antler Hill Village.

Dazzling by daytime, the exhibition sparkles during Chihuly Nights at Biltmore, when the sculptures are illuminated to showcase their spectacular colors and shapes.

The Conservatory at BiltmorePlan your visit now

Chihuly at Biltmore is included in your estate admission. The dramatic experience of Chihuly Nights at Biltmore requires a separate ticket purchase and is offered on select evenings by reservation only.

Featured blog image: Biltmore’s Walled Garden
— First image: Frederick Law Olmsted portrait by John Singer Sargent, located in Second Floor Living Hall of Biltmore House
— Second image: First in Forestry plaque at Biltmore, featuring Gifford Pinchot
— Third image: The Conservatory at Biltmore, which will feature several of Chihuly’s
Chandeliers during the exhibition