Biltmore: Olmsted’s Living Masterpiece of Landscape Design

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Biltmore is a living masterpiece of landscape design thanks to the work of Frederick Law Olmsted, the estate’s landscape architect.

Celebrating Olmsted’s Bicentennial

Family walking in Olmsted's mature landscape design at Biltmore
From formal gardens to woodland spaces, explore Olmsted’s living masterpiece at Biltmore

This year marks the 200th anniversary of Frederick Law Olmsted’s birth, and Biltmore is one of 120 organizations nationwide coming together as Olmsted 200: Parks for All People to create 12 months of programming and events designed to strengthen and expand parks, open space, and the American quality of life.

“For our part of the national celebration, we have added a collection of scenic stops across the property to provide details on the work Olmsted accomplished here at Biltmore,” said Lauren Henry, Associate Curator. “These interpretive signs present a rich and detailed overview of Olmsted’s final masterpiece and his enduring legacy of landscape design architecture.”

This virtual tour of Biltmore’s historic gardens and grounds provides an exciting perspective on the landscape design that Olmsted created for George Vanderbilt’s magnificent estate.

Early years

A native of Hartford, Connecticut, Frederick Law Olmsted’s early years included a wide variety of work opportunities that shaped his views and helped cultivate his interest and skill in landscape design.

In addition to his best-known career as a landscape architect, Olmsted managed a gold mine in California; he spearheaded the U.S. Sanitary Commission for the North during the Civil War; and he established The Nation, a weekly journal that is still in existence. His impact on America ranges far beyond the field of landscape design.

Other notable landscape design projects

Olmsted's landscape design: Bass Pond waterfall at Biltmore
The Bass Pond waterfall is a hidden gem in the gardens at Biltmore. Find your way to it following the trail around the Bass Pond.

In 1857, Olmsted became the superintendent overseeing work on Central Park in New York City. During the course of that complex project, he evolved into an expert in the planning of parks and landscapes. For the rest of his professional career, Olmsted would plan, design, and oversee some of the most important public and private outdoor spaces in the nation.

  • Prospect Park, Brooklyn, NY (1866)
  • U. S. Capitol Grounds, Washington, DC (1874)
  • Emerald Necklace, Boston, MA (1878)
  • Niagara Reservation, Niagara Falls, NY (1887)
  • World’s Columbian Exposition, Chicago, IL (1893)

Biltmore: a living masterpiece of landscape design

Landscape architect Fredrick Law Olmsted, George Vanderbilt, and other key Biltmore figures, 1892
Landscape architect Fredrick Law Olmsted (seated, center) and George Vanderbilt (standing, center-right) with other key Biltmore figures, 1892.

Before considering designs for his future home, George Vanderbilt brought Olmsted to the land he had purchased to assess its potential. Olmsted agreed with Vanderbilt that distant views of the Blue Ridge Mountains were pleasant, though the land itself was poor.

In order to restore this land, which was not suitable for the extensive parks Vanderbilt envisioned, Olmsted advised undertaking scientific forestry—a first for America, though the practice existed in Europe.

Portrait of Olmsted by Sargent and aerial view of landscape design at Biltmore, ca. 1950
(L-R) Portrait of Frederick Law Olmsted at Biltmore by John Singer Sargent; commissioned by George Vanderbilt, ca. 1895; aerial photograph of Biltmore House & Gardens, ca. 1950

The success of the final design of Biltmore House and its extensive home grounds, fields, and managed forests was the result of the strong collaborative effort between George Vanderbilt, architect Richard Morris Hunt, and Frederick Law Olmsted.

Though Hunt’s focus was the house and Olmsted’s the grounds, there were times when they shared ideas, with the goal of a functional and harmonious final product in mind. Vanderbilt encouraged the ambitious ideas of both men, paving the way for some of their finest work.

Discover Olmsted’s legacy at Biltmore today

Couple hiking in the woods at Biltmore
Enjoy the landscape designs that Olmsted envisioned for Biltmore more than a century ago

Biltmore was a project that stretched Olmsted’s design abilities and was unique among his body of work for its fusion of French and English (or formal and naturalistic) design influences.

The scope and variety of his endeavors here were made possible through the support of George Vanderbilt, who also saw the value in his vision. Today, Biltmore works to maintain Olmsted’s design intent and remains a key part of Olmsted’s legacy as his last great project.

We invite you to discover Olmsted’s ongoing legacy at Biltmore for yourself by enjoying our historic gardens and grounds as a guest or Annual Passholder.

Discover Biltmore’s Working Winery

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Discover Biltmore’s working winery and learn how we handcraft our award-winning Biltmore wines. Here, the process begins long before the first grape is harvested; it begins with planting seeds of thought, from there our vision takes root and the rest is history!

Biltmore’s Wine History

Archival Bltmore wine receipt
A portion of an archival receipt for a wine and spirits order to be delivered to Biltmore House

George Vanderbilt was known as a thoughtful collector of wines who wove an appreciation for fine wines into the fabric of the Biltmore experience, making it part of his legacy for gracious living.

While Mr. Vanderbilt introduced the pleasures of wine to Biltmore, it was his grandson, William A.V. Cecil, who had the vision and determination to develop vineyards and a winery at his family’s estate in the early 1970s.

Creating Biltmore’s working winery

Biltmore Winery Entrance
Experience an award-winning portfolio of red, white, rosé, and sparkling wines at Biltmore Winery.

In 1983, renovation began on the estate’s original dairy barn to convert it into a state-of-the-art winery, complete with production facilities, a tasting room, and a wine shop.

Bill Cecil, Jr., son of William A.V. Cecil and great-grandson of George Vanderbilt, assumed a leadership role in overseeing the project. “It wasn’t easy to turn an old barn into a new working winery,” said Bill, “but we knew it was important to keep the integrity of the original structure, and that helped us make each decision along the way.”

Biltmore Winemaker Sharon Fenchak

Sharon Fenchak, Biltmore Winemaker, with a syphon
Winemaker Sharon Fenchak draws wine from a barrel with a type of syphon called a wine thief in the Barrel Room at the Winery

Since the Biltmore Winery opened in 1985, we attribute much of our success to our talented winemakers: Philippe Jourdain, Bernard Delille, and Sharon Fenchak, who joined the Winery team as assistant winemaker in 1999 and was promoted to winemaker in 2003.

Sharon now oversees Biltmore Wines as winemaker and vice president. Just like her predecessors, Sharon remains committed to handcrafting Biltmore Wines with the philosophy of keeping each wine true to varietal character, food-friendly, and consistent from vintage to vintage.

Steel tanks in Biltmore's working winery
Steel tanks used in the winemaking process at Biltmore

“Tastes change over time,” said Sharon. “Our wines are crafted in a classic style, but we keep our production facility up-to-date and we take advantage of technology and trends that help us improve our skills. It’s very important that we constantly learn more about what our guests enjoy so we can continue to produce wines they seek out here at the estate or savor in their own homes.”

Biltmore’s vineyard

According to Philip Oglesby, Vineyard Supervisor, Biltmore’s harvest season begins in late August with early-ripening white varietals such as Chardonnay. Vineyard crews pick grapes by hand throughout September and into October, giving the red varietals like Cabernet Sauvignon and Cabernet Franc more time to mature.

Workers pick Chardonnay grapes in Biltmore's vineyard
Vineyard crews picking grapes by hand in Biltmore’s vineyard on the west side of the estate

“Within hours of being harvested, the grapes grown in our own vineyard on the west side of the estate are brought to the crush dock behind the Winery,” said Philip. “As the next phase of the winemaking process begins, we look forward to learning which wines will be created—especially those that earn the Biltmore® Reserve label that honors exceptional North Carolina vintages from Biltmore and our local growing partners.” 

Although most wineries specialize in either still or sparkling wines, we handcraft both here at the estate—just another distinction that sets Biltmore’s working winery apart.

Cheers to our working winery and our handcrafted wines!

Hand holding glass of Biltmore wine at our working winery
Make a reservation for your complimentary tasting at Biltmore’s working winery!

Join us at the Winery to enjoy the fruits of our labor! Experience our Red Wine and Chocolate Tasting in the Tasting Room, take a deeper dive into our working winery on the Farm to Table Tour and Taste, or simply relax at the Wine Bar with any of our wines by the glass or bottle. 

Purchase Biltmore wines at the estate and online—or become a member of the Vanderbilt Wine Club and enjoy having our wines shipped directly to your door each season.
 

Monet & Friends Make a Grand Impression at Biltmore

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Please enjoy this archived content. Our Monet & Friends exhibition ended July 10, 2022.

We’re certain that our Monet & Friends – Life, Light & Color exhibition will make a grand impression on our guests at Biltmore this spring, from March 9 through July 10, 2022.

You will be surrounded by the sights, sounds, and scents as you enter the vivid world of The Impressionists with Monet & Friends – Life, Light & Color, created and produced by Grande Experiences.

Hosted in Biltmore’s Amherst at Deerpark® exhibition space, the second stellar event in our Legends of Art & Innovation at Biltmore exhibition series will delight visitors through an immersive sensory experience celebrating one of the world’s most pivotal art movements.

See a new type of art emerge

Monet & Friends exhibition at Biltmore
Monet’s extraordinary gardens surround you during Monet & Friends, created and produced by Grande Experiences

From 1860–1905, a dynamic group of Paris-based artists challenged the norm and began painting in a much less formal manner than the Old Masters who came before them.

While previous subjects had included mythological stories, historical events, and portraits of famous people rendered with painstaking precision, the group who became known as The Impressionists chose instead to create bold, brush-stroked “snapshots” of everyday life, capturing the ideas and feelings of a moment in time.

Creating grand impressions

Often stationing themselves outside, or “en plein air,” the forward-thinking group recorded the everyday beauty found in garden and park landscapes, beachside and boating scenes, bustling cafés, and quiet boudoirs.

Rejected by the Salon, which was the official art exhibition of France’s Academy of Fine Arts, The Impressionists, known at the time as the Anonymous Society of Painters, Sculptors, Engravers, etc., pushed against predisposed notions of fine art and began holding their own exhibitions starting in 1874.

By their eighth and final exhibition in 1886, the public’s opinion overrode that of the Academy’s, and the popular art form represented an exciting evolution in art history.

The influence of Monet

Painting conservation: Detail of a Monet seascape in Biltmore's collection
Detail of Monet’s 1886 seascape “Belle-Île, le chenal de Port-Goulphar” in Biltmore’s collection

One of the leading Impressionist artists, Monet unwittingly became responsible for the movement’s name.

Born in France in 1840 on the coast of Normandy, Oscar-Claude Monet’s father wanted him to follow in his footsteps as a wholesale merchant. From a very young age, however, Monet wished to become an artist.

Studying at the Academie Suisse alongside classmate Pierre-Auguste Renoir, Monet was influenced by landscape painter Eugène Boudin, one of France’s first artists to paint outdoors.

Monet’s work followed the textures of his subjects; the length of his brush strokes mimicked flowers and foliage, rippling water, and boats and structures. His 1872 painting Impression, Sunrise sparked the term “Impressionists” from an art critic who felt this new style had an unfinished look. The trailblazing group of artists took the name as their own, and even more interest and curiosity was sparked about the new way of creating, viewing art, and making grand impressions.

George Vanderbilt: a patron of Impressionism

Two paintings of children by Renoir
(L-R) “Young Algerian Girl” and “Child with an Orange” by Pierre-Auguste Renoir. Both are on display in the Breakfast Room of Biltmore House.

True to his visionary approach, George Vanderbilt was an early adopter of the new Impressionist movement. His affinity for the style ultimately resulted in a collection of sixteen Impressionist works including two landscapes by Monet: Strada Romana à Bordighera and Belle-Île, le chenal de Port-Goulphar, and Renoir’s Young Algerian Girl and Child with an Orange. Vanderbilt also acquired Maufra’s Vue du Port as well as works by Manet and Whistler.

For the first time in many years, George Vanderbilt’s own Monet masterpieces will be displayed in Biltmore House along with a series of informational panels on the Impressionist movement.

Look for both paintings by Monet in the Salon and take advantage of this special opportunity to see the artist’s process up close, including his brushwork, atmospheric effects, and study of light.

Explore this multi-sensory experience

Ballerinas painted by Edgar Degas
Guests discover breathtaking scenes of light and motion captured by Impressionist artist Edgar Degas as part of the Monet & Friends experience

With our breathtaking Monet & Friends – Life, Light & Color exhibition opening March 9, you can experience the broad brushstrokes of history during a time when art and culture changed profoundly, and learn about the artists who boldly led the way.

While listening to the exquisite sounds of Debussy, Tchaikovsky, Ravel, and Offenbach, you’ll be surrounded by the masterworks of Monet, Manet, Pissarro, Renoir, Cézanne, Degas, Morisot, Toulouse Latrec, and more.

Plan your grand impression getaway today!

The warm and vibrant days of spring will arrive early at the estate during this second installment of the Legends of Art & Innovation exhibition series, along with our annual Biltmore Blooms seasonal celebration.

Enhance your visit with an overnight stay at one of our luxurious accommodations, and mark your calendar for the third and final installment of this one-of-a-kind experience: Leonardo da Vinci – 500 Years of Genius, coming to Biltmore July 14, 2022–January 8, 2023.

Featured image: Strada Romana à Bordighera by Claude Monet, 1884

Meet The Team That Handcrafts Biltmore Wines

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Meet the team that handcrafts Biltmore wines here at the estate in Asheville, North Carolina. With old-world skill and new-world passion for their craft, they’re taking Biltmore’s winemaking philosophy of creating approachable vintages and varietals to new heights in the industry.

Meet Sharon Fenchak, Biltmore Winemaker and Vice President

Sharon Fenchak, Biltmore Winemaker, with a syphon
Winemaker Sharon Fenchak draws wine from a barrel with a type of syphon called a wine thief in the Barrel Room at the Winery

Sharon Fenchak has served as Biltmore’s Winemaker and Vice President since 2018. In addition to handcrafting Biltmore’s award-winning wines, her responsibilities include oversight of Biltmore’s vineyard, partnerships with local and west coast partners, and the production team that creates more than 150,000 cases of wine annually.

After high school, Sharon joined the United States Army as a Communications Specialist. While stationed in Vicenza, Italy, she discovered a new appreciation and a growing passion for wine—particularly the sparkling moscato for which the region is noted.

Once she returned to the states, Sharon earned a bachelor’s degree in food science from Penn State University and a master’s degree in the same field from the University of Georgia at Athens. She worked as an assistant winemaker at Habersham Winery in Baldwin, Georgia, then became the winemaker for Chestnut Mountain Winery in Braselton, Georgia.

Biltmore winemaker Sharon Fenchak in the vineyard
In addition to her other winemaking responsibilities, Sharon oversees the estate’s vineyard

In 1999, Sharon joined Biltmore’s winery production team as assistant winemaker, learning from veteran French winemaker Bernard Delille and leading in-house research and development for new grape-growing technology and testing grape-production methods. Sharon and Bernard shared a philosophy of creating high-quality wines that reflect true varietal character while still being food-friendly and approachable.

Sharon was promoted to Winemaker in 2003 and continued handcrafting high-quality wines worthy of the finest Biltmore traditions of taste and style. When Bernard retired, Sharon became Biltmore’s Winemaker and Vice President.

Meet Shruthi Dhoopati, Assistant Winemaker

Assistant Winemaker Shruthi Dhoopati tasting white wine
Assistant Winemaker Shruthi Dhoopati tastes wine in the Barrel Room

In her role as Assistant Winemaker, Shruthi Dhoopati is involved in every aspect of creating Biltmore wines, from helping select grapes for production to assisting Sharon in the process of developing each varietal and blend from fermenting and aging to ensuring that wines are consistent from vintage to vintage.

Before joining the winemaking team at Biltmore, Shruthi served as Winemaker and Vineyard Manager
for Addison Farms in Leicester, North Carolina.

Biltmore wine team at work in the tank room
Sharon and Shruthi taste a white wine directly from the steel tank

Shruthi obtained a Master of Science degree in Viticulture and Enology through the Vinifera Euromaster program with courses at Montpellier SupAgro, Bordeaux Sciences Agro (ISVV), and Turin University in Piemonte, Italy.

She holds a joint degree between Montpellier SupAgro, Hochschule Geisenheim, Università Degli Studi di Udine, University of Lisbon, Madrid Polytechnic, and the University of Turin. Shruthi completed her thesis work on viticultural soils of foothills and mountain areas in North Carolina and northwestern Italy.

In addition, Shruthi completed internships with Denis Dubourdieu Estates in Barsac, France, Max Ferdinand Richter Estate in Germany’s Mosel Valley, Andrew Will in Vashon, Washington, and Montenidoli in San Gimingano, Italy.

Tools used by Biltlmore's wine team to test wines
Biltmore’s winemaking team uses tools ranging from measuring cups to beakers to wine glasses to analyze results

Try Biltmore wines for yourself

Couple drinking Biltmore wine
Enjoy Biltmore wine on the estate and at home.

If you’re visiting Biltmore, discover our complimentary tasting at the Winery in Antler Hill Village, or enjoy a glass of your favorite varietal or blend at the Wine Bar or other relaxing location.

You can also find our award-winning wines in most estate shops, or online at biltmoreshop.com.


Featured image: (L-R) Biltmore wine’s dream team: Sharon Fenchak and Shruthi Dhoopati

10 Fast Facts: Legends of Art & Innovation at Biltmore

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Please enjoy this archived exhibition article.

Here are 10 fast facts to help you learn more about each of the three individual Legends of Art & Innovation at Biltmore exhibition series:

Fast Fact #1: George Vanderbilt and Vincent van Gogh share a Dutch heritage

Van Gogh Alive multi-sensory experience
A guest explores Van Gogh Alive, created and produced by Grande Experiences

Artist Vincent van Gogh, the subject of our Van Gogh Alive exhibition that ends March 5, 2022, was born in 1853 in the Dutch village of Zundert.

Jan Aertson Van der Bildt (c. 1620–1704) emigrated from Holland to New Amsterdam (now New York City) around 1650. Jan Aertson had numerous children by several wives. His first three children were by his first wife Anneken Hendricks, who he married around the time he came to America. Among those children was Aris Janse, George Vanderbilt’s great-great-great-great-grandfather.

George Vanderbilt was also inspired by his Dutch origin when he selected “Bilt” as the core part of the name for his estate.

Fast Fact #2: An interest in Asian art

George Vanderbilt visited Japan in 1892 and brought back 32 cases of art and decorative objects, including a suit of samurai armor that dates to Japan’s Edo period (1615–1868).

The late 19th century saw an increased fascination with Japan following its opening to the western world, especially in regards to its art and material culture (this trend was referred to as Japonisme).

Both Vincent van Gogh and George Vanderbilt demonstrated an interest in Japan: Van Gogh, through the study of Japanese prints that he collected, painting his own interpretations of the “exotic” style.

George Vanderbilt personally visited Japan in 1892, ultimately shipping home 32 cases full of “curios” that were scattered throughout Biltmore House. Edith and Cornelia Vanderbilt also visited Japan in the early 1920s.

Though Van Gogh never visited Japan, his correspondence shows that he felt that southern France was more evocative of Japanese atmosphere and landscape, which was one of the reasons he was drawn to Arles from Paris.

Fast Fact #3: A shared love of sunflowers

Sunflowers blooming at Biiltmore
Enjoy a later-summer getaway with a sea of sunflowers blooming at Biltmore!

Vincent van Gogh found great inspiration in sunflowers. He loved their bright color, which many other artists found too garish. During his time in Arles, France, Van Gogh wrote “I find comfort in contemplating the sunflowers,” to Emile Bernard, c. August 18, 1888.

Each year, Biltmore plants a swathe of late-summer sunflowers along the path from Antler Hill Village toward the Lagoon. We hope the glowing golden blooms provide inspiration and enjoyment for today’s guests as well as a welcome treat for wildlife!

Fast Fact #4: Meet Monet & Friends March 9–July 10, 2022

Breathtaking displays from Monet & Friends
Breathtaking displays from Monet & Friends, showcasing the life and works of many Impressionist painters

From March 9–July 10, 2022, Biltmore will be hosting the multisensory Monet & Friends – Life, Light & Color, created and produced by Grande Experiences, on the grounds of the estate. You’ll be able to immerse yourself in breathtaking paintings projected on an enormous scale, illuminating the bold brushstrokes of Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, Paul Cézanne, Edgar Degas, and more.

Two landscape painting by Claude Monet–Strada Romana à Bordighera (1884) and Belle-Île, le chenal de Port-Goulphar (1886)–were both purchased by George Vanderbilt from Durand-Ruel, the noted dealer of Impressionist art, in 1892.

There was also a third Monet landscape that Vanderbilt collected, though unfortunately it is not in Biltmore’s collection today. Correspondence indicates that at least one of the Monet paintings spent some time in the Vanderbilts’ Paris apartment, but none of them show up in any interior photos of Biltmore House. This is the first time in many years that the paintings are being installed in Biltmore House for more permanent display.

Fast Fact #5: Savor a masterpiece

Masterpiece Collection white wine with glasses
Savor our new Masterpiece Collection White Wine!

In honor of having two of Monet’s masterpieces on display in Biltmore House, we’ve created a new wine for our Masterpiece Collection.

The inaugural release is a crisp, smooth, refreshing white blend handcrafted to honor George Vanderbilt’s legacy as a passionate collector of extraordinary art and exceptional vintages, with a stunning label that features Claude Monet’s colorful Strada Romana à Bordighera landscape painting.

Fast Fact #6: Breakfast with Renoir

Two paintings of children by Renoir
(L-R) “Young Algerian Girl” and “Child with an Orange” by Pierre-Auguste Renoir. Both are on display in the Breakfast Room of Biltmore House.

In addition to the Monets he collected, Vanderbilt also acquired two paintings by Pierre-Auguste Renoir from Durand-Ruel in 1892. Both appear in the earliest photos of the Breakfast Room, meaning they have been on display in America’s Largest Home® for around a hundred years—possibly longer!

Child with an Orange (1881) and Young Algerian Girl (1882) represent a lesser-known part of Renoir’s work when he was painting colorful scenes from Algeria rather than life in Paris.

George Vanderbilt visited the Mediterranean region several times in his life, including an 1894 trip that included stops in Algeria.

Fast Fact #7: Lasting impressions

George Vanderbilt portrait by James Whistler
George Washington Vanderbilt. 1897-1903. James McNeill Whistler. Oil on canvas. Courtesy National Gallery of Art, Washington.

Impressionism interested Vanderbilt so much that in the late 1800s he acquired a total of 16 paintings by Claude Monet, Édouard Manet*, Pierre Auguste Renoir, Maxime Maufra, and James McNeill Whistler to furnish his homes.

While many of those names have become synonymous in the modern era with Impressionism and high-value art, others (like Maufra) are less well-known. George Vanderbilt seemed to collect those works that he enjoyed, not purely because they were associated with famous names.

Correspondence reveals that George Vanderbilt was often acquiring works from artists that he had a personal acquaintance with, most notably in the case of Whistler. Vanderbilt acted as a patron for Whistler, supporting his work and demonstrating a great respect for him as an artist. He even acted as a pall-bearer at Whistler’s funeral.

*The Manet paintings are no longer in Biltmore’s collection as they were donated to the National Gallery in Edith Vanderbilt’s will.

Fast Fact #8: Curious correspondence

Monet & Friends exhibition at Biltmore
Monet’s extraordinary gardens surround you during Monet & Friends, created and produced by Grande Experiences

We have letters in our archives from Claude Monet regarding a visit that George and Edith Vanderbilt were hoping to make to him in 1904. We don’t know if the visit ultimately happened, but either way they indicate a certain level of acquaintance between the Vanderbilts and Monet beyond just collectors.

We also have correspondence indicating that the Vanderbilts were acquainted with Impressionist painter Mary Cassatt, and that she had been planning to paint portraits of Edith and Cornelia Vanderbilt, but was prevented from doing so by illness.

Leonardo da Vinci -- 500 Years of Genius
From July 14, 2022–January 8, 2023, immerse yourself in the multi-sensory experience of “Leonardo da Vinci — 500 Years of Genius” at Biltmore

Fast Fact #9: Discover Da Vinci, July 14, 2022–January 8, 2023

Following the conclusion of Monet & Friends, our Legends of Art & Innovation at Biltmore series will conclude with Leonardo da Vinci – 500 Years of Genius, from July 14, 2022–January 8, 2023.

Inventor, artist, scientist, engineer, sculptor, anatomist, musician, architect, philosopher—Da Vinci was all of these things. His brilliance and many extraordinary achievements are brought to vivid life in the world’s most comprehensive and thrilling Leonardo da Vinci experience, created and produced by Grande Experiences.

Fast Fact #10: Old Masters and modern favorites

Reproduction of Rembrandt etching for the Oak Sitting Room in Biltmore House
Reproduction from the Morgan Library of a Rembrandt etching for the Oak Sitting Room

George Vanderbilt’s collection included an interesting combination of Old Masters and more modern artists like the Impressionists mentioned above. The two Old Masters he favored were Rembrandt and Dürer, though his interest did not stop there. His collection includes two prints made after Da Vinci paintings, including The Last Supper and a self-portrait.

Vanderbilt’s book collection includes several books about Da Vinci, including Leonardo da Vinci: the Florentine years of Leonardo & Verrocchio (1913) which is in the Biltmore House Library.

Don’t miss our Legends of Art & Innovation at Biltmore series!

There’s still time to immerse yourself in Van Gogh Alive before it ends on March 5, 2022. Tickets are on sale now for Monet & Friends, and will be available soon for Leonardo da Vinci — 500 Years of Genius.

All three multisensory exhibitions are created and produced by Grand Experiences and hosted at Amherst at Deerpark® on the grounds of the estate.

The Courtship that Crossed the Atlantic

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The courtship of George Vanderbilt and Edith Stuyvesant Dresser was a transatlantic romance. The two shared a love of learning and travel. On the decks of ships, in shared opera boxes, in the artist studios and bookshops of the Parisian boulevards, their romance blossomed.

The Tower Bridge in London, c. 1900. Many reporters speculated that the London was where George and Edith Vanderbilt’s courtship first began, though it is likely they met prior.
The Tower Bridge in London, c. 1900. Many reporters speculated that the London was where George and Edith Vanderbilt’s courtship first began, though it is likely they met prior.

A London Introduction

In June 1897, George rented an apartment on London’s Pall Mall for the celebration surrounding Queen Victoria’s 60-year reign. London marked the occasion with a royal procession that wound its way around both sides of the River Thames. George and his guests viewed the event from their balcony above the splendid parade. Among the group was Edith, his future bride.

While reporters speculated that this was when the couple first became acquainted, it’s more likely the pair met through match-making family members as Edith was friends with some of George’s sisters and several of his nieces.

William B. Osgood Field with one of George Vanderbilt’s Saint Bernards, c. 1900. Willie played a significant role in the courtship of George and Edith Vanderbilt.
William B. Osgood Field with one of George Vanderbilt’s Saint Bernards, c. 1900. Willie played a significant role in the courtship of George and Edith Vanderbilt.

A Transatlantic Romance

In December of 1897, George Vanderbilt boarded the ocean liner SS St. Paul and began the adventure of his lifetime. Bound for England, Egypt, and India, the 35-year-old bachelor set sail with his friend William “Willie” B. Osgood Field. Also on board was Edith Stuyvesant Dresser, accompanied by her chaperone. George, Edith, and Willie spent time together on board, reading books aloud to each other and playing cards.

Willie wrote of the trip: “I soon saw that he [George] was rather smitten.”*

The Eiffel Tower in Paris, c. 1890. George and Edith Vanderbilt’s transatlantic courtship led the pair to wed in a Parisian civil ceremony with a religious ceremony the following day.
The Eiffel Tower in Paris, c. 1890. George and Edith Vanderbilt’s transatlantic courtship led the pair to wed in a Parisian civil ceremony with a religious ceremony the following day.

A Parisian Wedding

Smitten he was, for just six months later, after a whirlwind courtship abroad, George and Edith were married in Paris in a 15-minute civil ceremony on June 1, 1898. The wedding was presided over by the mayor of Paris at the Town Hall of the Eighth District in the Rue Anjou. An understated religious ceremony was held the following day at the American Church of the Holy Trinity, attended only by family and close friends.

Villa Vignolo near Stresa, Italy, c. 1898.
Villa Vignolo on the shores of Lake Maggiore near Stresa, Italy, c. 1898.

An Italian Honeymoon

Following their Parisian wedding, the Vanderbilts stayed near Stresa in the Lake District of Italy for the much of the summer. A peaceful villa served as the couple’s home base as they explored the area’s spectacular Alpine scenery and took short trips to visit some of Italy’s finest museums and galleries.

It wasn’t until after their transatlantic courtship, their Parisian wedding, and their Italian honeymoon that Edith first saw Biltmore, her new home.

*William B. Osgood Field Papers, Manuscripts and Archives Division. New York Public Library. Astor, Lenox, and Tilden Foundations.

Housekeeping in High Altitudes

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“I feel like a kid, climbing up on a jungle gym,” said Samantha Bridges, as she secured her hard hat. Stepping onto an elaborate scaffold built by Biltmore’s in-house carpentry team to safely access a 1,700-pound chandelier, the Biltmore housekeeping team starts work on a multi-day cleaning project. The dusting of this enormous light fixture happens annually in Biltmore House.

Photo of housekeepers cleaning Biltmore House's Grand Staircase chandelier

The dramatic Grand Staircase chandelier dates back to 1895, the year George Vanderbilt moved into the home. The staircase’s appearance from the outside is one of the home’s most distinguishable architectural features. Arguably, thousands of our guests have taken pictures of this engineering marvel.

Picture of the Grand staircase external architecture from outside the Biltmore House

Samantha and co-worker Cindy Crabtree spend the next hour carefully dusting the fixture’s top-level candle lamps. Using goat hair brushes and vacuum cleaners, the women stand inside the fixture, slowly working their way around its perimeter gently swooshing away dust and cobwebs.

Picture of duster brushes used by Biltmore housekeeping to clean fragile items

Focused on the intricate iron designs around the lamps, Cindy steps back slightly, and holds up her brush. “It’s swaying,” she said, pausing to let the chandelier settle back into place. The chandelier is suspended by a single bolt, held in place by a copper dome on the rooftop of Biltmore House.

Close up of Biltmore housekeeping cleaning lightbulbs on Grand Staircase chandelier

Above the lamps on this level is a decorative element so high up that Cindy and Samantha must extend long-handled dusters as far as they’ll stretch to reach it.

Biltmore housekeeping extends long duster to clean high up details of the grand staircase chandelier

With rooms that soar high above, the housekeeping team is accustomed to working several stories up. Safety precautions are taken to make sure they are secure, and that equipment is out of guest pathways.

Below visual of Biltmore's housekeeping team cleaning the Grand Staircase chandelier

Cindy says that any nerves she might have about working at such heights have diminished over the years, as this is her third year working on the Biltmore housekeeping team. Samantha said she keeps in mind to be aware of her surroundings. “Know your space and what’s around you and if you move, you know you have to remember that something fragile is around you.”

Even a 1,700-pound chandelier is considered a “fragile” heirloom? Indeed.

Cindy Crabtree and Samantha Bridges, Biltmore Housekeeping Team Members

Cindy Crabtree and Samantha Bridges, Biltmore Housekeeping Team Members

Biltmore’s Historic Honeymooners

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Did you know Biltmore has historically been the site of many honeymoons and romantic occasions?

Perhaps it’s the warm, pink glow of the mountains as the sun sets over the Deer Park, the way the wind carries a sweet perfume from the gardens into the air, or the subtle whisper of a bottle of sparkling wine being masterfully uncorked nearby, but one thing is for sure—love is certainly in the air at Biltmore.

From before construction of Biltmore House was completed all the way to our modern day guests who visit, there is no denying that this historic estate offers a desirable destination for a romantic getaway any time of year.

Get to know some of Cupid’s earliest captives and the historic honeymooners who spent their precious time together at Biltmore many moons ago.

Jay & Adele Burden’s Honeymoon

Jay and Adele Burden honeymooned at River Cliff Cottage on Biltmore Estate, c. 1895
Jay and Adele Burden honeymooned at River Cliff Cottage on Biltmore Estate, c. 1895

One of Biltmore’s earliest guests included newlyweds, Jay Burden and Adele Sloane, George Vanderbilt’s niece. The darling young couple spent their honeymoon with a romantic retreat to River Cliff Cottage at Biltmore in June of 1895, months before Biltmore House was completed.

“Adele, actually Lila Sloane’s older sister, wrote about Biltmore being terribly romantic years before she married Jay Burden—it seems her opinion didn’t change!” says Meghan Forest, Biltmore’s Archives and Curatorial Assistant.

Ernesto & Edith Fabbri’s Honeymoon

Biltmore Honeymooners Ernesto and Edith Fabbri, c. 1896
Biltmore Honeymooners Ernesto and Edith Fabbri, c. 1896

Ernesto Fabbri and Edith Shepard, another one of George Vanderbilt’s nieces, celebrated their nuptials with a honeymoon at Biltmore after their 1896 wedding.

Records indicate that Biltmore remained a special place for the Fabbris as they visited Biltmore six more times together over the next nine years, bringing along their children after they were born.

George & Edith Vanderbilt’s Homecoming

George and Edith Vanderbilt, c. 1900
George and Edith Vanderbilt, c. 1900

George Vanderbilt was a bachelor when he first moved into Biltmore House. It would only be a few short years before he met his bride-to-be, Edith Stuyvesant Dresser.

After whirlwind courtship abroad, George and Edith were married in Paris in a 15-minute civil ceremony on June 1, 1898. The couple honeymooned in Italy for three months before arriving home to Biltmore in October.

Ever the romantic, a 1910 correspondence shows that George coordinated some modifications to Biltmore House as a surprise for Edith when she returned home from a trip abroad, including adding stairs by the Porte Cochere to provide access to a forest trail.

Willie & Lila Field’s Honeymoon

Biltmore Honeymooners Willie and Lila Field, c. 1902
Biltmore Honeymooners Willie and Lila Field, c. 1902

One of George Vanderbilt’s closest comrades, William B. Osgood Field, was a frequent guest at Biltmore. During subsequent visits, “Willie” was introduced to one of George Vanderbilt’s nieces, Lila Sloane. It seems there was some matchmaking at play as the duo may have been deliberately encouraged to do activities together. The couple became engaged at Biltmore and spent their honeymoon on the estate, as well.

An interest piece about the Willie and Lila Field honeymoon from society columnist “Cholly Knickerbocker” read:

“[George Vanderbilt] is fond of paying this particular kind of compliment to his young relatives, and Biltmore, one of the most fairy-like country seats in this country, has been the scene of quite a number of honeymoons, and of the inauguration of what have turned out to be happy marriages. In this case the selection of Biltmore for the honeymoon will be especially appropriate. For it was there that Willie Field and Lila Sloan first plighted their troth and became engaged.”

Cornelia & John F.A. Cecil’s Wedding

Portrait of the Honorable and Mrs. John F.A. Cecil’s wedding party inside the Tapestry Gallery, c. 1924
Portrait of the Honorable and Mrs. John F.A. Cecil’s wedding party inside the Tapestry Gallery, c. 1924

Wedding bells rang as Cornelia, George and Edith Vanderbilt’s daughter, married the Honorable John Francis Amherst Cecil at All Souls Church in Biltmore Village on April 29, 1924.

No detail was spared in this elaborate celebration that welcomed notable guests from around the globe and intrigued society columns.

Biltmore is a Romantic Getaway for the Ages

Romantic sunset view of the Deer Park from Biltmore's Library Terrace
Romantic sunset view of the Deer Park from Biltmore’s Library Terrace

Whether it’s warming up together by the fireside at The Inn on Biltmore Estate, taking a mini tropical vacation inside the Conservatory, marveling at the grandeur and history inside Biltmore House, sharing a sweet treat in Antler Hill Village, or spending time exploring the gardens and grounds at dusk, we can say confidently that Biltmore’s reputation as a romantic getaway for sweethearts has aged like a fine wine.

No matter the time of year, we invite you to find, rekindle, or celebrate your love at Biltmore. For the ultimate romantic getaway, join us as an overnight guest at our four-star Inn, cozy Village Hotel, or one of our private historic Cottages and enjoy the beauty of this “fairy-like” country estate as George Vanderbilt intended.

The 1940 Azalea Garden Ceremony: Revisited

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In the past, we’ve shared the story of the 1940 Azalea Garden ceremony honoring Chauncey Beadle, an estate horticulturalist who later became superintendent, for his lifetime of service to the estate. Thanks to this new research from our Museum Services team, we now know that nine other employees were also honored for their many years of service in that ceremony, including four Black men affiliated with the Landscape Department.

There is limited information on each of these men, with some scattered archival references to their work throughout their years of service. By its very nature, our archival collection is fragmented—consisting of various payroll records, correspondences, and other documents that have fortunately been preserved over the estate’s more than 125-year history. Our effort to process these materials and learn more about these individuals is ongoing—yet we are eager to begin shedding light on them as well as many other notable employees.

Photograph of the Azalea Garden ceremony on April 1, 1940. These men are presumed to be the four Black men recognized for their service on this day: Charlie Lytle, James
Photograph of the Azalea Garden ceremony on April 1, 1940. These men are presumed to be the four Black men recognized for their service on this day: Charlie Lytle, Jimmie Rutherford, Benjamin Perry Hemphill, and John Robinson. Donated to Biltmore by Ione Rudolph Shine, Chauncey Beadle’s niece.

Charlie Lytle

Though he was employed by Biltmore the longest of the group, there is the least amount of information about Charlie Lytle in our archives. He is only mentioned in construction-era payroll records, some incident reports, and a few employee Christmas gift lists, but he is generally listed as a laborer for planted areas in these documents. Lytle was honored for 51 years of service in the Azalea Garden ceremony. According to his death certificate, he was still a laborer for the estate when he died in 1943 at age 72.

James “Jimmie” Rutherford

Like Lytle, most archival mentions of James “Jimmie” Rutherford are incident reports and employee Christmas gift lists, though several letters confirm that he was working as a lineman for waterworks, sewers, and drains from at least 1914 to 1937. In 1931, an incident report reveals that he also laid bricks in a furnace for the estate, which tells us he wore many hats. Per census information, he was a superintendent for a private estate water worker in 1940, indicating a more managerial role later in his career. Rutherford was honored for 49 years of service in the Azalea Garden ceremony. He was 70 years old.

Archival document compiled in preparation for the Azalea Garden ceremony. As the longest-serving employees, Charlie Lytle, James
Archival document compiled in preparation for the Azalea Garden ceremony. As the longest-serving employees, Charlie Lytle, James “Jimmie” Rutherford, Benjamin Perry Hemphill, and John Robinson were listed first of the nine total employees recognized in addition to Beadle.

Benjamin Perry Hemphill

The picture of Benjamin Perry Hemphill’s contributions to Biltmore is a bit more complete. The first mention of him in the archival records is an 1896 letter in which Beadle writes that he hired Hemphill to assist him “in caring for the greenhouses and formal gardens.” By 1903, Hemphill was head gardener in the Walled Garden and Conservatory, reporting to Chauncey Beadle.

It was uncommon for most employees to be in direct communications with the Vanderbilts about estate operations; these conversations were typically relayed through a chain of command. However, a 1906 correspondence shows Edith Vanderbilt conveying directly to Hemphill her wishes for specific varieties of azaleas to be sourced and brought to Biltmore, demonstrating how trusted he was as a Biltmore employee.

Hemphill was honored for 47 years of service in the Azalea Garden ceremony. According to his obituary in January 1948, he retired from working at Biltmore in March 1947, at around the age of 82.

John Robinson

John Robinson began working for the estate in 1893 as a water boy in the brick yard during construction. Correspondence from 1902 indicates that around that time, he was a road sweeper, primarily over the Approach Road and the Service Road. He became an office messenger, similar to a mail carrier, by the 1910s, assisting Chauncey Beadle with a variety of requests from the family.

Like Hemphill, Robinson’s direct communication with the Vanderbilts demonstrates what a trusted and valued employee he was. In 1924, he was one of two people that Edith Vanderbilt personally requested to hand-deliver invitations for her daughter Cornelia’s wedding to John F.A. Cecil.

Robinson was honored for 47 years of service in the Azalea Garden ceremony. According to his 1957 death certificate, he was employed by Biltmore for “some 60 years.”

Workers stand with a locomotive on the Esplanade during the construction of Biltmore House, 1892. The stories of various members of the diverse workforce that created America’s Largest Home About BiltmoreLocated in Asheville, N.C., Biltmore was the vision of George W. Vanderbilt. Designed by Richard Morris Hunt, America’s Largest Home® is a 250-room French Renaissance chateau, exhibiting the Vanderbilt family’s original collection of furnishings, art and antiques. Biltmore estate encompasses more than 8,000 acres including renowned gardens designed by Frederick Law Olmsted, the father of American landscape architecture. Today, Biltmore includes Antler Hill Village, which features the award-winning Winery and Antler Hill Farm; The Inn on Biltmore Estate, a four-star property; Village Hotel on Biltmore Estate; Equestrian Center; numerous restaurants; event and meeting venues; and Biltmore For Your Home, the company’s licensed products division. To learn more about Biltmore, go to www.biltmore.com or call 877-BILTMORE. are highlighted in our new exhibit: Building Biltmore House.
Workers stand with a locomotive on the Esplanade during the construction of Biltmore House, 1892. The stories of various members of the diverse workforce that created America’s Largest Home® are highlighted in our new exhibit: Building Biltmore House.

An Ongoing Effort

Charlie Lytle, James “Jimmie” Rutherford, Benjamin Perry Hemphill, and John Robinson all started their employment with the estate during the construction-era of Biltmore House. Additional employee stories from this research are shared in our new permanent exhibit: Building Biltmore House, on display in the Halloween Room beginning February 4.

We are committed to learning more about the contributions of these and other employees at Biltmore. If you have any family connections to the estate’s history, you can reach us at museumservices@biltmore.com.

Feature image: Crowd gathering for the Azalea Garden ceremony. Photograph donated to Biltmore by Ione Rudolph Shine, Chauncey Beadle’s niece.

Exhibition Explores Construction of Biltmore House

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Our Building Biltmore House exhibition explores the construction of George Vanderbilt’s magnificent home—a massive project that took hundreds of workers seven years to complete.

Learn more about how this exhibition came to life.

“Building Biltmore House” is displayed in the Halloween Room of Biltmore House.

A new take on our construction story

“For nearly two decades, we displayed photographs and stories about the construction of Biltmore House in the Basement area known as the Halloween Room. It was a favorite of our guests, but we removed the panels in 2019 to make room for components of a different exhibition,” said Meghan Forest, Curator of Interpretation.

According to Meghan, the Building Biltmore House exhibition, also located in the Halloween Room, uncovers additional in-depth information about the people, circumstances, and innovations surrounding the building of America’s Largest Home®.

“One important goal of the exhibition is to focus more on the craftsmanship and labor of the employees who worked on the project rather than just the construction techniques,” noted Meghan. “Through continuing research in our own archives and outreach to descendants of some of the original workers, we have been able to share new stories that add depth and context to Building Biltmore House.”

Discovering personal connections

In the course of the archival research for this exhibition, Biltmore worked closely with Dr. Darin Waters who serves as North Carolina Deputy Secretary for Archives and History in the Office of Archives and History for the NC Department of Natural and Cultural Resources.

His personal connection with Biltmore dates back more than two decades, and his ancestors’ history with the estate dates back more than a century, presenting a thematic through-line for his own life story. Guests are able to learn more about Dr. Waters’ research and family discoveries as they take in the details of Building Biltmore House.

(L-R) purchasing agent and agricultural consultant Edward Burnett, architect Richard Morris Hunt, landscape architect Frederick Law Olmsted, George Washington Vanderbilt, and architect Richard Howland Hunt, son of Richard Morris Hunt, 1892

Design dream team

In 1889, 26-year-old George Vanderbilt recruited two of the nation’s most sought-after design professionals, architect Richard Morris Hunt, and landscape designer Frederick Law Olmsted, to assist him in building a grand estate that would serve as a scenic retreat for the young man’s family and friends.

Both Hunt and Olmsted had been instrumental in shaping the look of late-19th-century New York, with Hunt having designed the Statue of Liberty pedestal and the Great Hall of the Metropolitan Museum of Art, and Olmsted creating the tranquil greenspace of Central Park and advocating for the preservation of Niagara Falls State Park.

Sketch of Biltmore House
Archival sketch of Biltmore House façade, drafted prior to construction, does not include the glass-roofed Winter Garden that was added as plans were finalized

Planning and inspiration

Having purchased a total of 125,000 acres since his first visit to Asheville in 1888, Vanderbilt charged Olmsted with choosing the site of his future country home along with designing the manicured gardens and grounds that would rehabilitate the acreage’s former farms and cutover woodlands.

Vanderbilt, Hunt, and Hunt’s wife Catharine then embarked on a two-month trip across England and France to gather ideas. The journey proved a success, as Hunt eventually designed a 175,000-square-foot French Renaissance Revival-style château influenced by the exteriors of France’s Blois, Chambord, and Chenonceau estates, and the interiors of Knole Palace, Hatfield House, and Haddon Hall in England.

Vanderbilt named his estate “Biltmore” for Bildt, the Dutch town of his ancestry, and the old English word “more” meaning open, rolling land.

Building Biltmore House
George Vanderbilt escorts a group of guests on the South Terrace during contruction. 1893

Building Biltmore House

When construction began hundreds of workers and tradesmen arrived daily to perform general labor as well as blacksmithing, painting, carpentry, and stone carving. While many materials such as bricks and stone were sourced locally, others were imported from across the country and overseas.

Men, materials, and supplies arrived at the construction area on standard gauge rail lines supported by trestles designed by Olmsted to span the mountainous terrain without damaging the forests below. The construction site became a bustling city of its own, with workers occupying temporarily built offices, workshops, and sheds.

Watch archival footage of George Vanderbilt’s magnificent estate “rising” from its foundations!

Biltmore House comes to life

Month by month, George Vanderbilt’s vision took shape as Biltmore House rose from its foundation. The home consisted of 250 rooms, including 101 guest and servant bedrooms, 65 fireplaces, and 43 bathrooms.

Luxurious, state-of-the-art conveniences like indoor plumbing and electricity were included in the house, along with a fire alarm system, two elevators, and a telephone system. A bowling alley, gymnasium, and 70,000-gallon indoor swimming pool were built to provide entertainment and exercise during inclement weather.

Archival photo of a marble lion statue at Biltmore
One of two iconic lion sculptures, crafted from Rosso di’Verona marble, await installation at Biltmore House. March 1894

The end of a long journey

As with any significant undertaking, one must aim for a deadline, and George Vanderbilt declared December 24, 1895, as the date that his labor of love would be unveiled.

Final touches on the landscaping took place, the makeshift workshops on the property were disassembled, and cabinetmakers and carpenters hastened to finish the endless custom details within the home. Although several areas including the Library and his own bedroom were still incomplete, George Vanderbilt welcomed his mother and 26 other relatives to celebrate Christmas Eve in his new home.

8 great reasons to visit Biltmore this fall
In addition to enjoying our Building Biltmore House exhibition, enhance your visit with a Rooftop Tour that includes spectacular views and stories.

Experience Building Biltmore House and more

“We invite all of our guests to visit our Building Biltmore House exhibition located in the Halloween Room to learn about the inspiring individuals who came together during the construction of Biltmore House and its surrounding gardens and grounds,” said Meghan.

In addition to being included as part of Biltmore House admission, our Building Biltmore House exhibition is now available online for more guests to enjoy and learn about how the vision became a reality.

To experience more fascinating behind-the-scenes stories of this Gilded Age estate, consider reserving one of our specialty tours such as a Rooftop Tour or another option.

Important Note: Because of the historic architecture, only the First and Second Floors are accessible. Guests who are unable to go to the Third Floor and Basement may visit our designated Second Floor rest area and watch a video of the rooms they are unable to access. Go here to learn more about accessibility at Biltmore.

Featured image: Visible through a third-floor window faced with decorative limestone veneer above the Porte Cochere are the brick walls and iron joists that provide structure for Biltmore House, ca. 1893